{"id":10940,"date":"2022-07-05T20:26:56","date_gmt":"2022-07-05T20:26:56","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=10940"},"modified":"2024-12-08T23:23:47","modified_gmt":"2024-12-08T23:23:47","slug":"iluviaciones","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=iluviaciones","title":{"rendered":"Iluviaciones"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112987″][vc_single_image media=\u00bb10950″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb474754″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb200973″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb546268″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb400″ uncode_shortcode_id=\u00bb866611″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abEl desprendimiento apareci\u00f3 como una forma de sanaci\u00f3n caminando kil\u00f3metros del invierno de 2015 en Montreal; continu\u00f3 como reconfiguraci\u00f3n interior discreta y constante en Donostia; y concluy\u00f3 en 2019, al inicio de una primavera paciente y tempestuosa en Kiel\u00bb\u2014 V\u00edctor Berm\u00fadez[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb2″ mobile_width=\u00bb4″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb101139″][vc_single_image media=\u00bb11407″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb125516″][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb6″ mobile_width=\u00bb4″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb199834″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ text_weight=\u00bb400″ mobile_visibility=\u00bbyes\u00bb uncode_shortcode_id=\u00bb133790″]Colecci\u00f3n Cr\u00e1neo<\/p>\n

Formato: 17x24cm<\/p>\n

ISBN: 978-84-124107-7-8<\/p>\n

N\u00ba de p\u00e1ginas: 104<\/p>\n

Precio: 21\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb149361″ icon=\u00bbfa fa-arrow-right2″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Diluviaciones|title:Iluviaciones\u00bb]Comprar[\/vc_button][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb164707″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb7″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb189316″][vc_column width=\u00bb1\/6″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb982382″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-202779″ text_size=\u00bbh5″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb799146″ text_color_type=\u00bbuncode-palette\u00bb]Naturaleza, literatura y gr\u00e1fica[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb144670″]<\/p>\n

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El t\u00e9rmino iluviaci\u00f3n<\/em> describe un proceso geol\u00f3gico de formaci\u00f3n de un suelo como consecuencia del desprendimiento de part\u00edculas de una superficie que se trasladan a un \u00e1rea distinta. En cada una de estas iluviaciones V\u00edctor Berm\u00fadez<\/a> explora el desprendimiento de materiales y la depuraci\u00f3n del sujeto en los espacios, abriendo en el lenguaje una oportunidad para la adaptaci\u00f3n y la homeostasis.\u00a0Estas Iluviaciones<\/em> repliegan movimiento, respiraci\u00f3n y olvido e inciden en el \u00edmpetu de la ligereza, la fuerza de ceder y el valor de la espera en la formaci\u00f3n de un horizonte.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb272219″]<\/p>\n

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La arquitecta Melanie Sommerfeld<\/a>, a quien le gusta explorar los \u00abverborgene R\u00e4ume\u00bb<\/em> (espacios ocultos) y la noci\u00f3n de lo invisible a trav\u00e9s de la materialidad, ha creado una serie de exquisitos dibujos texturizados para ilustrar este poemario de intemperies.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_empty_space empty_h=\u00bb3″][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb109952″][vc_column width=\u00bb1\/1″][vc_single_image media=\u00bb11578″ media_width_percent=\u00bb100″ media_ratio=\u00bbthree-two\u00bb uncode_shortcode_id=\u00bb191789″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb101335″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb139968″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb640977″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb210481″]El d\u00eda 4 de agosto de 2022, en el estudio de arquitectura muniqu\u00e9s FV2 Galerie, se present\u00f3 un di\u00e1logo entre poes\u00eda y arquitectura, entre V\u00edctor Berm\u00fadez y Melanie Sommerfeld, entre el lenguaje y la gr\u00e1fica. Ambos son autores de Iluviaciones, un poemario geom\u00e1gico que se permea entre las texturas de Melanie.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb2″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb205402″][vc_column width=\u00bb1\/1″][vc_gallery el_id=\u00bbgallery-864064″ medias=\u00bb11579,11587,11577,11588,11586,11646,11582,11580″ style_preset=\u00bbmetro\u00bb gutter_size=\u00bb0″ screen_lg=\u00bb1000″ screen_md=\u00bb600″ screen_sm=\u00bb480″ single_width=\u00bb3″ single_overlay_opacity=\u00bb50″ single_padding=\u00bb2″ uncode_shortcode_id=\u00bb176546″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb119681″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb674738″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb430723″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb141453″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl \u00e1mbar y la iluviaci\u00f3n, la po\u00e9tica y la vida, la combusti\u00f3n y la congelaci\u00f3n, el \u00e9xtasis y la estasis, la erosi\u00f3n y el pulimento, la nostalgia y la esperanza, el equilibrio y la inestabilidad, la proporci\u00f3n y la desmesura…\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb139628″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl \u00e1mbar se proyecta como \u201cuna secreta cuota de equilibrio\u201d, aquello que congela el tiempo, antinaturalmente, atrapando la vida dentro de s\u00ed y doblegando al devenir, como \u201cuna substancia que fosiliza el terror y la belleza\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb110967″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa iluviaci\u00f3n proyecta ingravidez, el hecho de no estar atado, de dejarse llevar […] tiene mucho que ver con la migraci\u00f3n […] Ser sedimento fluido, mudable […] Ser aire y no subsuelo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb384076″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Jorge Arroita[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb142919″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEntre la conservaci\u00f3n y el movimiento: la palabra po\u00e9tica como suspensi\u00f3n ext\u00e1tica frente al devenir vital en la obra de V\u00edctor Berm\u00fadez\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Jorge Arroita
\n<\/strong><\/span><\/p>\n

Revista Quimera
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N\u00ba 472 Abril 2023<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb75″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb510080″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb160944″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb187045″][vc_single_image media=\u00bb10469″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb738488″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb190149″]En la orilla comienzo…[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb567830″][vc_single_image media=\u00bb10468″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb161046″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb116865″]…asalto o incendio la intemperie…[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ […]<\/p>\n","protected":false},"author":1,"featured_media":11697,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[68,227,229,231],"class_list":["post-10940","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-libros","portfolio_category-craneo","portfolio_category-novedades","portfolio_category-arte"],"_links":{"self":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/10940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10940"}],"version-history":[{"count":55,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/10940\/revisions"}],"predecessor-version":[{"id":132542,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/10940\/revisions\/132542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/media\/11697"}],"wp:attachment":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10940"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=10940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}