{"id":132140,"date":"2024-07-13T16:07:25","date_gmt":"2024-07-13T16:07:25","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?page_id=132140"},"modified":"2026-03-01T20:11:24","modified_gmt":"2026-03-01T20:11:24","slug":"prensa-2023-2024","status":"publish","type":"page","link":"https:\/\/www.edicionesfranz.com\/?page_id=132140","title":{"rendered":"Prensa 2023-2024"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb200983″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb562912″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-555555″ text_size=\u00bbh5″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb172324″ text_color_type=\u00bbuncode-palette\u00bb]Prensa 2023-2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb51″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb683180″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb4″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb203049″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb133098″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb408096″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb143448″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb202440″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn poemario sosegadamente vitalista\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb497338″ text_color_type=\u00bbuncode-palette\u00bb]\u00abConstruye en torno al amor un edificio po\u00e9tico […] el amor como refugio\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb694248″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDestaca el car\u00e1cter ontol\u00f3gico, existencialmente heideggeriano, mediado por el lugar, un di\u00e1logo permanente entre el ser<\/em> y el estar<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb250942″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Marc Arrebola Sans[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb518424″]\u00abLos restos del rayo\u00bb<\/p>\n

Revista Nayagua n\u00ba38<\/p>\n

Diciembre 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb51″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb149941″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb4″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb999920″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb133100″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb154197″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb571832″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb165934″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn libro de cr\u00edtica literaria escrito con entusiasmo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196265″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDe estilo expansivo, parte de la premisa de que vida y lectura se enhebran en bucles indistinguibles\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb211207″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMirada conversacional, una especie de di\u00e1logo ininterrumpido que mantiene con los lectores, los libros y los autores\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb207620″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna cartograf\u00eda de libros minoritarios y perif\u00e9ricos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb103521″]\u00abLibros recomendados para Navidad 2024\u00bb<\/p>\n

Todos somos sospechosos \/ RNE<\/p>\n

26 de diciembre de 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb198996″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb132878″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb213878″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb167451″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb355191″ text_color_type=\u00bbuncode-palette\u00bb]\u00abJuan \u00c1ngel Asensio nos abre las puertas de una casa que es un espacio mental \u2014\u201cuna casa-libro\u201d, \u201cuna habitaci\u00f3n-poema\u201d\u2014 y, por tanto, un lugar para \u201cconvertir(te) en lenguaje\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb130685″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAnte la inutilidad de las palabras (\u201cpero no tengo el don ni la fuerza […] ni para construir un verbo que nos guarde\u201d), las distintas estancias y los muros que las definen ser\u00e1n el escenario de las confidencias, imbricadas en el \u00e1mbito familiar y dom\u00e9stico, en un af\u00e1n por llegar al hueso de la relaci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb185958″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab…su patr\u00f3n expresivo rompe los moldes m\u00e1s habituales y sus referentes culturales \u2014no s\u00f3lo literarios\u2014 provienen de la sociolog\u00eda, de la ling\u00fc\u00edstica, de la antropolog\u00eda o de la m\u00edstica\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb152820″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Carlos Alcorta[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb184280″ text_color_type=\u00bbuncode-palette\u00bb]\u00abJuan \u00c1ngel Asensio, en los l\u00edmites del lenguaje\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Carlos Alcorta<\/p>\n

elcuadernodigital<\/a>
\n<\/strong><\/span><\/p>\n

Diciembre 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb227787″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb412001″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb132286″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb701184″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb121307″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb550″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb174826″]\u00abAlgo de rescate parece tener la manera de escribir de Pepa Alem\u00e1n, o quiz\u00e1 ser\u00eda m\u00e1s preciso decir que se advierte en ella una disposici\u00f3n atenta\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb147999″]\u00abEs un libro completo, no una compilaci\u00f3n de poemas\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb430544″]\u00abTiene el aire de una premonici\u00f3n, como si anticipase el desarrollo de una capacidad latente de los humanos que sabremos utilizar cuando hayamos asimilado algunas leyes que funcionan en el mundo subat\u00f3mico\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb179245″]\u00ab…intuici\u00f3n de un mundo que est\u00e1 siempre animado, aunque sea discretamente\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb711466″]\u00abLas palabras dejan de ser sustituciones […] adquieren una funci\u00f3n que tiene que ver con el hechizo, o con la reacci\u00f3n qu\u00edmica\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb193119″]\u00abAhora se me ocurre que estos poemas podr\u00edan existir si nadie los leyese, como los objetos no percibidos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb151180″]\u00abEstar despierta es el poema\u00bb<\/p>\n

B\u00e1rbara Mingo<\/p>\n

Letras Libres<\/a><\/p>\n

8 de octubre de 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb178356″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb132247″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb120704″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb166975″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196661″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl poeta madrile\u00f1o ha ideado la casa en la que poder habitar con la persona amada [pero] ese lecho florido<\/em> deseado no ignora los detalles jodidos de la rutina\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb195738″ text_color_type=\u00bbuncode-palette\u00bb]\u00abFiel a sus referentes, el tono m\u00edstico se da en cada uno de los versos. A \u00e9l le escuch\u00e9 decir que, en lengua castellana, los mejores poemas de amor que se han escrito han sido los dirigidos hacia Dios\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb961473″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEntre la carga er\u00f3tica, el surrealismo embotado y la palabra que se aleja del ruido, Asensio marca los l\u00edmites de su sintaxis, abogando por un amor que sea consciente de la fuerza con la que se ha constituido su nudo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb714609″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Luis Bravo[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb173335″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl rayo ha perfumado ferozmente nuestra casa\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Luis Bravo<\/p>\n

El Imparcial
\n<\/strong><\/span><\/p>\n

4 de agosto de 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb49″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb718406″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb4″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb199080″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb132174″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb151445″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb629222″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb197163″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn su obra Finisterre<\/em> Mara Mah\u00eda nos sumerge en un mundo de pensamiento m\u00e1gico\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb186099″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna obra evocadora\u00bb que \u00abnos toca con ternura y nos invita a reflexionar sobre la fragilidad de la vida y la profundidad de las emociones\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb109101″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Violeta Nicol\u00e1s[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb292205″]\u00abFinisterre\u00bb<\/p>\n

Revista El Ciervo<\/p>\n

Julio \/ Agosto 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb999536″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb132127″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb515053″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb168234″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb124123″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTras cinco a\u00f1os de silencio y exploraci\u00f3n amanece un nuevo poemario de Juan \u00e1ngel Asensio: Los restos del rayo<\/a>\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb102690″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVersos cortos que, por su tono arm\u00f3nico y sereno, predisponen al lector a una actitud contemplativa\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb135682″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa voz po\u00e9tica nos va guiando, como ya hiciera Virgilio, por los diferentes c\u00edrculos del hogar. En ellos palpamos el verdadero sentido del rayo que no cesa<\/em>: el amor\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb988489″ text_color_type=\u00bbuncode-palette\u00bb]\u00abA la vez, surge una voz que nos incumbe: podr\u00edas ser t\u00fa el morador de este hogar; podr\u00edas ser t\u00fa el que no se percate de la maravilla de los hechos y objetos habituales; podr\u00edas ser t\u00fa el que se est\u00e1 perdiendo en el nudo infernal de la sintaxis…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb506241″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Diego Godi\u00e1n y Charles Pouzols[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb245195″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDe juventudes inflamadas a Los restos del rayo<\/em> sosegados\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Pliego Suelto<\/a>
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8 de julio de 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb65″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb134121″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb123190″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb131774″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb465600″ media_link=\u00bburl:https%3A%2F%2Fcanalmalaga-ondemand.flumotion.com%2Foutgoing%2Fvideo%2Fmp4%2Fhigh%2F20240418_2130_2148_LETRASMIXTAS_V_1X1_2_T5_23-24_P24_LETRAS_MIXTAS-EMILIO_PEREZ_MILLAN_ESCRITOR_UN_24_EDICIONES_FRANZ-CANAL_MALAGA_TELEVISION.mp4|target:_blank\u00bb][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb500533″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb161424″]\u00abLos cuentos de Un 24<\/em> inspiran conversaciones. Adem\u00e1s, \u00a0tienen un toque muy sure\u00f1o y muy boquer\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb176394″]\u00abEl cuento me gusta mucho como g\u00e9nero. Se presta a la relectura y, como la poes\u00eda, trabaja mucho la profundidad, la precisi\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb135986″]\u00abPorque leo much\u00edsimo, cada vez soy m\u00e1s consciente de que se necesita buscar en los m\u00e1rgenes de la corriente principal, no s\u00f3lo en la literatura, sino en todo disciplina art\u00edstica\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb931051″]\u00abFrancisco Quintero entrevista a Emilio P. Mill\u00e1n\u00bb<\/p>\n

Letras Mixtas \/ Canal M\u00e1laga TV<\/a><\/p>\n

23 de abril de 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb154914″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb131598″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb131561″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb102024″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb463913″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEscribir sobre lo escrito. Escribir sobre lo le\u00eddo. Escribir sobre la lectura. Escribir sobre el impacto de la lectura, la seducci\u00f3n, el hechizo, el delirio, la turbaci\u00f3n, el dolor, el conflicto. Escribir sobre c\u00f3mo y desde d\u00f3nde he le\u00eddo un libro y escribir desde el lugar al que me ha conducido. Escribir para fijar la revoluci\u00f3n molecular<\/em> que me provoca la lectura. Convertir mi conmoci\u00f3n lectora en texto: alumbrar una criatura.\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb163281″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab\u00bfEscribir sobre libros no ser\u00e1 entonces un modo inconsciente de diseccionar y coser? \u00bfEscribir sobre libros no me dar\u00e1 la oportunidad de, destello galv\u00e1nico mediante, engendrar peque\u00f1as criaturas a partir de creaciones ajenas?\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb886357″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEsta es mi pretensi\u00f3n galv\u00e1nica: un hilo electrificado que componga, m\u00e1s all\u00e1 del libro inicial, m\u00e1s all\u00e1 de mis textos, otras criaturas en otros lectores\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb638245″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Gema Monlle\u00f3[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb633388″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTentativa frankensteiniana\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Zenda<\/a>
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14 de febrero de 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb194602″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb131477″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb937882″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb145624″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb122639″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPoes\u00eda escrita por poetas de ese archipi\u00e9lago de origen volc\u00e1nico anclado en medio del Atl\u00e1ntico. De Antero de Quental a Emanuel Jorge Botelho, puntualizan. No resulta extra\u00f1o, m\u00e1s bien todo lo contrario, que sea un canario, otro isle\u00f1o nacido en otro archipi\u00e9lago del mismo oc\u00e9ano, su impulsor y que, m\u00e1s all\u00e1, haya logrado reunir con \u00e9l a un nutrido grupo de poetas tambi\u00e9n canarios con el fin de traducir esos versos\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb154560″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDespu\u00e9s de leer estos versos, ya puedo presumir de haber viajado hasta esas islas atl\u00e1nticas que regresan desde mi m\u00e1s remota infancia con nombre de anticicl\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb364578″ text_color_type=\u00bbuncode-palette\u00bb]\u00abS\u00ed, todo un feliz descubrimiento. Editada por Franz con un cuidado, ya digo, exquisito e ilustrada con mucho arte por Juan Gopar\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb195838″ text_color_type=\u00bbuncode-palette\u00bb]\u2014\u00c1lvaro Valverde[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb800388″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAnterianamente: una muestra de poes\u00eda azoriana\u00bb
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El Cuaderno<\/a>
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Enero de 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb627856″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb131182″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb166072″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb113160″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb233122″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSegundo y s\u00f3lido poemario de V\u00edctor Berm\u00fadez tras varios t\u00edtulos dedicados al pensamiento de lo po\u00e9tico y Del electr\u00f3n el \u00e1mba<\/em>r\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb195245″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl dominio del lenguaje l\u00edrico le permite jugar con la combinaci\u00f3n de dos particularidades en la voz: un tono descriptivo y formal y una voz que se interroga y se enuncia\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb183431″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos procesos geol\u00f3gicos se convierten en una herramienta del pensar metaf\u00f3rico y de un decir marcado por el ritmo y la palabra precisa\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb249129″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Azahara Alonso[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb230701″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCopia, repetici\u00f3n, traslado\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Revista Nayagua n\u00ba36
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Noviembre de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb133706″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb120490″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb111158″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb103564″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb698207″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPara que puedan respirar y hacerse visibles\u00bb, el poeta Jordi Doce ha seleccionado para el suplemento cultural de El Mundo, La Lectura, varios poemarios, entre ellos Californias perdidas,<\/em> la muestra de poes\u00eda azoriana editada por Melchor L\u00f3pez y Urbano Bettencourt y publicada por Franz.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb724961″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn la obra de los doce poetas incluidos en la muestra, L\u00f3pez detecta un tono de resignada melancol\u00eda que remite a la vivencia del aislamiento en la soledad del Atl\u00e1ntico\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb863521″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Jordi Doce[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb871654″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPiedras en la mano: la poes\u00eda en la Feria del Libro\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Jordi Doce
\n<\/strong><\/span><\/p>\n

La Lectura<\/strong><\/p>\n

2 de junio de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb617165″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb131604″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb385595″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb173206″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb994926″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn libro brillante y mordaz que invita a apartar la mirada de las pantallas […] Su escritura es concisa, disciplinada, juguetona\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb210142″ text_color_type=\u00bbuncode-palette\u00bb]\u2014extradigital.es[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb101650″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos relatos breves permiten una escritura concienzuda. Yo los veo como piezas o ideas, pese a que las palabras bien escogidas son las que vertebran un buen texto\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb843723″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCreo que un texto literario debe contener parte del alma del narrador, que ha de soltarse con las palabras, como se soltar\u00eda con un pincel ante el lienzo, para darles una forma, una forma propia\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb141431″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Javier Valero[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb182043″ text_color_type=\u00bbuncode-palette\u00bb]\u00abJavier Valero: \u201cLa tecnolog\u00eda seguir\u00e1 haci\u00e9ndonos meter la cabeza en el entretenimiento y volviendo m\u00e1s y m\u00e1s algor\u00edtmicos nuestros comportamientos\u201d\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Extradigital<\/a>
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31 de mayo de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb208171″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb119681″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb119195″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb259179″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb141453″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl \u00e1mbar y la iluviaci\u00f3n, la po\u00e9tica y la vida, la combusti\u00f3n y la congelaci\u00f3n, el \u00e9xtasis y la estasis, la erosi\u00f3n y el pulimento, la nostalgia y la esperanza, el equilibrio y la inestabilidad, la proporci\u00f3n y la desmesura…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb139628″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl \u00e1mbar se proyecta como \u201cuna secreta cuota de equilibrio\u201d, aquello que congela el tiempo, antinaturalmente, atrapando la vida dentro de s\u00ed y doblegando al devenir, como \u201cuna substancia que fosiliza el terror y la belleza\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb110967″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa iluviaci\u00f3n proyecta ingravidez, el hecho de no estar atado, de dejarse llevar […] tiene mucho que ver con la migraci\u00f3n […] Ser sedimento fluido, mudable […] Ser aire y no subsuelo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb384076″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Jorge Arroita[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb142919″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEntre la conservaci\u00f3n y el movimiento: la palabra po\u00e9tica como suspensi\u00f3n ext\u00e1tica frente al devenir vital en la obra de V\u00edctor Berm\u00fadez\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Jorge Arroita
\n<\/strong><\/span><\/p>\n

Revista Quimera
\n<\/strong><\/span><\/p>\n

N\u00ba 472 Abril 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb359429″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb12567″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb171211″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb120600″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb128578″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna poes\u00eda relativamente oscura, en sus propuestas textuales, pero luminosa en sus intenciones. […] Es una poes\u00eda de vocaci\u00f3n experimental, pero de actitud hospitalaria. Una poes\u00eda compleja, pero amable\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb172671″ text_color_type=\u00bbuncode-palette\u00bb]\u00abComienza muy arriba, literalmente: \u201cPor qu\u00e9 no hablan en la tele de exoplanetas \/ si hay billones\u201d. Es una pregunta importante, y tambi\u00e9n la que sigue: \u201cd\u00f3nde estoy yo\u201d. Esta vertiginosa precipitaci\u00f3n de lo m\u00e1s sublime a lo m\u00e1s privado, de lo universalmente objetivo a lo individual, de lo eterno a lo \u00edntimo… siempre funciona en poes\u00eda. No es el contraste, es la sensaci\u00f3n de totalidad\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb208769″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa mirada hacia arriba no tiene tanto que ver con la astronom\u00eda como con la ciencia-ficci\u00f3n, hay una perspectiva, digamos, m\u00e1s creativa que cient\u00edfica, m\u00e1s \u201chuellas de alien\u201d (as\u00ed se dice en la p\u00e1gina 33) que astros, m\u00e1s alusiones directas a Expediente X<\/em> (p. 65) o incluso m\u00e1s citas del gui\u00f3n de Forbidden Planet<\/em> (p. 67) que visitas al libro de ciencias naturales\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb132495″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Juan Marqu\u00e9s[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb211022″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHielo con espinas: llama que lame lunar\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Juan Marqu\u00e9s
\n<\/strong><\/span><\/p>\n

La L\u00ednea Amarilla<\/a>
\n<\/strong><\/span><\/p>\n

16 de febrero de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb177210″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb12495″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb133858″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb985147″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb184244″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEste libro erudito se compone de dos partes en constante interacci\u00f3n dial\u00f3gica: reivindica la necesidad de po\u00e9ticas cuidadas e inteligentes, subrayando la potencia configurada de una palabra \u201capta para el pensamiento y para el s\u00edmbolo, apta para el sue\u00f1o y la ley, apta para la descripci\u00f3n y el ataque, apta para la explicaci\u00f3n y para la guerra\u201d, y confecciona a su vez un mapa alternativo de voces de vanguardia, entre las que encontramos las de autores como Jos\u00e9 \u00c1ngel Valente, Sophia de Mello Breyner Andersen, Juan Goytisolo, Haroldo de Campos o Andr\u00e9s S\u00e1nchez Robayna\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb747198″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl esp\u00edritu cr\u00edtico, a menudo tan ausente en las esferas culturales de nuestro pa\u00eds, sobrevive en La educaci\u00f3n de Naus\u00edcaa,<\/em> un libro inteligente en su contenido y en su estructura dial\u00e9ctica, que funciona como una invitaci\u00f3n apremiante a la reflexi\u00f3n consciente en torno a temas y problemas que constituyen nuestra realidad y, finalmente, como un recordatorio de la necesidad de reparar en los autores que, alejados del foco de inter\u00e9s de las instituciones cr\u00edticas al uso, llevan m\u00e1s lejos el lenguaje de la modernidad\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb638685″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Ana Costales Alonso[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb168680″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAlejandro Krawietz en el v\u00f3rtice del ensayo\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Ana Costales Alonso
\n<\/strong><\/span><\/p>\n

El D\u00eda
\n<\/strong><\/span><\/p>\n

4 de febrero de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb103821″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb12454″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb152503″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb594086″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb170397″ text_color_type=\u00bbuncode-palette\u00bb]\u00abComo ocurre con la grandeza oculta del monte submarino Gran Meteor, situado al sur de las Azores y al oeste de Canarias, la poes\u00eda azoriana parece quedar sumergida y como velada por la magnitud del Atl\u00e1ntico\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb150644″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos poetas canarios y los poetas azorianos comparten muchas cosas, no s\u00f3lo la insularidad: los or\u00edgenes m\u00edticos de ambos territorios, su nacimiento a un mismo horizonte cultural europeo, la \u201csoledad\u201d atl\u00e1ntica…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb997770″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab… las ilustraciones a cargo de Juan Gopar […] contribuyen tambi\u00e9n a convertirse en un gui\u00f1o que nuevamente insiste en los nexos entre Azores y Canarias: las cordadas de lava, las im\u00e1genes de l\u00edquenes y las rocas volc\u00e1nicas aqu\u00ed recogidas […] van en consonancia con lo que parece ser el prop\u00f3sito de quienes han realizado la selecci\u00f3n de poemas: indagar en aquello que est\u00e1 por ser descrito, que permanece en espera para ser descubierto, que, como un volc\u00e1n, se encuentra activo y podr\u00eda, en potencia, generar nuevos mapas, nuevos horizontes\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb200891″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn gran parte vertebrada por el motivo tem\u00e1tico de la insularidad, la selecci\u00f3n de poemas incide en el poder de la imaginaci\u00f3n literaria, que parece cernirse en los versos de estos autores como una soluci\u00f3n con la que enfrentar conciencias abrazadas por el mar\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb114017″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Alejandro Fuertes[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb107770″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSal, sue\u00f1o y memoria de un archipi\u00e9lago\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Alejandro Fuertes
\n<\/strong><\/span><\/p>\n

Diario de Las Palmas
\n<\/strong><\/span><\/p>\n

28 de enero de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb121914″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb12437″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb957162″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb259224″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb208922″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna poeta que sorprende y camina a sus anchas por la geografia po\u00e9tica sideral es Violeta Nicol\u00e1s\u00a0(Murcia, 1984), con su bello, sugerente poemario Hielo con espinas<\/em> (Franz). Un libro que\u00a0contiene poes\u00eda a raudales y esta s\u00ed es un verdadero latigazo en el cerebro\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb144807″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEn esta belleza casi hipn\u00f3tica de los poemas que contiene Hielo con espinas<\/em> est\u00e1 la siempre perseguida\u00a0perfecci\u00f3n po\u00e9tica de la descomposici\u00f3n de la sintaxis y de la propia cadencia del verso…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb592777″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAs\u00ed pues, hay que sentir sus poemas, dejarlos que atraviesen nuestra piel\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb966089″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Enrique Villagrasa[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb128797″ text_color_type=\u00bbuncode-palette\u00bb]\u00abVioleta Nicol\u00e1s: La sugesti\u00f3n de la poes\u00eda sideral\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Enrique Villagrasa
\n<\/strong><\/span><\/p>\n

Libr\u00fajula<\/a>
\n<\/strong><\/span><\/p>\n

10 de enero de 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_use_pixel=\u00bbyes\u00bb border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb152425″ css=\u00bb.vc_custom_1684871887171{border-top-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb1600″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ font_family=\u00bbfont-136269″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb681218″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb287192″]Contin\u00faa en Prensa 2022 \u2192<\/a>[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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