{"id":131341,"date":"2024-01-01T21:38:58","date_gmt":"2024-01-01T21:38:58","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=131341"},"modified":"2024-12-13T21:37:25","modified_gmt":"2024-12-13T21:37:25","slug":"canisia-lubrin","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=canisia-lubrin","title":{"rendered":"Canisia Lubrin"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb1″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb604505″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb196405″ column_width_pixel=\u00bb700″][vc_single_image media=\u00bb131207″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb569507″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb929331″][vc_single_image media=\u00bb131349″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb235005″ media_link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dque-nuevo-mapa|title:Qu%C3%A9%20Nuevo%20Mapa\u00bb][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb588712″]Colecci\u00f3n Poes\u00eda<\/strong><\/p>\n

Formato \u2014 10,5 x 20 cm<\/p>\n

Tipo \u2014 R\u00fastica<\/p>\n

N\u00ba de p\u00e1ginas \u2014 50<\/p>\n

ISBN \u2014 978-84-125815-7-7<\/p>\n

Precio \u2014 9\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb795694″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dque-nuevo-mapa|title:Qu%C3%A9%20Nuevo%20Mapa\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb2″ bottom_padding=\u00bb7″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb130165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb192904″ column_width_pixel=\u00bb700″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb173581″]Canisia Lubrin[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb122251″]Entre los libros de Canisia Lubrin se encuentran Voodoo Hypothesis<\/i> y The Dyzgraphxst<\/i>. El trabajo de Lubrin ha recibido numerosos reconocimientos: el Premio de Poes\u00eda Griffin, el Premio OCM Bocas de Literatura Caribe\u00f1a, el Premio OCM Bocas de Poes\u00eda, el Premio Derek Walcott, el premio Writer’s Trust of Canada Rising Stars, entre otros. Finalista del Premio Trillium de Poes\u00eda y del Premio Literario del Gobernador General, Lubrin ha obtenido becas como las otorgadas por el Centro Banff en Canad\u00e1, Civitella Ranieri en Italia, la Universidad Simon Frasier, el Coloquio de Literatura de Berl\u00edn, la Universidad Queen y el Victoria College de la Universidad de Toronto.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb962211″]Estudi\u00f3 en la Universidad de York y en la Universidad de Guelph, donde ahora coordina el MFA en Escritura Creativa en la Escuela de Estudios Ingleses y Teatrales. En 2021, Lubrin recibi\u00f3 el premio Windham-Campbell de Poes\u00eda y la publicaci\u00f3n Globe & Mail<\/i> la nombr\u00f3 Poeta del a\u00f1o. Code Noir: Metamorphoses<\/i> es su primera obra de ficci\u00f3n, e incluye historias nominadas al Premio Journey (2019, 2020), al Premio al Libro de Toronto (2018) y al Premio Shirley Jackson (2021). Nacida en Santa Lucia, Lubrin es la editora de poes\u00eda en la editorial McClelland & Stewart.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb193527″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb134442″][vc_single_image media=\u00bb132950″ media_width_percent=\u00bb100″ media_ratio=\u00bbfive-four\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb187981″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb503550″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb260730″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ shift_y=\u00bb0″ z_index=\u00bb0″ limit_content=\u00bb\u00bb uncode_shortcode_id=\u00bb435552″][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb448464″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb148279″ text_color_type=\u00bbuncode-palette\u00bb]Canisia particip\u00f3 en Loophole of Retreat: Venice, un simposio en la Fundaciones Cini de Venecia, entre el 7 y el 9 de octubre de 2022, en paralelo a la exposici\u00f3n de Simone Leigh: Sovereignty, que represent\u00f3 al pabell\u00f3n de los Estados Unidos en la 59\u00aa Bienal de Venecia.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb144818″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb134442″][vc_single_image media=\u00bb132952″ media_width_percent=\u00bb100″ media_ratio=\u00bbfive-four\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb634256″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb503550″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb260730″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ shift_y=\u00bb0″ z_index=\u00bb0″ limit_content=\u00bb\u00bb uncode_shortcode_id=\u00bb435552″][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb448464″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb487602″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAdoro la musicalidad del lenguaje\u00bb\u2014dice Lubrin. Aqu\u00ed est\u00e1 leyendo su poema Monody durante el National Poetry Month 2023 de Canad\u00e1.<\/span>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb134734″ text_color_type=\u00bbuncode-palette\u00bb]\u00abPorque la m\u00fasica es la anatom\u00eda de la poes\u00eda\u00bb, dice, \u00abde aquello que consiste en imaginar como lenguaje\u00bb. La forma po\u00e9tica, como la m\u00fasica, \u00abfluye, est\u00e1 en movimiento\u00bb, hacia nuevos recipientes y lenguajes \u00abde belleza\u00bb, a ser posible, \u00abdif\u00edcil\u00bb, en el sentido de que transfigura y es parad\u00f3jica.[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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