{"id":118717,"date":"2023-03-28T10:09:07","date_gmt":"2023-03-28T10:09:07","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?page_id=118717"},"modified":"2026-06-02T21:01:17","modified_gmt":"2026-06-02T21:01:17","slug":"critica2","status":"publish","type":"page","link":"https:\/\/www.edicionesfranz.com\/?page_id=118717","title":{"rendered":"Cr\u00edtica"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb122525″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb180208″ column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbaccent\u00bb heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb202014″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl verdadero logro del arte es<\/p>\n

expresar una idea victoriosamente\u00bb<\/p>\n

\u2014Thomas Mann[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb143086″ css=\u00bb.vc_custom_1763415147857{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb886456″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11564″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb520136″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb132579″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb514107″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb654046″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb139033″]\u00abAlfonso Garc\u00eda-Villalba es uno de los autores m\u00e1s interesantes de la narrativa espa\u00f1ola actual\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb698166″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Diego S\u00e1nchez Aguilar[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb377724″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb990848″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Kuiper<\/p>\n

Enero 2025[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb116910″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna obra de gran envergadura, de una belleza c\u00f3smica […] espl\u00e9ndidamente pensada y con vocaci\u00f3n de cl\u00e1sico\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb148521″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHibrida g\u00e9neros para construir una suerte de epopeya, que muta desde la belleza convulsa de la prosa po\u00e9tica a la teor\u00eda ficci\u00f3n. La novela (entendida no como relato sino como composici\u00f3n total que todo lo contiene) avanza a golpe de pulsiones\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb627779″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab\u00bfEs La nueva subjetividad<\/em> un texto sinf\u00f3nico?\u00bb \u2014Javier Tortosa, en El Coloquio de los Perros<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb585643″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAlfonso Garc\u00eda-Villaba consigue despertar nuevas miradas con las que percibir la realidad\u00bb \u2014Javier Tortosa, en El Coloquio de los Perros<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb214611″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna forma de narrar helicoidal\u00bb \u2014Javier Tortosa, en El Coloquio de los Perros<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb694033″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSu lectura despierta infinitas sugerencias y la fascinaci\u00f3n de su prosa te envuelve\u00bb \u2014Diego S\u00e1nchez Aguilar, en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb103200″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPara este autor es una ingenuidad considerar que se puede utilizar el lenguaje como instrumento o veh\u00edculo con el que contar una historia o explicar una idea, sin cuestionarse, en un nivel ontol\u00f3gico, qu\u00e9 es un personaje, qu\u00e9 es una voz narrativa y, sobre todo, en qu\u00e9 medida es ese lenguaje el que nos construye y no al rev\u00e9s\u00bb \u2014Diego S\u00e1nchez Aguilar, en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb201548″ text_color_type=\u00bbuncode-palette\u00bb]\u00abComo en la mejor poes\u00eda, La nueva subjetividad<\/em> simplemente es, se mueve, respira, crea su propio contexto, sus propias leyes y, sobre todo, su propio ritmo\u00bb \u2014Diego S\u00e1nchez Aguilar, en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb832124″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn libro mayor, tan inclasificable como impactante\u00bb \u2014Jos\u00e9 Daniel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb107739″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn texto con coordenadas en una Murcia des\u00e9rtica, po\u00e9tica, decadente y m\u00edstica, que hacen pensar en una psicogeograf\u00eda\u00bb \u2014Jos\u00e9 Daniel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb963457″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNadie escribe como Alfonso Garc\u00eda-Villalba […] Una de las propuestas m\u00e1s originales, disruptivas y enriquecedoras del idioma\u00bb \u2014Jos\u00e9 Daniel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb140986″ css=\u00bb.vc_custom_1773349254435{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb886456″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb134239″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb283786″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb134214″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb287629″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb654046″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb173573″]\u00abSus palabras hacen brotar el mundo ante nuestros ojos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb116900″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Jorge Bur\u00f3n[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb377724″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb207960″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Kuiper<\/p>\n

Enero 2026[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb177734″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDe verdad diferente, de verdad literario […] de verdad la literatura es su inter\u00e9s principal \u00bb \u2014Jorge Bur\u00f3n, en sustrato<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb164149″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn libro genial, pero sobre todo unos cuentos, uno a uno, geniales, oscuros, de una oscura blanquitud, y bellos, muy bellos\u00bb \u2014Jorge Bur\u00f3n, en sustrato<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb176852″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCatorce relatos bell\u00edsimos, catorce castillos de lenguaje plagados<\/em> de ontolog\u00edas salvajes\u00bb \u2014Elena Carmona, en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb674951″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLo imposible se funde con lo aleg\u00f3rico. Un enclave en el que lo irreal y lo fantasmag\u00f3rico se hibridan en una perfecta simbiosis que deviene en textos cercanos a poema\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196643″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab\u00bfC\u00f3mo coordinar la m\u00edstica gramatical de Wittgenstein, la poes\u00eda tartamuda de Beckett, la literatura fant\u00e1stica del idealismo alem\u00e1n, el universalismo plat\u00f3nico, la f\u00e1bula kafkiana, la f\u00e1bula borgiana, el humor de Arreola y Parra, con las visiones de aguafuerte de William Blake? Aqu\u00ed sucede…\u00bb \u2014Jorge Bur\u00f3n, en sustrato\u00a0<\/i>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb712476″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay muchas referencias, homenajes velados y deudas literarias evidentes en este libro fractal […] Desde los laberintos de Kafka, pasando por Borges, Calvino o las aportaciones de Freud, persiste una literatura que toma tierra en el mundo de los sue\u00f1os y de lo irracional\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb150329″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSon relatos que habitan en los m\u00e1rgenes, donde se abren grietas en la realidad, se cruzan umbrales simb\u00f3licos y la imaginaci\u00f3n es br\u00fajula y espejo\u00bb \u2014Adriana Estop, en Luces en la oscuridad<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb602726″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLo cotidiano se vuelve extra\u00f1o y lo on\u00edrico se convierte en una v\u00eda de conocimiento\u00bb \u2014Adriana Estop, en Luces en la oscuridad<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb136178″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos relatos de Santiago Guti\u00e9rrez buscan el momento preciso en que se constata la realidad del sue\u00f1o\u00bb \u2014Elena Carmona, en\u00a0Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb123724″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn su escritura truenan ecos de un mundo nunca antes visitado\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb189606″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab…\u00bfen qu\u00e9 consiste este estilo? […] \u00a0tiene algo del lenguaje b\u00edblico, del G\u00e9nesis concretamente, la palabra que crea. En este libro efectivamente las palabras hacen brotar el mundo ante nuestros ojos seg\u00fan se suceden.\u00bb \u2014Jorge Bur\u00f3n, en sustrato<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb234894″ text_color_type=\u00bbuncode-palette\u00bb]\u00abQuiz\u00e1 la verdadera plaga suti<\/em>l que invade este libro sean las palabras mismas, encendidas como un manto de luci\u00e9rnagas diminutas\u00bb \u2014Elena Carmona, en Pliego Suelto<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb152577″ css=\u00bb.vc_custom_1763409490256{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb121542″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131912″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb684137″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb8542″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb148478″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb154143″]\u00abLa raz\u00f3n po\u00e9tica iluminadora de Pepa Alem\u00e1n es muy singular en la literatura espa\u00f1ola\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb184210″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Bruno Mesa[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb973326″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb155694″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Septiembre 2024[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb994329″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTiene el libro el aire de una premonici\u00f3n, como si anticipase el desarrollo de una capacidad latente de los humanos, que sabremos utilizar cuando hayamos asimilado algunas leyes que funcionan en el mundo subat\u00f3mico\u00bb \u2014B\u00e1rbara Mingo, en Letras Libres<\/em>\u00a0<\/i>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb109197″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLas palabras adquieren una funci\u00f3n que tiene que ver con el hechizo o con la reacci\u00f3n qu\u00edmica \u00bb \u2014B\u00e1rbara Mingo, en Letras Libres<\/em>\u00a0<\/i>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb656418″ text_color_type=\u00bbuncode-palette\u00bb]\u00abRaz\u00f3n po\u00e9tica iluminadora, muy singular en la literatura espa\u00f1ola. Imaginario muy particular. Los objetos y las aves est\u00e1n transfigurados, no por ser s\u00edmbolos, sino por el di\u00e1logo e identificaci\u00f3n con ellos: son la poeta misma\u00bb \u2014Bruno Mesa, en Voces del aforismo contempor\u00e1neo<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb187186″ css=\u00bb.vc_custom_1763409498209{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131899″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb143780″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131898″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb128482″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb137070″]\u00abEl tono m\u00edstico se da en cada uno de sus versos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb375799″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Luis Bravo[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb566789″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb206501″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Junio 2024[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb248008″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVersos que predisponen al lector a una actitud contemplativa\u00bb \u2014Diego Godi\u00e1n y Charles Pouzols en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb113542″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn jard\u00edn interior como met\u00e1fora, como lugar de retiro, de armon\u00eda, er\u00f3tico, incluso, ilustrado, tambi\u00e9n\u00bb \u2014\u00d3scar D\u00edaz en la presentaci\u00f3n del libro[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb102530″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa voz po\u00e9tica nos va guiando, como ya hiciera Virgilio, por los diferentes c\u00edrculos del hogar. En ellos encontramos el verdadero sentido del rayo que no cesa<\/em>: el amor. En todas las habitaciones encontramos restos felices de sus moradores\u00bb \u2014Diego Godi\u00e1n y Charles Pouzols en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb147434″ text_color_type=\u00bbuncode-palette\u00bb]\u00abFiel a sus referentes, el tono m\u00edstico se da en cada uno de los versos\u00bb \u2014Luis Bravo en El Imparcial<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb144977″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDestaca el car\u00e1cter ontol\u00f3gico, existencialmente heideggariano, mediado por el lugar; un di\u00e1logo permanente entre el ser<\/em> y el estar<\/em>\u00bb \u2014Marc Arrebola Jans en Nayagua<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb625606″ css=\u00bb.vc_custom_1763409509361{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131207″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb125153″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb120763″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb562774″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb133567″]\u00abCanisia Lubrin reimagina la posibilidad del lenguaje\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb796399″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Dereck Walcott Prize for Poetry[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb566789″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb206501″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Junio 2024[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb201890″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa belleza de su obra reside en que no pretende ofrecer un consuelo est\u00e9tico\u00bb \u2014Alexei Perry Cox en Canada and Beyond<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb849240″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna poeta deslumbrante, creativa y ambiciosa […] A veces la antiescritura resulta tan importante como la escritura, as\u00ed como la deconstrucci\u00f3n del sujeto es tan importante como su reconocimiento\u00bb \u2014Bertrand Bickersteth en The Malahat Review<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb530195″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHace que los lectores repensar c\u00f3mo enfocar el lenguaje\u00bb \u2014Manahil Bandukwala en Canadian Literature<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb858367″ text_color_type=\u00bbuncode-palette\u00bb]\u00abReimagina los contornos del g\u00e9nero y la forma, incluso de la posibilidad de lenguaje para expresar la complejidad, la plenitud o la fractura\u00bb \u2014Dereck Walcott Prize for Poetry[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb128983″ css=\u00bb.vc_custom_1763409520964{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131223″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb162088″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb131154″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb646959″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb174144″]\u00abHay un ejercicio de la lectura a la manera de Monlle\u00f3\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb844742″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Nadal Suau[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb169627″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb193338″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Ensayos K.<\/p>\n

Diciembre 2023[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb176625″ text_color_type=\u00bbuncode-palette\u00bb]\u00abC\u00f3mo la lectura electrifica la mente de Gema Monlle\u00f3 y se abren los ojos turbios de la criatura. Ensayos escogidos\u00bb \u2014Enrique Vila-Matas en X (antes llamado Twitter)[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb459815″ text_color_type=\u00bbuncode-palette\u00bb]\u00abGema Monlle\u00f3 es un planeta lector intransferible\u00bb \u2014Joan Vig\u00f3, en la presentaci\u00f3n del libro en La Ciutat Invisible[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb291475″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay un ejercicio de la lectura a la manera de Monlle\u00f3\u00bb \u2014Nadal Suau, en el Pr\u00f3logo[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb339914″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNos contagia su amor desbordante, loco, hiperb\u00f3lico, vital e intravenoso por la buena literatura\u00bb \u2014Joan Vig\u00f3, en la presentaci\u00f3n del libro en La Ciutat Invisible[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb125613″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVida y lectura se enhebran en un bucle indistinguible\u00bb \u2014Todos somos sospechosos, RNE[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11407″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb207659″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11301″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb117335″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb866268″]\u00abEl sujeto po\u00e9tico se comprende a medida que se dice\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb129091″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Zahara Alonso[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb112351″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Cr\u00e1neo<\/p>\n

Julio 2022[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb722396″ text_color_type=\u00bbuncode-palette\u00bb]\u00abIluviaciones<\/em> modula un tono m\u00e1s ligero, cadente, transicional […] Hay una interrelaci\u00f3n constante entre tierra o suelo y palabra y lenguaje […] En esa mediaci\u00f3n entre variancia e invariancia, entre conservaci\u00f3n y movimiento, se debe tambi\u00e9n valorar que \u201cen ciertas superficies \/ lo inconcluso nos sostiene\u201d\u00bb \u2014Jorge Arroita, en Quimera<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb101933″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna estimulante reflexi\u00f3n po\u00e9tica sobre la conciliaci\u00f3n entre el movimiento y la calma, la b\u00fasqueda y lo que sale a nuestro encuentro, lo s\u00f3lido y lo que fluye\u00bb \u2014Azahara Alonso, en Nayagua<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb205167″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa iluminaci\u00f3n proyecta ingravidez […] tiene mucho que ver con la migraci\u00f3n […] Ser sedimento fluido, mutable\u00bb \u2014Jorge Arroita, en Quimera<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb108534″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl sujeto po\u00e9tico se comprende a medida que se dice y cada vez que busca la intemperie\u00bb \u2014Azahara Alonso, en Nayagua<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb165334″ css=\u00bb.vc_custom_1763414347967{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb185350″][vc_single_image media=\u00bb12531″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb134063″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb515868″ column_width_pixel=\u00bb700″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb474023″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Cr\u00e1neo<\/p>\n

Junio 2022[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb941775″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna colecci\u00f3n de poemas que incide en el poder de la imaginaci\u00f3n literaria\u00bb \u2014Alejandro Fuertes, en Diario de Las Palmas<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb182495″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPorque la isla es un territorio del que no se puede escapar \u2014al mismo tiempo realidad y ficci\u00f3n, frontera y horizonte\u2014, la conciencia se acent\u00faa, se ahonda y se mitifica […] un psiquis melanc\u00f3lico atravesado por las herrumbrosas rejas de la lejan\u00eda y la soledad, lo que Jose Martins Garc\u00eda denomin\u00f3 \u201csigno insulado\u201d\u00bb \u2014Melchor L\u00f3pez, en el Pr\u00f3logo[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb201589″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos poetas canarios y los poetas azorianos comparten muchas cosas, no s\u00f3lo la insularidad: los or\u00edgenes m\u00edticos de ambos territorios, su nacimiento a un mismo horizonte cultural europeo, la soledad atl\u00e1ntica…\u00bb \u2014Alejandro Fuertes, en Diario de Las Palmas<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb158354″ text_color_type=\u00bbuncode-palette\u00bb]\u00abS\u00ed, todo un feliz descubrimiento\u00bb \u2014\u00c1lvaro Valverde, en El Cuaderno<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb12180″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb681584″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb12534″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb109775″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb250743″]\u00abPensamiento libre y localizado\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb909242″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Ana Costales Alonso[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb812846″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Ensayos K.<\/p>\n

Noviembre 2022[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb373681″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl esp\u00edritu cr\u00edtico, a menudo tan ausente en las esferas culturales de nuestro pa\u00eds sobrevive en La educaci\u00f3n de Naus\u00edcaa,<\/em> un libro inteligente en su contenido y en su estructura dial\u00e9ctica, que funciona como una invitaci\u00f3n apremiante a la reflexi\u00f3n consciente en torno a temas y problemas que constituyen nuestra realidad y, finalmente, como un recordatorio de la necesidad de reparar en los autores que, alejados del foco de inter\u00e9s de las instituciones cr\u00edticas al uso, llevan m\u00e1s lejos el lenguaje de la modernidad\u00bb \u2014Ana Costales Alonso, en El D\u00eda de Tenerife<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb8345″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb158388″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11546″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb123756″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb137242″]\u00abParece presentarse, un poco walserianamente\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb618177″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]B\u00e1rbara Mingo Costales[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb711330″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Mayo 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb111062″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAunque todo el rato se manejan figuras del \u00e1mbito de lo sublime, Or\u00e1culo<\/em> no es un libro ni artificioso ni anticuado\u00bb \u2014B\u00e1rbara Mingo Costales, en Letras Libres<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11044″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb601153″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb8542″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb130795″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb380205″]\u00abLa cr\u00edtica ha orillado su obra excepcional, fluida y de vanguardia\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb874468″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Bruno Mesa[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb107095″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Mayo 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb190381″ text_color_type=\u00bbuncode-palette\u00bb]\u00abObra n\u00edtida en las palabras pero compleja en el sentido\u00bb \u2014Bruno Mesa, en Voces del aforismo\u00a0<\/em>contempor\u00e1neo\u00a0<\/i>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb656418″ text_color_type=\u00bbuncode-palette\u00bb]\u00abRaz\u00f3n po\u00e9tica iluminadora, muy singular en la literatura espa\u00f1ola. Imaginario muy particular. Los objetos y las aves est\u00e1n transfigurados, no por ser s\u00edmbolos, sino por el di\u00e1logo e identificaci\u00f3n con ellos: son la poeta misma\u00bb \u2014Bruno Mesa, en Voces del aforismo contempor\u00e1neo<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb116344″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa cr\u00edtica ha orillado su obra excepcional, fluida y de vanguardia\u00bb \u2014Bruno Mesa, en Voces del aforismo contempor\u00e1neo<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb8720″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb192789″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11541″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb160877″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb200185″]\u00abSanti Mazarrasa ha escrito una de las novelas del a\u00f1o\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb111635″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Jos\u00e9 Carlos Rodrigo Breto[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb598025″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Kuiper<\/p>\n

Junio 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb388480″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna narraci\u00f3n potent\u00edsima que ya es una de las grandes novelas del a\u00f1o\u00bb \u2014Jos\u00e9 Carlos Rodrigo Breto, en Achtung!<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb248439″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEpopeya moderna e intemporal que profundiza en la mente de su \u00fanico pero poli\u00e9drico personaje\u00bb \u2014R. D\u00edaz, en\u00a0TVE<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb116167″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn esta singular obra, el autor plantea un retrato generacional\u00bb \u2014\u00c1lvaro Polavieja, en\u00a0El Diario Monta\u00f1\u00e9s<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb166628″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUno de los m\u00e9ritos de Mazarrasa en esta arriesgada obra es mantener el ritmo, la tensi\u00f3n narrativa, algo realmente dif\u00edcil para un autor que se enfrenta por primera vez al reto de escribir una novela\u00bb \u2014Luis Alberto Salcines, en El Diario Monta\u00f1\u00e9s<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb128591″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna novela generativa en tanto en cuanto s crea a s\u00ed misma mientras la leemos\u00bb \u2014Jos\u00e9 Carlos Rodrigo Breto, en\u00a0Achtung!<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb626517″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn experimento narrativo de estructura singular\u00bb \u2014R. D\u00edaz, en TVE<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb177274″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb201129″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11291″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb663534″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11289″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb179900″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb125779″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb930636″]\u00abMelchor L\u00f3pez es un poeta de culto\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb543582″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Carlos Alcorta[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb147410″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb206501″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

1\u00aa edici\u00f3n: Septimebre 2020<\/p>\n

2\u00aa edici\u00f3n: Diciembre 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb448954″ text_color_type=\u00bbuncode-palette\u00bb]\u00abConmovedor conjunto de poemas en prosa que profundizan en el sentimiento de orfandad, en las im\u00e1genes y motivos fundadores de una vocaci\u00f3n po\u00e9tica\u00bb \u2014Emma Rodr\u00edguez, en Lecturas Sumergidas<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb590217″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna manifestaci\u00f3n de l\u00edmpida, personal, alumbradora poes\u00eda; una de las muestras m\u00e1s hermosas del nacimiento de una vocaci\u00f3n que puede hallarse en la literatura espa\u00f1ola actual\u00bb \u2014Sergio Barreto, en El Cuaderno<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb166866″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn Ni\u00f1o<\/em>, los versos de Melchor L\u00f3pez vuelan alto, hasta la cima de la conciencia\u00bb \u2014Carlos Alcorta en su Blog[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb626275″ text_color_type=\u00bbuncode-palette\u00bb]\u00abComo una l\u00e1mpara maravillosa\u00bb \u2014Francisco Le\u00f3n, en\u00a0Diario de Avisos<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb343024″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs un mundo bell\u00edsimo, a la manera decadentista, m\u00edtico, exuberante, despegado e incomprensible. S\u00f3lo cabe mirarlo y maravillarse\u00bb \u2014B\u00e1rbara Mingo Costales, en Letras Libres<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb168500″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDestaca el uso de un vocabulario exquisito\u00bb \u2014\u00c1lvaro Valverde, en\u00a0Nayagua<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb118540″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUno de los mejores poemarios en espa\u00f1ol del a\u00f1o 2020\u00bb \u2014Francisco Javier irozaki, en\u00a0El Cultural<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb424984″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa obra de Melchor L\u00f3pez es un oasis excepcional, un oasis donde la belleza es precisi\u00f3n, el canto alcanza las alturas de la reflexi\u00f3n y la mirada penetra, por los poderes de la imaginaci\u00f3n, hasta los bordes donde comienza lo invisible\u00bb \u2014Francisco Le\u00f3n, en\u00a0Diario de Avisos<\/i>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11211″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb213523″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11209″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb716735″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb148198″]\u00abUno de los talentos de mayor enjundia literaria\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb227299″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Alfonso Garc\u00eda[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb170852″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Nefelibata<\/p>\n

Septiembre 2020[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb457051″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay mucha vida en este libro, muchas lecturas\u00bb \u2014Sergio Fern\u00e1ndez Salvador, en Mitos y Flautas<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb713971″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSingular epistolario que nos har\u00e1 a\u00f1orar los viejos tiempos en los que a\u00fan escrib\u00edamos y recib\u00edamos cartas\u00bb \u2014Jos\u00e9 Luis Arg\u00fcelles, en La Nueva Espa\u00f1a<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb768909″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHa convertido las cartas y los diarios en un nuevo g\u00e9nero literario porque sus dietarios y ep\u00edstolas son una fusi\u00f3n de poes\u00eda, est\u00e9tica y fiesta posmoderna con los amigos\u00bb \u2014Cristina Fanjul, en Diario de Le\u00f3n<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb708453″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTreinta cartas de cautivo, m\u00e1s B\u00e9cquer que Cervantes, en las que el escritor exhibe, frente al derrumbe, su mirada serena, cada vez m\u00e1s interior, su fe en la m\u00fasica, en el arte y en la literatura\u00bb \u2014Carlos Aganzo, en\u00a0El Norte de Castilla<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb954225″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEsta colecci\u00f3n de treinta cartas es un remanso tranquilo y motivador, cari\u00f1oso y confiado en el poder salv\u00edfico de la literatura\u00bb \u2014Enrique Garc\u00eda Fuentes, en Hoy Extremadura<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb285158″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna prosa de excepcional factura\u00bb \u2014Alfonso Garc\u00eda, en\u00a0Diario de Le\u00f3n<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11545″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb576076″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11170″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb445576″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb114329″]\u00abAtrayente, compasiva y l\u00facida mirada del autor\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb293358″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Adolfo Torrecilla[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb145183″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Moderna<\/p>\n

Abril 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb584456″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAtrayente, compasiva y l\u00facida mirada del autor sobre los personajes\u00bb \u2014Adolfo Torrecilla en su Blog[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb254459″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSu estilo, siempre manso, transparente y esencial\u00bb \u2014Adolfo Torrecilla en su Blog[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb887177″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay en estas p\u00e1ginas algo de humor y terrores cotidianos, verdad y nostalgia, y tambi\u00e9n, por supuesto, m\u00fasica…\u00bb \u2014Blog River of Country<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb584964″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa intenci\u00f3n \u00faltima es contar la vida, hablar de nosotros, de nuestras peque\u00f1as miserias o grandezas, de nuestros miedos y esperanzas\u00bb \u2014Revista Cazarabet<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb651406″ text_color_type=\u00bbuncode-palette\u00bb]\u00abReconecta con las peque\u00f1as cosas, con el lirismo de lo cotidiano, y te reconcilia con la vida misma\u00bb \u2014Blog A Gusto en Casa<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb203417″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEstos relatos nos miran a la cara, buscando nuestros ojos, y nos clavan su mirada, hiri\u00e9ndonos en lo m\u00e1s profundo mientras nos susurran al o\u00eddo: Soy t\u00fa\u00bb \u2014Rub\u00e9n Olivares, en\u00a0Letras en Vena<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb165281″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNarraci\u00f3n \u00e1gil, cargada de ternura, nostalgia e ingenio\u00bb \u2014Revista Nosocomio<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11452″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb685607″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11453″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb209284″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb281032″]\u00abEscritura poderosa\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb101622″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Francisco Le\u00f3n[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb127594″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Nefelibata<\/p>\n

Julio 2020[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb138479″ text_color_type=\u00bbuncode-palette\u00bb]\u00abBarreto pone de manifiesto que se mueve muy bien en la narrativa. Una narrativa original y kafkiana, cruda tambi\u00e9n…\u00bb \u2014Eduardo Garc\u00eda Rojas en Diario de Avisos<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb345995″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSiete relatos de escritura poderosa y estricta en que lo extraordinario, incluso lo fant\u00e1stico, gravita con maestr\u00eda sobre la realidad\u00bb \u2014Francisco Le\u00f3n, en\u00a0Diario de Avisos<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb104623″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb428768″][vc_single_image media=\u00bb11544″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb212596″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb161425″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb700″][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb251896″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Cr\u00e1neo<\/p>\n

Septiembre 2019[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb285159″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa poes\u00eda es Dios\u00bb \u2014Adri Fauro, en Poscultura<\/em>\u00a0<\/i>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb181572″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn los poemas cristalizan todos aquellos temas que os ocupaban y preocupaban, a saber: la muerte, el misterio, el amor, el ego, el cuerpo, la tierra, el lenguaje, Dios \u2014Dios qued\u00f3 atrapado en la infancia del lenguaje<\/em>\u00bb \u2014Francisco H. Gonz\u00e1lez, en devaneos.com<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11539″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb107872″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11150″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb582625″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb189722″]\u00abSabe conjurar sentimientos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb159606″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Eduardo Garc\u00eda Rojas[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb689104″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Moderna<\/p>\n

1\u00aa edici\u00f3n: Febrero 2020<\/p>\n

2\u00aa edici\u00f3n: Septiembre 2020[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb108467″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn estampido est\u00e9tico que ocurre en el escenario de la memoria\u00bb \u2014Juan Cruz Ruiz, en El D\u00eda<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb111354″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDorta tiene un don para afinar el lenguaje […] No recurre a t\u00f3picos ni a ese sentimentalismo facil\u00f3n, no hay impostura, no hay excesos\u00bb \u2014Saray Encinoso Brito, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb623717″ text_color_type=\u00bbuncode-palette\u00bb]\u00abZonas mentales e incluso metaf\u00edsicas, estados de \u00e1nimo, radiograf\u00edas de lo invisible\u00bb \u2014Rafael-Jos\u00e9 D\u00edaz, en su Blog[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb544885″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSabe conjurar sentimientos\u00bb \u2014Eduardo Garc\u00eda Rojas, en Diario de Avisos\u00a0<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11093″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb193858″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb120295″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb155205″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb107701″]\u00abBrillante y mordaz\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb169576″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]extradigital.es[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb201519″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Moderna<\/p>\n

Junio 2020<\/p>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb709701″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn libro brillante y mordaz\u00bb\u2014extradigital.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb124658″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSu escritura es concisa, disciplinada, juguetona…\u00bb \u2014extradigital.es<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11238″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb156863″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11236″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb375869″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb135523″]\u00abUno de los cuentistas m\u00e1s importantes<\/p>\n

del panorama hispanoamericano\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb174585″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Pedro Crenes[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb776267″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Moderna<\/p>\n

Abril 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb472834″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSus cuentos narran todas las otras cosas oscuras que suceden alrededor de un acontecimiento. Es la esencia de la literatura: iluminar las zonas del lenguaje, del ser humano, que quedan oscurecidas, en las que no nos hab\u00edamos fijado hasta que alguien las nombra, las ilumina. Hacer la realidad m\u00e1s compleja, en definitiva\u00bb \u2014Diego S\u00e1nchez Aguilar, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb433897″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAl escritor y guionista Nicol\u00e1s Melini le importan los valores. Los valores de la creaci\u00f3n literaria y cinematogr\u00e1fica, justo en este momento \u201cculturalmente decadente\u201d\u00bb \u2014Tamara Garc\u00eda, en Diario de C\u00e1diz<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb424226″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPara Cort\u00e1zar los cuentos son criaturas vivientes que respiran en todo momento la esencia misma de la condici\u00f3n humana. Y as\u00ed son y as\u00ed se comportan las diecisiete narraciones que Nicol\u00e1s Melini ha reunido en Tal\u00f3n<\/em>\u00bb \u2014Felipe Garc\u00eda Land\u00edn, en Canarias 7<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb603937″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAunque es un libro breve, hay mucha intensidad, hay mucha sustancia. Mirarse en el espejo de estos relatos es duro como la vida misma, lo que no impide que se disfrute con su lectura\u00bb \u2014Carlos Santos, en\u00a0RNE<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb177681″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPresenta un trasfondo inquietante en sus narraciones que hace muy atractiva su literatura y un caracter\u00edstico estilo melinesco, sobrio y distante s\u00f3lo en apariencia, porque lo que reverbera es el calor de un volc\u00e1n\u00bb \u2014Anelio Rodr\u00edguez Concepci\u00f3n, en RNE<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb369100″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTiene filiaci\u00f3n beckettiana en los aterradores ‘Pared’ y ‘Elasticidad comprobada’; en ‘Salir’ hay gui\u00f1os a Palahniuk, y en ‘Tal\u00f3n’, ecos de David Forster Wallace; ‘Indolente’ exigir\u00eda de un Crononebrg para su traducci\u00f3n cinematogr\u00e1fica\u00bb \u2014Ricardo Men\u00e9ndez Salm\u00f3n, en\u00a0La Nueva Espa\u00f1a<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11280″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb678947″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11051″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb200963″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb203317″]\u00abPoeta que hay que leer, s\u00ed o s\u00ed\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb321712″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Enrique Villagrasa[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb193536″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Mayo 2020[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb862881″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPoeta que hay que leer, s\u00ed o s\u00ed\u00bb \u2014Enrique Villagrasa en Libr\u00fajula<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb128851″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTejedora de versos incombustible, nos entrega esta preciosa obra\u00bb \u2014Rareza Magazine<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11406″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb128932″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11407″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb160352″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb268106″]\u00abLos versos de V\u00edctor son peque\u00f1as piezas geom\u00e9tricas\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb177712″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Andrea Reyes[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb162301″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Cr\u00e1neo<\/p>\n

Noviembre 2020[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb279628″ text_color_type=\u00bbuncode-palette\u00bb]\u00abParece lenguaje extranjero, encriptado, nacido de los minerales\u00bb \u2014Andrea Reyes, en Detour<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb119984″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa belleza es la capa m\u00e1s fragmentada del \u00e1mbar; el placer, la m\u00e1s compacta, la que adivina \u201cla cuerda que sostiene el cielo por arriba\u201d\u00bb \u2014Candela Salgo Ivanich, en Nayagua<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb402845″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos versos de V\u00edctor, inspirados por el arte, la arquitectura, el erotismo o las galaxias, son peque\u00f1as piezas geom\u00e9tricas\u00bb \u2014Andrea Reyes, en Detour<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb830983″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl \u00e1mbar se proyecta como \u201cuna secreta cuota de equilibrio\u201d […] atrapando la vida dentro de s\u00ed y doblegando al devenir, como \u201cuna substancia que fosiliza el terror y al belleza\u201d\u00bb \u2014Jorge Arroita, en Revista Quimera<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb120275″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb132625″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb5749″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb131544″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb176614″]\u00abNo se detiene en g\u00e9neros ni en imaginarios\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb157465″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Patricia Odriozola[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb205457″]Colecci\u00f3n Nefelibata<\/p>\n

Septiembre 2019[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb155740″]\u00abEmma Pedreira dibuja una profusi\u00f3n de gentes y de escenas que no se detiene en g\u00e9neros ni en imaginarios, omite barreras etarias, destruye preconceptos; la \u00fanica l\u00f3gica posible es la l\u00f3gica del deseo\u00bb \u2014Patricia Odriozola, en La Copa del \u00c1rbol<\/em>[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb141952″]\u00abRelatos intensos, heterog\u00e9neos en la forma. No le falta el humor, a veces convertido en sarcasmo, ni tampoco una construcci\u00f3n cuidada y po\u00e9tica\u00bb \u2014Ram\u00f3n Nicol\u00e1s, en la Voz de Galicia<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb194644″ css=\u00bb.vc_custom_1763409888351{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb184343″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb268835″][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb10692″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb150681″][\/vc_column_inner][vc_column_inner width=\u00bb1\/2″][vc_single_image media=\u00bb11400″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb775395″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb80″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb899314″][vc_empty_space empty_h=\u00bb2″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb148945″]\u00abNuestra autora funda el poema\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb207270″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]Dionisia Garc\u00eda[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb90″ position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112755″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb158289″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Poes\u00eda<\/p>\n

Mayo 2022[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb166808″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLeer a Nicol\u00e1s es amoldarse a su cuerpo y a la corporeizaci\u00f3n de su entorno. El alrededor se percibe a trav\u00e9s de la piel-membrana (labios de agua \/ lengua doble \/ turbulencias extremas \/ la esfera en un soplo \/ de la carne residual<\/em>) y la interrogaci\u00f3n po\u00e9tica pregunta a la materia corp\u00f3rea (repite repite repite \/ el cuerpo qu\u00e9 es \/ ascua o ruego<\/em>)\u00bb \u2014Gema Monlle\u00f3, en Detour<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb118116″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVuelca en tu cabeza im\u00e1genes y sensaciones vanguardistas sobre un fondo de collage<\/em> cultural en el que la ciencia-ficci\u00f3n, el colapso, la educaci\u00f3n sentimental y lo alien\u00edgena completan un viaje alucinante\u00bb \u2014Jos\u00e9 Daniel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb900547″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNuestra autora funda el poema, que diga la palabra y signifique. Cada lector encontrar\u00e1 ese rayo de luz…\u00bb \u2014Dionisia Garc\u00eda, en El Ciervo<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb609562″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa palabra (estas palabras) no puede(n) decir lo que ya est\u00e1 (de modo excelente) tejido y fabulado […] Si acaso sea m\u00e1s f\u00e1cil sentir sus p\u00e1ginas\u00bb \u2014Alfonso Garc\u00eda-Villalba, en El Coloquio de los Perros<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb184777″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa lectura de Hielo con espinas<\/em> es una experiencia sin duda intensa de la que, despu\u00e9s, no es f\u00e1cil hablar, o al menos no s\u00f3lo con las herramientas de la cr\u00edtica literaria. Ni de la cr\u00edtica de arte\u00bb \u2014Jos\u00e9 Daniel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb182804″ text_color_type=\u00bbuncode-palette\u00bb]\u00abBello, sugerente y atractivo poemario […] Hay que sentir sus poemas, dejar que atraviesen nuestra piel\u00bb \u2014Enrique Villagrasa, en Libr\u00fajula<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb178426″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs una poes\u00eda de vocaci\u00f3n experimental, pero de actitud hospitalaria. Una poes\u00eda compleja, pero amable\u00bb \u2014Juan Marqu\u00e9s, en La L\u00ednea Amarilla<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb104623″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb428768″][vc_single_image media=\u00bb9174″ media_width_percent=\u00bb100″ media_ratio=\u00bbfour-five\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb219589″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb161425″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb700″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb679984″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Kuiper<\/p>\n

Septiembre 2021[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb736363″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDeslumbramiento literario\u00bb \u2014Jos\u00e9 Manuel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb158455″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCon elipsis y \u00f3rbitas parece construirse la geometr\u00eda de esta novela […] He flipado\u00bb \u2014Lujo Berner, en El Coloquio de los Perros<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb439745″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUno de los autores m\u00e1s interesantes de la literatura espa\u00f1ola actual que, con esta novela, ampl\u00eda y consolida un mundo est\u00e9tico radicalmente original para el que me cuesta encontrar referentes dentro de nuestra tradici\u00f3n\u00bb \u2014Diego S\u00e1nchez Aguilar, en Pliego Suelto<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb638259″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa experiencia de leer esta novela es \u00fanica, nueva, maravillosa\u00bb \u2014Paco Pa\u00f1os, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb174130″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn tono l\u00edrico y envolvente que, como un mantra, consigue atraparte y llevarte hasta el final en un rapto hipn\u00f3tico\u00bb \u2014Pedro Pujante, en La Opini\u00f3n de Murcia<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb207514″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNovela inclasificable pero tan on\u00edrica y adictiva como los escarabajos psicoactivos que pueblan sus p\u00e1ginas\u00bb \u2014Jos\u00e9 Manuel Espejo, en eldiario.es<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb900181″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna obra muy potente\u00bb \u2014Domingo Llor, durante la presentaci\u00f3n del libro en La Monta\u00f1a M\u00e1gica[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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