{"id":7639,"date":"2021-02-19T15:48:34","date_gmt":"2021-02-19T15:48:34","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?page_id=7639"},"modified":"2026-06-02T20:54:05","modified_gmt":"2026-06-02T20:54:05","slug":"dixit","status":"publish","type":"page","link":"https:\/\/www.edicionesfranz.com\/?page_id=7639","title":{"rendered":"Voces"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb213579″][vc_single_image media=\u00bb11291″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb143386″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb185005″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb152954″]\u00abEn los humanos est\u00e1 contenida la posibilidad de volar.<\/span><\/p>\n

Y en el poema podemos alcanzar de alguna forma esa <\/span><\/p>\n

experiencia iluminadora del vuelo<\/span>\u00bb[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb195765″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dmelchor-lopez|title:Melchor%20L%C3%B3pez\u00bb]Melchor L\u00f3pez[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb133199″]La poes\u00eda de Melchor L\u00f3pez<\/a> ha sido \u00abforjada en herrer\u00edas de creatividad radical\u00bb, bajo el yunque de la modernidad y la vanguardia. Su obra es \u00abun oasis excepcional, […] su mirada penetra, por los poderes de la imaginaci\u00f3n, hasta los bordes donde comienza lo invisible\u00bb, ha escrito Francisco Le\u00f3n. \u00abRepresenta con fidelidad eso que se ha dado en llamar poeta de culto<\/em>\u00bb, ha escrito Carlos Alcorta.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11051″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb116869″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb136056″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb340269″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe aburren los esp\u00edritus domados<\/span>\u00bb[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb203730″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Disabel-tejada-balsas|title:isabel\u00bb button_color_type=\u00bbuncode-palette\u00bb]Isabel Tejada Balsas[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb104665″ text_color_type=\u00bbuncode-palette\u00bb]Poeta de herencia vanguardista, en el sentido de experimentaci\u00f3n y ruptura. Su voz po\u00e9tica a\u00falla en el desierto de lo real, con una transparencia juanramoniana, y envuelve con lenguaje \u2014\u00abtodo viene de dentro\u00bb, ha dicho Isabel Tejada Balsas\u2014 su aproximaci\u00f3n trascendental al sujeto contempor\u00e1neo, rec\u00f3ndito en este \u00abed\u00e9n de mansedumbre\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11379″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb998500″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb833442″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb790416″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNo hay suficientes palabras en ning\u00fan idioma <\/span><\/p>\n

para escribir sobre la complejidad de las emociones <\/span><\/p>\n

humanas. La lengua es una jaula\u00bb<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb209995″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dyoko-tawada|title:yoko\u00bb button_color_type=\u00bbuncode-palette\u00bb]Yoko Tawada[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb118617″ text_color_type=\u00bbuncode-palette\u00bb]Le preguntaron a Yoko Tawada en una entrevista en The Objective<\/em> si escribe desde las entra\u00f1as o desde el cerebro y la escritora respondi\u00f3: \u00abDesde ambos. Porque tengo ideas que son muy abstractas, una ideolog\u00eda, cr\u00edtica y un lenguaje. Pero no es suficiente para la literatura\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb216426″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb419416″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb556001″]\u00abUna jaula fue en busca de un ave\u00bb \u2014Franz Kafka en Aforismos de Z\u00fcrau<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11414″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb109643″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb155466″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb216776″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe he educado literariamente en una tradici\u00f3n que busca la naturaleza trascendental y constructiva de la escritura\u00bb. <\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb158878″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dfrancisco-leon|title:Francisco%20Le%C3%B3n\u00bb button_color_type=\u00bbuncode-palette\u00bb]Francisco Le\u00f3n[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb133022″ text_color_type=\u00bbuncode-palette\u00bb]La obra de Francisco Le\u00f3n \u2014cultiva la poes\u00eda, la prosa y el ensayo\u2014, reivindica la imaginaci\u00f3n y el pensamiento, el conocimiento y la autoconciencia. \u00abLa potencia imaginaria de la poes\u00eda puede desplazar nuestro pensamiento hacia zonas de reflexi\u00f3n y conocimiento nuevos, de visi\u00f3n y de lenguaje in\u00e9ditos, hacia zonas misteriosas\u00bb, le dijo Le\u00f3n a Alejandro Krawietz en una entrevista.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11106″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb192060″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb211880″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb209321″]\u00abLa literatura no es s\u00f3lo lenguaje. El lenguaje s\u00f3lo es <\/span><\/p>\n

el medio que se usa para inocularle al lector un imaginario <\/span><\/p>\n

de violencia. Yo busco provocar electroshocks\u00bb<\/span>[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb189687″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Ddambudzo-marechera|title:Dambudzo%20Marechera\u00bb]Dambudzo Marechera[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb204258″]Se ha dicho que su obra se encuentra entre el Ulises<\/em> de Joyce y Exhibici\u00f3n de atrocidades<\/em>\u00a0de Ballard. Marechera<\/a> escrib\u00eda una poes\u00eda indomable y punk<\/em>, y una prosa tensa, fracturada; entend\u00eda la ficci\u00f3n como un caleidoscopio de realidades e irrealidades, como una disociaci\u00f3n, \u00abcomo un combate\u00bb. Para \u00e9l, lo m\u00e1s importante era la libertad del escritor para crear su arte; dec\u00eda: \u00absi escribes para una naci\u00f3n o raza, que te jodan\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11043″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb124436″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb104681″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb163962″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNo hay distancia entre la piel y el \u00e1rbol, entre la aguja y el cuerpo, entre el agua y el hueso. Es la palabra la que inventa un yo, ese humo\u00bb<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb890651″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dmaria-jose-aleman|title:Mar%C3%ADa%20Jos%C3%A9%20Alem%C3%A1n\u00bb button_color_type=\u00bbuncode-palette\u00bb]Pepa Alem\u00e1n[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb173584″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEscribe poemas para iluminarnos\u00bb ha dicho Sergio Barreto a prop\u00f3sito de la obra de Pepa Alem\u00e1n. A ella le inspiran Violette Leduc, \u00abpor su capacidad de abstracci\u00f3n, uso del lenguaje y memoria personal\u00bb, y Herta M\u00fcller, \u00abporque su don con las palabras me mostr\u00f3 el camino hacia una escritura libre\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11407″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb646273″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb125280″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb438677″]\u00abMe interesa el pensamiento subyacente a los procesos literarios y tambi\u00e9n c\u00f3mo se relaciona la literatura con otras disciplinas como el arte, la ciencia y la filosof\u00eda\u00bb.<\/span>[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb208185″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dvictor-bermudez|title:V%C3%ADctor%20Berm%C3%BAdez\u00bb]V\u00edctor Berm\u00fadez[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb180639″]\u00abSe necesita un conocimiento profundo de la naturaleza del lenguaje literario\u00bb, ha dicho Berm\u00fadez<\/a>, \u00abantes de intentar retar los fundamentos de la literatura\u00bb, cuya creaci\u00f3n necesita \u00abpaciencia\u00bb, insiste, pero tambi\u00e9n \u00abturbulencia\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11562″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb333991″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb100231″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb177624″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe interesa contar lo real con la libertad salvaje <\/span><\/p>\n

de la ficci\u00f3n\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb211198″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dbibiana-candia|title:Bibiana%20Candia\u00bb button_color_type=\u00bbuncode-palette\u00bb]Bibiana Candia[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb161584″ text_color_type=\u00bbuncode-palette\u00bb]La primera novela de Candia, Azucre<\/em>, estar\u00e1 basada en hechos reales por haberla ambientado en la azucarera del empresario gallego Urbano Feijoo de Sotomayor, quien se enriqueci\u00f3 a costa de 1700 j\u00f3venes analfabetos que viajaron a la isla de Cuba desde su Galicia natal a cambio de nada o muy poco. Las t\u00e9cnicas de la ficci\u00f3n tambi\u00e9n inspiran su premiado trabajo period\u00edstico \u2014 Bibiana Candia ha ganado el XXVII Premio Carmen de Burgos de divulgaci\u00f3n feminista con el art\u00edculo \u2018Mar\u00eda Moliner, nuestra se\u00f1ora de las palabras\u2019, publicado en el n\u00ba27 de Jot Down, en junio de 2019.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb102146″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb129552″ column_width_pixel=\u00bb350″][vc_custom_heading heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb670881″]\u00abUn libro es una atm\u00f3sfera, \u00bfno?\u00bb \u2014J. L- Borges[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb673302″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11452″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb720477″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb100231″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb842291″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMi modo de entender la literatura siempre ha sido an\u00e1rquico y apasionado\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb101784″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dsergio-barreto|title:Sergio%20Barreto\u00bb button_color_type=\u00bbuncode-palette\u00bb]Sergio Barreto[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb105154″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay una realidad cultural que me fascina\u00bb, dice el autor, \u00aby que abarca al grupo The Doors, Juan Rulfo, la pornograf\u00eda y el g\u00e9nero pulp<\/em>, Ambrose Bierce y la poes\u00eda metaf\u00edsica inglesa\u00bb. A nuestro querido Melchor L\u00f3pez le parece que la voz po\u00e9tica de Sergio Barreto posee \u00abuna capacidad de videncia profunda e ins\u00f3lita\u00bb, porque est\u00e1 \u00abanimada por el Verbo de los taumaturgos\u00bb, nada menos.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11150″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb166497″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb160369″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb116696″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCreo que al escritor lo determina su mirada. <\/span><\/p>\n

El punto de referencia es uno mismo\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb182977″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dnicolas-dorta|title:Nicol%C3%A1s%20Dorta\u00bb button_color_type=\u00bbuncode-palette\u00bb]Nicol\u00e1s Dorta[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb132547″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab\u00bfQu\u00e9 es la identidad?\u00bb, se pregunta Nicol\u00e1s Dorta ret\u00f3ricamente en una entrevista en la revista Trasdemar. \u00abPrecisamente, la universalidad es lo que rompe con esa pretensi\u00f3n identitaria, y es lo que caracteriza a la literatura total \u2014la que se debe exclusivamente al hecho de contar\u00bb, insiste. \u00abNos parecemos todos, m\u00e1s de lo que creemos, en cualquier parte del mundo\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb8619″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb271918″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb158562″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb214073″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa literatura debe ser confrontaci\u00f3n con la realidad\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-jevc\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb144936″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dsanti-mazarrasa|title:Santi%20Mazarrasa\u00bb button_color_type=\u00bbuncode-palette\u00bb]Santi Mazarrasa[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb185635″ text_color_type=\u00bbuncode-palette\u00bb]Esther Pe\u00f1as entrevist\u00f3 a Mazarrasa en ctxt.es. \u00abEn ning\u00fan caso puede existir una literatura de la caricia o una literatura de la aceptaci\u00f3n\u00bb, dijo \u00e9l, \u00abporque no ser\u00eda m\u00e1s que propaganda\u00bb. El autor de El Aspirante,<\/em> cita a Andr\u00e9 Breton a prop\u00f3sito de la ambici\u00f3n literaria, ya que afirm\u00f3 que publicaba \u00abpara encontrar esp\u00edritus afines\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb10588″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb149295″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb128033″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb657549″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe interesa moverme en lo fronterizo, generar incertidumbre\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb938855″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dvioleta-nicolas|title:Violeta%20Nicol%C3%A1s\u00bb button_color_type=\u00bbuncode-palette\u00bb]Violeta Nicol\u00e1s[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb157771″ text_color_type=\u00bbuncode-palette\u00bb]La poeta se siente c\u00f3moda en lo mutante, en lo fronterizo, no s\u00f3lo entre el arte y la literatura \u2014Violeta Nicol\u00e1s es una reconocida artista de performance<\/em>\u2014, sino entre palabra y cuerpo: se ha dicho que \u00abel v\u00ednculo [es] tan fuerte que casi parece capaz de sacar los poemas de la cultura, convirti\u00e9ndolos en una especie de ceremonia org\u00e1nica\u00bb. La obra de Nicol\u00e1s es sensorial e intuitiva, multidimensional y vanguardista.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11157″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb748281″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb145345″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb115535″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCreo que la literatura es un experimento\u00bb.<\/span>[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb187450″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dandres-moutas|title:Andr%C3%A9s%20Moutas\u00bb]Andr\u00e9s Moutas[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb747272″ text_color_type=\u00bbuncode-palette\u00bb]\u00abYo parto de una ficci\u00f3n absoluta, el Tiempo, entidad abstracta que no existe m\u00e1s que en el intelecto como una convenci\u00f3n\u00bb, le cont\u00f3 Moutas en 2017 a la Asociaci\u00f3n de Escritores de Asturias cuando fue finalista del Premio Minotauro con su novela El club de los 5 minutos, <\/em>publicada por Pez de Plata. Fue la voz singular de Andr\u00e9s Moutas lo que conquist\u00f3 a su editor, Jorge Salvador, adem\u00e1s de \u00abpor haber creado un universo un poco loco que a m\u00ed me encanta\u00bb. \u00abSon polos opuestos, ficci\u00f3n y realidad\u00bb, dec\u00eda Moutas, \u00abpero como tales se atraen y complementan\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb169290″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb199266″ column_width_pixel=\u00bb350″][vc_custom_heading heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb214047″]\u00abLo que importa es el efecto que produce el arte\u00bb \u2014Enrique Vila-Matas en Kassel no invita a la l\u00f3gica<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11564″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb111582″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb165084″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb135467″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa confusi\u00f3n entre sue\u00f1o y realidad pulveriza todo tipo de certeza y paradigma\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb162299″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dalfonso-garcia-villalba|title:Alfonso%20Garc%C3%ADa-Villalba\u00bb button_color_type=\u00bbuncode-palette\u00bb]Alfonso Garc\u00eda-Villalba[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb209981″ text_color_type=\u00bbuncode-palette\u00bb]\u00abTodo el arte debe procurar abrirse a otras realidades y trascender aquello que nos rodea\u00bb, dice Alfonso Garc\u00eda-Villalba, a quien \u00abla literatura totalitaria, que trata de imponer una verdad a lectores sumisos\u00bb, no le interesa nada. Para \u00e9l, \u00abuna de las cosas m\u00e1s bonitas que podemos experimentar a nivel est\u00e9tico es la incertidumbre, en libertad para interpretar y sentir\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb9914″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb866094″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bblight\u00bb back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb992383″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb211676″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLas palabras se\u00f1alan nuestro l\u00edmite, nos indican d\u00f3nde acaban la subjetividad y el cuerpo\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-jevc\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb211985″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dadalber-salas|title:Adalber%20Salas%20Hern%C3%A1ndez\u00bb button_color_type=\u00bbuncode-palette\u00bb]Adalber Salas Hern\u00e1ndez[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-prif\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb176423″ text_color_type=\u00bbuncode-palette\u00bb]Seg\u00fan el poeta y traductor \u00abel lenguaje es un fen\u00f3meno distintivamente humano y al mismo tiempo siniestramente inhumano\u00bb, por basarse en lo que uno no termina nunca de nombrar<\/em>. Esa grieta se manifiesta claramente en la traducci\u00f3n, \u00abcuando nos movemos entre lenguas y, sin embargo, a partir de esa mirada desplazada, surge una fuerza creativa \u00a0muy enriquecedora\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb7538″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb264122″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb179873″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb978373″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPara escribir me inspiran el amor, la injusticia, <\/span><\/p>\n

la fragilidad de la vida y la tragedia\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-jevc\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb522658″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dmara-mahia|title:Mara%20Mah%C3%ADa\u00bb button_color_type=\u00bbuncode-palette\u00bb]Mara Mah\u00eda[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb200105″]No pasa desapercibida la voz honesta y transparente \u00a0de Mara Mah\u00eda, una autora que \u00abposee un gran talento\u00bb, en palabras de Jos\u00e9 Carlos Breto, \u00abuna autora maravillosa\u00bb, en palabras de Ana Molinos, por su capacidad de expresar voces que son literariamente dif\u00edciles, como las infantiles, y de retratar \u00e9pocas sin manierismos ni imposturas.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11184″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb634154″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb120629″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb193114″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe gustan los intersticios, entre idiomas o entre el ensayo y la ficci\u00f3n; enriquecen el pensamiento y la literatura\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb925089″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dabdelfattah-kilito|title:Abdelfattah%20Kilito\u00bb button_color_type=\u00bbuncode-palette\u00bb]Abdelfattah Kilito[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb555925″ text_color_type=\u00bbuncode-palette\u00bb]Dec\u00eda el respetad\u00edsmo intelectual Abdelffatah Kilito, escritor de libros exquisitos, literarios y metaliterarios, que le gusta pensar en los escritores como \u00ablectores\u00bb, que le interesa sobremanera \u00ablo que leen, reconocer sus lecturas en sus obras, curiosear las bibliotecas de los personajes y c\u00f3mo sus lecturas forman parte de su construcci\u00f3n ficticia\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11650″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb159300″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb111583″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb170626″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMi literatura est\u00e1 muy inspirada por el cine [\u2026] <\/span><\/p>\n

Michael Haneke me ayud\u00f3 a comprender el mundo <\/span><\/p>\n

de un modo distinto\u00bb<\/span>.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-jevc\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb310507″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dgabriel-rodriguez-liceaga|title:Gabriel%20Rodr%C3%ADguez%20Liceaga\u00bb button_color_type=\u00bbuncode-palette\u00bb]Gabriel Rodr\u00edguez Liceaga[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-prif\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb973631″ text_color_type=\u00bbuncode-palette\u00bb]\u00abComo escritores, es nuestra responsabilidad hablar de los tiempos que nos tocan. Nuestra imaginaci\u00f3n ya est\u00e1 contaminada con la traducci\u00f3n audiovisual de lo que escribimos\u00bb, dice<\/span>\u00a0Gabriel Rodr\u00edguez Liceaga<\/a>. Tambi\u00e9n dice algo que nos encandila especialmente: \u00abEl cuento es el m\u00e1s generosos de los g\u00e9neros\u00bb.<\/span>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11426″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb139281″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb297492″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb323223″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa ciencia y la tecnolog\u00eda son dos de mis motivaciones <\/span><\/p>\n

para escribir, pero la filosof\u00eda es la tercera\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb141089″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dwole-talabi|title:Wole%20Talabi\u00bb button_color_type=\u00bbuncode-palette\u00bb]Wole Talabi[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb192239″ text_color_type=\u00bbuncode-palette\u00bb]Como autor de ciencia ficci\u00f3n, Wole Talabi inventa mundos alternativos en los que hay artefactos tecnol\u00f3gicos f\u00e1cilmente imaginables para cualquiera que viva en el siglo XXI; sin embargo, lo m\u00e1s importante es c\u00f3mo retan y transformarnla subjetividad de sus personajes. \u00abLa ciencia ficci\u00f3n no necesariamente predice el futuro\u00bb, dice Talabi, \u00absobre todo habla de nuestros temores y esperanzas\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb282566″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb419416″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb127619″]\u00abLa subjetividad es una simulaci\u00f3n\u00bb \u2014Mark Fisher en K. Punk Vol. 1<\/em>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11563″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb131716″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb474039″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb925309″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa poes\u00eda busca construir una especie de periscopio <\/span><\/p>\n

desde el que mirar a trav\u00e9s o por encima o m\u00e1s all\u00e1 o <\/span><\/p>\n

por detr\u00e1s de lo invisible\u00bb.<\/span>[\/vc_custom_heading][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb125901″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay una idea para m\u00ed obsesiva que es la del umbral\u00bb, ha dicho D\u00edaz, \u00ablos intersticios, los pasadizos entre lo de fuera y lo de dentro. Y el p\u00e1rpado es un umbral, el m\u00e1s delicado de todos\u00bb. Philippe Jaccottet consideraba que \u00ablas palabras l\u00edmpidas de Rafael-Jos\u00e9 D\u00edaz alcanzan un umbral oscuro\u00bb, pero Iv\u00e1n M\u00e9ndez Gonz\u00e1lez nos recuerda que \u00abencandila, porque preserva la mirada bajo el p\u00e1rpado\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb11350″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb165965″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb770818″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb944819″ text_color_type=\u00bbuncode-palette\u00bb]\u00abCreo que la poes\u00eda es el g\u00e9nero que mejor hace emanar im\u00e1genes con lenguaje\u00bb<\/span>.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb201014″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Drichard-georges|title:Richard%20Georges\u00bb button_color_type=\u00bbuncode-palette\u00bb]Richard Georges[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb203656″ text_color_type=\u00bbuncode-palette\u00bb]Como un griot,<\/em> del poeta Richard Georges emana una narrativa sumergida entre los arrecifes de coral caribe\u00f1os, que iluminan con su belleza tanto los arrecifes como la poes\u00eda, la historia cruda y atroz de la trata de esclavos y las migraciones, entre lo hist\u00f3rico y lo \u00edntimo, la orilla y el oc\u00e9ano.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb5750″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb175393″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb119972″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb133793″]\u00abEn la literatura tiene que haber algo que sea musical\u00bb.<\/span>[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb955948″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Desteban-castroman|title:Esteban%20Castrom%C3%A1n\u00bb]Esteban Castrom\u00e1n[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb678480″]Castrom\u00e1n ha dicho que le gusta la ufolog\u00eda y los relatos que incorporan insectos a la trama. Tambi\u00e9n: los estribillos de The Cure, la voz de la cantante de Cocteau Twins, la eclosi\u00f3n de voces y guitarras en el g\u00e9nero shoegaze<\/em>, los gritos desgarrados de Blixa Bargeld, l\u00edder de Einst\u00fcrzende Neubaten, y los pentagramas de John Cage.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb131207″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb845052″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb173249″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb167292″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAdoro la musicalidad del lenguaje\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb110549″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dcanisia-lubrin|title:Canisia%20Lubrin\u00bb button_color_type=\u00bbuncode-palette\u00bb]Canisia Lubrin[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb649755″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPorque la m\u00fasica es la anatom\u00eda de la poes\u00eda\u00bb, dice, \u00abde aquello que consiste en imaginar como lenguaje\u00bb. La forma po\u00e9tica, como la m\u00fasica, \u00abfluye, est\u00e1 en movimiento\u00bb, hacia nuevos recipientes y lenguajes \u00abde belleza\u00bb, a ser posible, \u00abdif\u00edcil\u00bb, en el sentido de que transfigura y es parad\u00f3jica.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb134219″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb906245″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb188839″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb618373″ text_color_type=\u00bbuncode-palette\u00bb]\u00abMe interesan los l\u00edmites perceptivos y la idea de que la m\u00fasica es anterior al lenguaje\u00bb.<\/span>[\/vc_custom_heading][vc_button button_color=\u00bbcolor-uydo\u00bb size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb165309″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dsantiago-gutierrez|title:Santiago%20Guti%C3%A9rrez\u00bb button_color_type=\u00bbuncode-palette\u00bb]Santiago Guti\u00e9rrez[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb103314″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHay mundos invisibles en los que estamos inmersos pero que nos pasan totalmente desapercibidos\u00bb, dice, \u00aby me interesa el umbral lo ordinario y lo extraordinario, entre la realidad y lo fant\u00e1stico\u00bb. Tambi\u00e9n, entre lo divino y lo humano: \u00abSiempre me ha llamado mucho la atenci\u00f3n, desde ni\u00f1o, la licencia ontol\u00f3gica que se permiten los adultos al invocar la idea de Dios\u00bb.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb131899″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb102439″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb171205″ back_color_type=\u00bbuncode-palette\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb202320″]\u00abQuiero explorar los l\u00edmites del lenguaje\u00bb.<\/span>[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_size=\u00bbh5″ btn_link_underline=\u00bbbtn-underline-out\u00bb scale_mobile=\u00bbno\u00bb uncode_shortcode_id=\u00bb144001″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Djuan-angel-asensio|title:Juan%20%C3%81ngel%20Asensio\u00bb]Juan \u00c1ngel Asensio[\/vc_button][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb774539″]Lo que m\u00e1s le interesa a Asensio en poes\u00eda es \u00abel lenguaje m\u00edstico, como autor y como lector\u00bb. Para \u00e9l cada libro es \u00abuna b\u00fasqueda\u00bb y ha decidido construir \u00abuna nueva po\u00e9tica para cada proyecto\u00bb; le parece que tener una po\u00e9tica fija va en contra de la experimentaci\u00f3n.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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