{"id":118646,"date":"2023-03-29T00:52:53","date_gmt":"2023-03-29T00:52:53","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?page_id=118646"},"modified":"2025-04-17T21:25:41","modified_gmt":"2025-04-17T21:25:41","slug":"prensa-2021","status":"publish","type":"page","link":"https:\/\/www.edicionesfranz.com\/?page_id=118646","title":{"rendered":"Prensa 2021"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb200983″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb562912″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-555555″ text_size=\u00bbh5″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb210282″ text_color_type=\u00bbuncode-palette\u00bb]Prensa 2021[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb133983″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9797″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb641078″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb963274″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb975240″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCuando te adentras en el mundo on\u00edrico, alucinado y esquizoide de estos Signos herm\u00e9ticos\u2026<\/em> sientes que alguien te est\u00e1 zarandeando, que te arrastra por caminos, para ti, ignotos como lector. Es como si fueras el visitante intruso del interior de una esfera (azul, claro) habitada por N, Z y Mau Mau, y alguien la estuviera agitando desde fuera. Es imposible, por tanto, tener una visi\u00f3n lineal de estos personajes o de la historia que el autor desarrolla en giros constantes, en \u00f3rbita el\u00edptica, pero no alrededor de la esfera, sino en el interior\u00bb.<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb192874″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa experiencia de leer esta novela es \u00fanica, nueva, maravillosa, y me ha hecho un adicto a la forma de escribir de Garc\u00eda-Villalba\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb166095″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Paco Pa\u00f1os[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb673203″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLibros murcianos (m\u00e1s o menos) de 2021\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Paco Pa\u00f1os
\n<\/strong><\/span><\/p>\n

eldiario.es<\/a>
\n<\/strong><\/span><\/p>\n

31 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb70″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb124189″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb937801″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9885″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb151309″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb199250″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb188690″]\u00abCon el escritor palmero Nicol\u00e1s Melini escuchamos su playlist, con m\u00fasica de cuatro continentes, y hablamos de su vida, de su isla, de su \u00faltimo libro de relatos, Tal\u00f3n,<\/em> y de su oficio, buscar lo verdadero\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb107966″]\u2014Carlos Santos[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb198504″]\u00ab<\/em>Nicol\u00e1s Melini: buscador de verdades\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Carlos Santos
\n<\/strong><\/span><\/p>\n

RNE<\/a>
\n<\/strong><\/span><\/p>\n

22 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb553973″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9729″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb672491″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb168585″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAntes de nada, debo decir que he flipado con Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em>\u00bb, confiesa Lujo Berner en la frase que abre su introducci\u00f3n al libro de Alfonso Garc\u00eda-Villalba. \u00abCon elipses y \u00f3rbitas parece construirse la geometr\u00eda de esta novela\u00bb, contin\u00faa Berner, \u00abque desconf\u00eda, por sistema, de lo lineal: ese horizonte que desaparece…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb193098″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna de las protagonistas, en un momento dado, le dice al protagonista masculino: \u00abTodo tiene que ver con la desintegraci\u00f3n de una conciencia, esa cosa de la que t\u00fa pretendes escribir\u00bb. En este desaf\u00edo parece residir la ambici\u00f3n que mueve, no solo Signos herm\u00e9ticos de una nueva melancol\u00eda,<\/em> sino todo el corpus de la obra del propio Alfonso Garc\u00eda-Villalba. La meticulosa descomposici\u00f3n del individuo en todos sus frentes: sue\u00f1os y recuerdos, relaciones y estatus.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb164010″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Lujo Berner[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb229603″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEntrevista a Alfonso Garc\u00eda-Villalba<\/em>\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Lujo Berner
\n<\/strong><\/span><\/p>\n

El\u00a0Coloquio de los Perros<\/a>
\n<\/strong><\/span><\/p>\n

16 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb180655″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb910074″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9726″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb933731″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb411086″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb178596″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUno de los autores m\u00e1s interesantes de la literatura espa\u00f1ola actual que, con esta novela, ampl\u00eda y consolida un mundo est\u00e9tico radicalmente original para el que me cuesta encontrar referentes dentro de nuestra tradici\u00f3n\u00bb. As\u00ed empieza Diego S\u00e1nchez Aguilar el rese\u00f1\u00f3n que ha escrito sobre la novela de Alfonso Garc\u00eda-Villalba, Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em>.\u00a0\u00abLo que define Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em> (y que tambi\u00e9n pod\u00eda encontrarse en su libro de relatos Esquizorrealismo<\/em>, 2014, y en su anterior novela Homoconejo<\/em>, de 2016) es una concepci\u00f3n del hecho narrativo que se aleja por completo de la idea de linealidad y, por supuesto, de la sant\u00edsima trinidad del planteamiento-nudo-desenlace\u00bb<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb580151″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb161110″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEscapar de la l\u00ednea recta en la novela: Signos herm\u00e9ticos de una nueva\u00a0melancol\u00eda,<\/em> de Alfonso Garc\u00eda-Villaba\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Diego\u00a0S\u00e1nchez Aguilar
\n<\/strong><\/span><\/p>\n

Pliego Suelto<\/a>
\n<\/strong><\/span><\/p>\n

9 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb112991″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9724″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb114022″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb153495″ text_color_type=\u00bbuncode-palette\u00bb]Se anunci\u00f3 la presentaci\u00f3n del ultimo libro de cuentos de Nicol\u00e1s Melini, autor de Tal\u00f3n<\/em>, que iba a tener lugar en la plaza del Adelantado de La Laguna, en el marco de la Feria del Libro de Tenerife que este a\u00f1o se celebr\u00f3 en esa localidad. El escritor Bueno Mesa tuvo la amabilidad de hacerle los honores al prol\u00edfico autor y a su \u00faltimo libro.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb126599″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNicol\u00e1s Melini presenta su libro de cuentos, Tal\u00f3n, en la Feria del Libro de Tenerife<\/em>\u00bb
\n<\/em><\/strong><\/span><\/p>\n

La Palma\u00a0Ahora
\n<\/strong><\/span><\/p>\n

elDiario.es
\n<\/strong><\/span><\/p>\n

9 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb128472″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9721″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb511149″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb216235″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb103318″ text_color_type=\u00bbuncode-palette\u00bb]Casandra Gonz\u00e1lez \u201ctertule\u00f3\u201d con Rafael-Jos\u00e9 D\u00edaz, autor de De un modo enigm\u00e1tico<\/em>, interes\u00e1ndose por sus inicios como escritor, su proceso creativo, si la insularidad ha marcado su hacer literario, su opini\u00f3n sobre la literatura canaria, entro otros temas. D\u00edaz rememor\u00f3 su primer libro, El canto en el umbral,<\/em> y confes\u00f3 que la poes\u00eda sigue \u00abescribi\u00e9ndola a mano\u00bb y que \u00ablas palabras nos ocupan mientras nos ocupamos de las palabras\u00bb. A prop\u00f3sito de la insularidad, le parece que podr\u00eda ser que simplemente la isla \u00abflote en el oc\u00e9ano de la mente\u00bb o que, de alguna manera, \u00abla isla viva dentro de nosotros y al mismo tiempo es el espacio en donde vivimos…\u00bb. Cit\u00f3 a Homero y a Emily Dickinson como faros, mencion\u00f3 a artistas canarios cuyas obras son \u00abpotentes, arriesgadas, sin concesiones\u00bb, como la del artista, Jes\u00fas Hern\u00e1ndez Verano, que acompa\u00f1a a su literatura en el libro publicado por Franz, el cual le parece a D\u00edaz \u00abuna edici\u00f3n de museo\u00bb, que lo es:\u00a0\u00abSe trata, en efecto, de un libro en el que la escritura, liberada de las ataduras de los g\u00e9neros, traza un secreto di\u00e1logo con la imagen, con las im\u00e1genes que se van intercalando como emblemas de lo indecible\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb132975″ text_color_type=\u00bbuncode-palette\u00bb]\u00abRafael-Jose D\u00edaz\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Casandra Gonz\u00e1lez
\n<\/strong><\/span><\/p>\n

Tertulia y Arte<\/a>
\n<\/strong><\/span><\/p>\n

6 de diciembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb135696″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9739″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb174489″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb103299″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCon una narraci\u00f3n \u00e1gil, cargada de ternura, nostalgia e ingenio, Alberto de Frutos busca sorprender al lector con cada una de esas historias cotidianas que nos muestran que cada existencia humana es algo inusitado y singular\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb103489″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVerdes hojas\u00a0ovaladas\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Revista Nosocomio n\u00ba90
\n<\/strong><\/span><\/p>\n

Noviembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb72″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb202732″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb171005″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9672″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb200443″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb114862″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb149428″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAl comienzo de la segunda parte de este libro, el autor incluye una serie de citas entre la que hallamos una que, desde mi punto de vista, ofrece una clave para analizar el libro. Se trata de una frase del psic\u00f3logo suizo Carl G. Jung: \u201cS\u00f3lo tiene significado lo no comprensible\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb211889″ text_color_type=\u00bbuncode-palette\u00bb]\u00abFrente a estas exigencias que la obra propone al lector y que pueden disuadir a aquellos que busquen narraciones convencionales, Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em> ofrece una serie de elementos, muchos de ellos simb\u00f3licos, que se repiten y que dan solidez al libro…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb204131″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Basilio Pujante[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb131282″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSignos herm\u00e9ticos de una nueva melancol\u00eda\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Basilio Pujante
\n<\/strong><\/span><\/p>\n

El Noroeste<\/a>
\n<\/strong><\/span><\/p>\n

3 de noviembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb130230″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9538″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb127959″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb697991″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNovela inclasificable pero tan on\u00edrica y adictiva como los escarabajos psicoactivos que pueblan sus p\u00e1ginas\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb137630″ text_color_type=\u00bbuncode-palette\u00bb]\u00abA caballo entre m\u00faltiples planos de la realidad, los personajes giran y se enredan hasta confundirse entre s\u00ed\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb159246″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDeslumbramiento literario\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb143503″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Jos\u00e9 Daniel Espejo[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb686391″ text_color_type=\u00bbuncode-palette\u00bb]Alfonso Garc\u00eda-Villalba, escritor: \u00abTodo el arte debe procurar abrirse a otras realidades\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Jos\u00e9 Daniel Espejo
\n<\/strong><\/span><\/p>\n

eldiario.es<\/a>\u00a0<\/a>
\n<\/strong><\/span><\/p>\n

19 de octubre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb149981″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb964547″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9374″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb196875″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb704896″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb128801″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs bueno que el argumento sea dif\u00edcil\u00bb, le dice Garc\u00eda-Villalba a Asier Ganuza.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb382049″ text_color_type=\u00bbuncode-palette\u00bb]\u00abExplicar de qu\u00e9 trata lo que he escrito no tiene nada que ver con la experiencia de lectura que pueda tener el lector. Para leer Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em> hay que dejarse llevar, al igual que nos dejamos llevar por el sonido o la m\u00fasica o la experiencia pict\u00f3rica\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb111580″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Asier Ganuza[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb866320″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa claridad es una forma de adoctrinamiento\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Asier Ganuza
\n<\/strong><\/span><\/p>\n

La Opini\u00f3n de Murcia
\n<\/strong><\/span><\/p>\n

12 de octubre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb240091″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb111087″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9373″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb457069″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb108561″ text_color_type=\u00bbuncode-palette\u00bb]El autor tinerfe\u00f1o presenta un libro de relatos que dialogan con la obra pict\u00f3rica de Jes\u00fas Hern\u00e1ndez Verano. El volumen re\u00fane 24 textos, escritos entre 2016 y 2019, que \u00abenturbian la mente con literarias brumas\u00bb.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb196980″ text_color_type=\u00bbuncode-palette\u00bb]Rafael-Jos\u00e9 D\u00edaz publica De un modo enigm\u00e1tico<\/em>
\n<\/em><\/strong><\/span><\/p>\n

Redacci\u00f3n
\n<\/strong><\/span><\/p>\n

Diario de Avisos
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12 de octubre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb474714″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9377″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb953877″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb337838″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb960579″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn tono l\u00edrico y envolvente que, como un mantra, consigue atraparte y llevarte hasta el final en un rapto hipn\u00f3tico\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb567806″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay fragmentos de Signos herm\u00e9ticos de una nueva melancol\u00eda\u00a0<\/em>realmente bellos\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb172412″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa acci\u00f3n, subsumida por un lirismo violento\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb535620″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos protagonistas parecen humanos aunque hay en ellos una energ\u00eda mutante\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb206887″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Pedro Pujante[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb157362″ text_color_type=\u00bbuncode-palette\u00bb]Hermen\u00e9utica de la melancol\u00eda
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Pedro Pujante
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La Opini\u00f3n de Murcia
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9 de octubre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb199806″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9595″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb905316″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb456072″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTiene un personaje, \u00bfo es s\u00f3lo la silueta de un personaje?\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb817077″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab Necesitaba un nombre, un cuerpo, una voz, capaz de representar a toda una generaci\u00f3n\u00bb<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb674135″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLo que viene despu\u00e9s son las adicciones, los deseos, las obsesiones y los miedos que aguardan detr\u00e1s de la sonrisa de una juventud omnipotente\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb888391″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna novela sobre la incertidumbre. Pero tambi\u00e9n, claro, una historia de amor\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb725872″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Santi Mazarrasa[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb196458″ text_color_type=\u00bbuncode-palette\u00bb]Escribir lo inenarrable
\n<\/em><\/strong><\/span><\/p>\n

Santi Mazarrasa
\n<\/strong><\/span><\/p>\n

Zenda Libros
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30 de septiembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb189063″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb718885″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb118802″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb765164″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb251270″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb709186″]\u00abEl libro puede sorprender a muchos. Es una novela compleja, en cierto modo, pero no deja de ser de f\u00e1cil lectura\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb197422″]\u2014Alfonso Garc\u00eda-Villalba[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb107490″]Signos herm\u00e9ticos de una nueva melancol\u00eda
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M\u00f3nica Jara
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Murcia Cultural
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17 de septiembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb702018″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9161″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb636638″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb176635″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAunque todo el rato se manejan figuras del \u00e1mbito de lo sublime, Or\u00e1culo<\/em> no es un libro ni artificioso ni anticuado\u00bb, dice B\u00e1rbara Mingo Costales en la rese\u00f1a que ha escrito sobre el precioso libro de Andr\u00e9s Moutas,\u00a0publicada en el n\u00ba 240 de la revista en papel, versi\u00f3n espa\u00f1ola.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb342050″ text_color_type=\u00bbuncode-palette\u00bb]Somos seres antiguos
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B\u00e1rbara Mingo Costales
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Letras Libres
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Septiembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb804653″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb107906″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9737″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb183662″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb202565″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb189396″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAlberto de Frutos es un gran lector, el propio t\u00edtulo del libro pertenece a una frase subrayada en el famoso libro de James Joyce\u00bb.<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb987664″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEstos relatos nos miran a la cara, buscando nuestros ojos y nos clavan su mirada, hiri\u00e9ndonos en lo mas profundo mientras nos susurran al o\u00eddo: \u201cSoy t\u00fa\u201d\u00bb<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb987664″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEstos relatos nos miran a la cara, buscando nuestros ojos y nos clavan su mirada, hiri\u00e9ndonos en lo mas profundo mientras nos susurran al o\u00eddo: \u201cSoy t\u00fa\u201d\u00bb<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb667848″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Rub\u00e9n Olivares[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb151353″ text_color_type=\u00bbuncode-palette\u00bb]Verdes hojas ovaladas,<\/em> de Alberto de Frutos D\u00e1valos
\n<\/em><\/strong><\/span><\/p>\n

Rub\u00e9n Olivares
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Letras en Vena<\/a>
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7 de septiembre de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb163761″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb908331″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8950″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb180322″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb268291″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl protagonista, Cayo Valerio, humano, par\u00e1sito e insecto, forma parte del arquetipo de la novela del siglo XX, y hasta hoy: el hombre desarraigado por el extrav\u00edo de la identidad\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb873949″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna novela generativa en tanto en cuanto se crea a s\u00ed misma mientras la leemos, y se cita a s\u00ed misma: Como no sabe por d\u00f3nde seguir, abre su cuaderno y escribe la frase \u201cabre su cuaderno\u201d\u00bb<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb406907″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna narraci\u00f3n potent\u00edsima que ya es una de las grandes novelas del a\u00f1o\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb120747″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Jos\u00e9 Carlos Rodrigo Breto[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb159809″ text_color_type=\u00bbuncode-palette\u00bb]Santi Mazarrasa debuta con El Aspirante<\/em>: el lento harakiri<\/em> de Cayo Valerio
\n<\/em><\/strong><\/span><\/p>\n

Jos\u00e9 Carlos Rodrigo Breto
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Achtung!<\/a>
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19 de julio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb148416″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8915″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb762112″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb148166″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb167213″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn esta singular obra, el autor plantea un retrato generacional\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb178734″ text_color_type=\u00bbuncode-palette\u00bb]\u2014\u00c1lvaro Polavieja[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb178363″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUno de los m\u00e9ritos de Mazarrasa en esta arriesgada obra es mantener el ritmo, la tensi\u00f3n narrativa, algo realmente dif\u00edcil para un autor que se enfrenta por primera vez al reto de escribir una novela\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb152139″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Luis Alberto Salcines[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb178443″ text_color_type=\u00bbuncode-palette\u00bb]El c\u00e1ntabro Santiago Mazarrasa publica su primera novela
\n<\/em><\/strong><\/span><\/p>\n

\u00c1lvaro Polavieja
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Viaje hacia la destrucci\u00f3n
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Luis Alberto Salcines
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El Diario Monta\u00f1\u00e9s
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2 de julio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb214252″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb125790″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8955″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb941818″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb205601″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196315″]\u00abSu estructura narrativa es singular, compleja, muy compartimentada, llena de ep\u00edgrafes, cimentada en un solo personaje, multiplicado en varios yoes, y se desarrolla casi en su totalidad dentro de una sola habitaci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb135199″]\u2014R. D\u00edaz[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb156398″]El Aspirante, primera\u00a0novela de\u00a0Santi Mazarrasa
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R. D\u00edaz \/ J. Izquierdo
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TVE<\/a><\/strong>
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12 de julio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb927987″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9407″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb902191″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb392778″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb104005″]\u00abPara Cort\u00e1zar los cuentos son \u201ccriaturas vivientes\u201d que respiran en todo momento la esencia misma de la condici\u00f3n humana. Y as\u00ed son y as\u00ed se comportan las 17 narraciones que Nicol\u00e1s Melini ha reunido en Tal\u00f3n\u00bb<\/em>[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb644667″]\u2014Felipe Garc\u00eda Land\u00edn[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb167054″]Tal\u00f3n:<\/em> la vulnerabilidad humana
\n<\/em><\/strong><\/span><\/p>\n

Felipe Garc\u00eda Land\u00edn
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Canarias 7
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26 de julio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb396616″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9405″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb696801″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb309818″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAl escritor y guionista Nicol\u00e1s Melini le importan los valores. Los valores de la creaci\u00f3n literaria y cinematogr\u00e1fica, justo en este momento \u201cculturalmente decadente\u201d, se lamenta\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb121334″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAcaba de publicar Tal\u00f3n,<\/em> 17 relatos, 17 debilidades, \u201cun libro que nos habla\u201d, dice el autor, \u201cde c\u00f3mo somos hoy pero desde los m\u00e1rgenes\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb943274″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Tamara Garc\u00eda[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb176578″ text_color_type=\u00bbuncode-palette\u00bb]En cine, los valores del capital predominan sobre la experimentaci\u00f3n
\n<\/em><\/strong><\/span><\/p>\n

Tamara Garc\u00eda
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Diario de C\u00e1diz<\/a>
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26 de junio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb176411″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8778″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb229485″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb365262″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb732792″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSus cuentos narran todas las otras cosas oscuras que suceden alrededor de un acontecimiento. Es la esencia de la literatura: iluminar las zonas del lenguaje, del ser humano, que quedan oscurecidas, en las que no nos hab\u00edamos fijado hasta que alguien las nombra, las ilumina. Hacer la realidad m\u00e1s compleja, en definitiva\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb549018″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMelini arma un estupendo libro de relatos en el que se muestran esos descampados de la vida de las personas […] y a un ser humano atrapado en sus rutinas, en un cuerpo que es y no es, en una identidad que le pertenece y no, y que est\u00e1 tremendamente solo, que es dolorosamente fr\u00e1gil e insignificante\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb182917″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb178170″ text_color_type=\u00bbuncode-palette\u00bb]Todas las otras cosas oscuras: una lectura de Tal\u00f3n,<\/em> de Nicol\u00e1s Melini
\n<\/em><\/strong><\/span><\/p>\n

Diego S\u00e1nchez Aguilar
\n<\/strong><\/span><\/p>\n

eldiario.es<\/a>
\n<\/strong><\/span><\/p>\n

28 de junio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb207392″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb993722″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb9577″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb141470″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb884645″ text_color_type=\u00bbuncode-palette\u00bb]El sector editorial se re\u00fane en Santander, en la muestra Fieramente. Se trata de un programa que incluye conferencias, proyecciones y mesas redondas, en las que los autores, traductores, editores y distribuidores compartir\u00e1n experiencias. La alcaldesa de Santander, Gema Igual, ha agradecido especialmente a la Librer\u00eda Gil, y en concreto a Paz Gil, que \u00absiga luchando por promover la visibilidad de las editoriales independientes\u00bb que, como se ha visto en ediciones anteriores, tienen mucho que decir y son fundamentales para potenciar y dinamizar la cultura.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb168417″ text_color_type=\u00bbuncode-palette\u00bb]El sector editorial independiente se re\u00fane en Santander en la muestra Fieramente
\n<\/em><\/strong><\/span><\/p>\n

Redacci\u00f3n
\n<\/strong><\/span><\/p>\n

eldiario.es<\/a>
\n<\/strong><\/span><\/p>\n

11 de junio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb305478″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb113534″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8578″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb164340″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112794″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb516685″]\u00abEs un mundo bell\u00edsimo a la manera decadentista, m\u00edtico, exuberante, despegado e incomprensible. S\u00f3lo cabe mirarlo y maravillarse\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb206473″]\u00abAl tono alucinado de sue\u00f1o o de fiebre o de revelaci\u00f3n repentina en que alguien comprende de repente su vida contribuye la influencia de la isla,<\/em> un territorio aparte con leyes propias donde es posible que los habitantes del mundo fronterizo hagan acto de presencia. Donde hay que entornar los ojos debido al sol y los vientos y eso determina la manera de escrutar nuestros recuerdos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb271692″]\u2014B\u00e1rbara Mingo Costales[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb799114″]Todo lo que pasa parece necesario
\n<\/em><\/strong><\/span><\/p>\n

B\u00e1rbara Mingo Costales
\n<\/strong><\/span><\/p>\n

Letras Libres
\n<\/strong><\/span><\/p>\n

Junio de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb108062″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8531″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb200134″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb428947″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn nuestro imaginario el t\u00edtulo Tal\u00f3n<\/em> nos remite inmediatamente a Aquiles y por tanto a una falla, a un punto flaco\u00bb, explica Melini. Los motivos que se tratan en estos 18 relatos cortos, la mayor\u00eda especialmente breves, conforman jirones de realidad y un corpus de s\u00edntomas contempor\u00e1neos.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb117634″ text_color_type=\u00bbuncode-palette\u00bb]Nicol\u00e1s Melini publica Tal\u00f3n,<\/em>\u00a0su nuevo libro de cuentos\u00a0dedicado a las\u00a0pulsaciones y fragilidades de nuestro\u00a0tiempo
\n<\/em><\/strong><\/span><\/p>\n

Redacci\u00f3n
\n<\/strong><\/span><\/p>\n

El Apur\u00f3n<\/a>
\n<\/strong><\/span><\/p>\n

7 de mayo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb475671″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8434″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb617306″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb202012″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb155877″ text_color_type=\u00bbuncode-palette\u00bb]La librer\u00eda GIL convoca, con el patrocinio del Ayuntamiento y la colaboraci\u00f3n del Centro Bot\u00edn, Fieramente Independientes, a modo de encuentro de trabajo y debate. […] esos editores \u00abque bucean entre interesantes manuscritos, obras descatalogadas y textos perdidos que aumentan la calidad del mercado literario\u00bb.[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb556376″ text_color_type=\u00bbuncode-palette\u00bb]Santander acoger\u00e1 en junio la VII edici\u00f3n de la Feria de Editoriales Independientes
\n<\/em><\/strong><\/span><\/p>\n

Redacci\u00f3n
\n<\/strong><\/span><\/p>\n

El Diario Monta\u00f1\u00e9s
\n<\/strong><\/span><\/p>\n

2 de mayo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb219226″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb299140″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8440″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb958632″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb208089″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDestacar\u00eda el atinado an\u00e1lisis que hace de la enigm\u00e1tica literatura del autor checo, as\u00ed como el vivo retrato de la \u00e9poca\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb821316″ text_color_type=\u00bbuncode-palette\u00bb]Eva Appel: Vida y contexto de Franz Kafka
\n<\/em><\/strong><\/span><\/p>\n

Redacci\u00f3n
\n<\/strong><\/span><\/p>\n

Un libro al d\u00eda
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2 de mayo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb987710″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb337133″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8423″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb245757″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb633846″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb764809″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs un libro que reconecta con las peque\u00f1as cosas, con el lirismo de lo cotidiano y que te reconcilia con la vida misma\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb115053″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVerdes hojas ovaladas<\/em> est\u00e1 escrito por Alberto de Frutos, uno de los escritores espa\u00f1oles m\u00e1s premiados\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb225412″ text_color_type=\u00bbuncode-palette\u00bb]5 libros interesantes para celebrar el mes de abril
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Blog
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A gusto en casa
\n<\/strong><\/span><\/p>\n

23 de abril de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb615008″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb616562″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8321″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb106714″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb564168″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEsta colecci\u00f3n de treinta cartas escritas entre el 13 de marzo y el 12 de abril de 2020 es un remanso tranquilo motivador, cari\u00f1oso y confiado en el poder salv\u00edfico de la literatura\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb211020″ text_color_type=\u00bbuncode-palette\u00bb]\u00abFierro viaja a su bien surtida biblioteca y encuentra en sus vol\u00famenes apilados consuelo y fuerza […] que me conducen de manera irremisible a otras lecturas \u2014el caudal de las aqu\u00ed citadas es emocionante\u2014\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb132897″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Enrique Garc\u00eda Fuentes[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb693334″ text_color_type=\u00bbuncode-palette\u00bb]En casa
\n<\/em><\/strong><\/span><\/p>\n

Enrique Garc\u00eda Fuentes
\n<\/strong><\/span><\/p>\n

Hoy Extremadura
\n<\/strong><\/span><\/p>\n

18 de abril de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb902238″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb107100″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb10614″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb159335″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb536155″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb285438″]El hombre artificial<\/em> is my second book with Franz. I wrote it during and after attending a weekly workshop with Samantha Schweblin, one of the best writers of our generation in Latinamerica, and it was amazing: I went to her class, got a lot of feedback and worked in the book, which definitely has some Surrealism and Magic Realism on it. The first part is about childhood embedded with horror elements, \u2014\u201cI love kids as characters\u201d, says Alejandro the playwright author, remember\u2014; the second part is more about the adults and their fictional\/surreal milieu<\/em>; and the end of the book is very, very\u00a0meta<\/em> […].[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb133197″]\u2014Alejandro J. Niklison[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb209337″]A conversation with Alejandro J. Niklison
\n<\/em><\/strong><\/span><\/p>\n

Se\u00e1n at Curtain Call
\n<\/strong><\/span><\/p>\n

Podcast No Drama Theatre<\/a>
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17 de abril de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb138526″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb999147″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8277″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb368445″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb671216″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa intenci\u00f3n \u00faltima\u00bb, dice Alberto, \u00abes contar la vida, hablar de nosotros, de nuestras peque\u00f1as miserias o grandezas, de nuestros miedos y esperanzas. Son relatos realistas, apuntes del natural sobre la familia, los recuerdos, el mundo laboral\u2026 En ese sentido, el objetivo es el mismo que conminaba a los antiguos griegos que se acercaban al templo de Apolo en Delfos: conocernos a nosotros mismos\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb120086″ text_color_type=\u00bbuncode-palette\u00bb]Cazarabet conversa con Alberto de Frutos D\u00e1valos
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Redacci\u00f3n
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Cazarabet<\/a>
\n<\/strong><\/span><\/p>\n

2 de abril de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb775840″][vc_column column_width_percent=\u00bb85″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb211008″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8278″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb110754″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb139283″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb112054″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay un oficio silencioso, al borde de lo indecible, en estas p\u00e1ginas\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb123715″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa escritura aspira a ser aqu\u00ed como la muesca que deja una piedra en otra, como la erosi\u00f3n que esculpe lentamente, con la mano invisible de los milenios, un acantilado. Es una poes\u00eda que quiere ser m\u00e1s que decir, respirar antes que explicar, entender que nada puede ser entendido\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb145240″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLuiz Lenz nos lleva hasta el precipicio de la conciencia, all\u00ed donde nuestras preguntas son el comienzo y el fin del viaje, como una plaza vac\u00eda bajo el sue\u00f1o alucinado de los siglos, como esa ignorancia que nos explica y condena, que vuelve a cada paso, en cada gesto a la vez ins\u00f3lito e innecesario, perfecto y sin peso\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb101512″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Bruno Mesa[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb182108″ text_color_type=\u00bbuncode-palette\u00bb]El m\u00e1s extra\u00f1o mediod\u00eda,<\/em> de Luis Lenz
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Bruno Mesa
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Blog<\/a>
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4 de abril de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb581310″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8248″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb807349″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb165583″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb579441″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDespu\u00e9s de publicaciones recientes como Seg\u00fan la luz<\/em> y De vuelo<\/em>, ambas de 2018, a las que precedi\u00f3 De la tiniebla<\/em> (2013), una colaboraci\u00f3n con el artista bosnio Stypo Pranyko, al que conoci\u00f3 en la isla de Lanzarote y que ha fallecido recientemente (sirva tambi\u00e9n este texto como homenaje al creador), ha llegado este Ni\u00f1o<\/em>, en Ediciones Franz, que el poeta se plantea como un final de etapa, tal vez como una senda de acceso a otros lugares\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb170319″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSe trata de un conmovedor conjunto de poemas en prosa que profundizan en el sentimiento de orfandad, en las im\u00e1genes y motivos fundadores de una vocaci\u00f3n po\u00e9tica\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb166806″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Emma Rodr\u00edguez[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb156107″ text_color_type=\u00bbuncode-palette\u00bb]Paseo entre memorias (Marina Tsviet\u00e1ieva, Melchor L\u00f3pez, Yomoko Yoneda)
\n<\/em><\/strong><\/span><\/p>\n

Emma Rodr\u00edguez
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Lecturas Sumergidas<\/a>
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29 de marzo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb74″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb758558″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb186791″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8220″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb131589″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176600″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb169715″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVerdes hojas ovaladas<\/em>\u00a0se abre con una cita de Joyce que le sirve como t\u00edtulo, y que alude a esas epifan\u00edas que experimentamos en ocasiones y que parecen \u2013s\u00f3lo parecen\u2013 descifrar el mundo. En el fondo, escribir, leer o escuchar m\u00fasica son otras tantas manifestaciones de ese anhelo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb811185″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay, en estas p\u00e1ginas […] algo de humor y terrores cotidianos, verdad y nostalgia, y tambi\u00e9n, por supuesto, m\u00fasica…\u00bb[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb146118″ text_color_type=\u00bbuncode-palette\u00bb]Verdes hojas ovaladas
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River of Country
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Blog<\/a>
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19 de marzo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb161837″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb8166″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb934922″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb337498″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDe este libro destacar\u00eda la atrayente, compasiva y l\u00facida mirada del autor sobre los personajes y la presencia de una realidad nada prepotente ni vanidosa sino sencilla y a la altura de sus protagonistas\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb394229″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab…y el estilo, siempre manso, transparente y esencial\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb422926″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Adolfo Torrecilla[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb114320″ text_color_type=\u00bbuncode-palette\u00bb]En su nuevo libro, el autor muestra su soltura en el relato
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Adolfo Torrecilla
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Blog<\/a>
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9 de marzo de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb387291″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8205″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb338460″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb668018″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb178520″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn lo que he escrito hasta ahora est\u00e1n presentes las islas. Hay sal, verano, barranco, volc\u00e1n. Insisto, es donde he vivido. Pero no creo que haya que insistir en la isla como una especie de espacio \u00abm\u00e1gico\u00bb que determina al escritor. Porque esa potencia se puede encontrar en cualquier parte del mundo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb200531″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCreo que al escritor lo determina su mirada\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb117850″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Nicol\u00e1s Dorta[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb865156″ text_color_type=\u00bbuncode-palette\u00bb]Lo que importa es la literatura
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Redacci\u00f3n
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Revista Trasdemar<\/u><\/a>
\n<\/strong><\/span><\/p>\n

27 de febrero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb901807″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb838170″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb7833″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb969708″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb613653″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTan sobrio como vers\u00e1til. Claro y limpio. Destaca el uso de un vocabulario exquisito..\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb791801″ text_color_type=\u00bbuncode-palette\u00bb]\u2014\u00c1lvaro Valverde[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb977405″ text_color_type=\u00bbuncode-palette\u00bb]Orfandad
\n<\/em><\/strong><\/span><\/p>\n

\u00c1lvaro Valverde
\n<\/strong><\/span><\/p>\n

Nayagua N\u00ba32<\/a>
\n<\/strong><\/span><\/p>\n

22 de febrero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb208934″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb490788″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb7832″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb115653″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb170586″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb191588″ text_color_type=\u00bbuncode-palette\u00bb]…como el \u00e1mbar, que al flotar derrite ante el mismo calor claridad y oscuridad: \u00abhazme de luz definitivo\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb445805″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Candela Salgo Ivanich[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb207907″ text_color_type=\u00bbuncode-palette\u00bb]El tiempo del espasmo
\n<\/em><\/strong><\/span><\/p>\n

Candela Salgo Ivanich
\n<\/strong><\/span><\/p>\n

Nayagua N\u00ba32<\/a>
\n<\/strong><\/span><\/p>\n

22 de febrero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb711049″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb481668″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb7217″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb533725″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb202243″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPuesta en el confuso mapa de la poes\u00eda espa\u00f1ola actual, la obra de Melchor L\u00f3pez (Tenerife, 1965) constituye por s\u00ed sola un oasis excepcional, un oasis donde la belleza es precisi\u00f3n, el canto alcanza las alturas de la reflexi\u00f3n y la mirada penetra, por los poderes de la imaginaci\u00f3n, hasta los bordes donde comienza lo invisible\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb230520″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Francisco Le\u00f3n[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb113495″ text_color_type=\u00bbuncode-palette\u00bb]No hay en su poes\u00eda ni un solo verso entregado a la frivolidad
\n<\/em><\/strong><\/span><\/p>\n

Francisco Le\u00f3n
\n<\/strong><\/span><\/p>\n

Diario de Avisos
\n<\/strong><\/span><\/p>\n

31 de enero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb144789″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb7204″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb839139″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb140093″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb199922″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab31 cartas de cautivo, m\u00e1s B\u00e9cquer que Cervantes, en las que el escritor exhibe, frente al derrumbe, su mirada serena, cada vez m\u00e1s de interior. Su fe en la m\u00fasica, en el arte y en la literatura. Y en el hombre, a pesar de todo. Su capacidad para vivir sin dejar de so\u00f1ar. Y para so\u00f1ar sin dejar de vivir, por extra\u00f1as que sean las circunstancias\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb195277″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Carlo Aganzo[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb104517″ text_color_type=\u00bbuncode-palette\u00bb]Epistolario de Avelino Fierro
\n<\/em><\/strong><\/span><\/p>\n

Carlos Aganzo
\n<\/strong><\/span><\/p>\n

El Norte de Castilla
\n<\/strong><\/span><\/p>\n

22 de enero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb183318″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb132537″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb7185″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb105904″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb485681″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb797300″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMelchor L\u00f3pez es un poeta que concita admiraci\u00f3n tanto a un grupo fiel de lectores como de cr\u00edticos exigentes, algo no muy frecuente en nuestra sociedad literaria. Representa con fidelidad eso que se ha dado en llamar, no s\u00e9 si con acierto, \u00abpoeta de culto\u00bb y, sin embargo, su poes\u00eda no ha logrado la difusi\u00f3n que nos gustar\u00eda y que, sin duda, merece\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb188732″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn Ni\u00f1o,<\/em> los versos de Melchor L\u00f3pez vuelan alto, hasta la cima de la conciencia\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196032″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Carlos Alcorta[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb277687″ text_color_type=\u00bbuncode-palette\u00bb]Una educaci\u00f3n sentimental
\n<\/em><\/strong><\/span><\/p>\n

Carlos Alcorta
\n<\/strong><\/span><\/p>\n

Blog<\/a>
\n<\/strong><\/span><\/p>\n

22 de enero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb139623″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb7146″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb588683″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb857183″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb737406″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa trayectoria po\u00e9tica de Melchor L\u00f3pez ha estado guiada por el rigor est\u00e9tico. Sus poemarios son el resultado de un preciso modo de entender el fen\u00f3meno po\u00e9tico: la poes\u00eda como forja de un mundo intelectual y espiritual y como peculiar m\u00e9todo de conocimiento\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb411635″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNi\u00f1o<\/em> es una rara manifestaci\u00f3n de l\u00edmpida, personal, alumbradora poes\u00eda;\u00a0una de las muestras m\u00e1s hermosas del nacimiento de una vocaci\u00f3n que puede hallarse en la literatura espa\u00f1ola actual\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb770126″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Sergio Barreto[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb316998″ text_color_type=\u00bbuncode-palette\u00bb]Ni\u00f1o, de Melchor L\u00f3pez: poes\u00eda e iniciaci\u00f3n
\n<\/em><\/strong><\/span><\/p>\n

Sergio Barreto
\n<\/strong><\/span><\/p>\n

El Cuaderno<\/a>
\n<\/strong><\/span><\/p>\n

13 de enero de 2021<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_use_pixel=\u00bbyes\u00bb border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb845649″ css=\u00bb.vc_custom_1684872010365{border-top-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb1600″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ font_family=\u00bbfont-136269″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb681218″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb767435″]Contin\u00faa a Prensa 2018-2020 \u2192<\/a>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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