{"id":131897,"date":"2024-06-14T20:21:09","date_gmt":"2024-06-14T20:21:09","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=131897"},"modified":"2025-01-24T18:03:48","modified_gmt":"2025-01-24T18:03:48","slug":"los-restos-del-rayo","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=los-restos-del-rayo","title":{"rendered":"Los restos del rayo"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112987″][vc_single_image media=\u00bb131887″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb164613″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb200973″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb90″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb180679″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb300″ uncode_shortcode_id=\u00bb760280″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abtecleo y tecleo y tecleo en el ordenador mientras t\u00fa duermes y borro todo lo que tecleo y tecleo y tecleo en el ordenador mientras t\u00fa duermes y trato de dar forma a este nuevo mundo a esta casa-libro\u00bb[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb2″ mobile_width=\u00bb4″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb101139″][vc_single_image media=\u00bb131899″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb665048″][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb6″ mobile_width=\u00bb4″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb199834″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ text_weight=\u00bb400″ mobile_visibility=\u00bbyes\u00bb uncode_shortcode_id=\u00bb186335″]Colecci\u00f3n Poes\u00eda<\/p>\n

Formato: 17 x 24 cm<\/p>\n

ISBN: 978-84-125815-8-4<\/p>\n

N\u00aa de p\u00e1ginas: 96<\/p>\n

Precio: 15 \u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb543816″ icon=\u00bbfa fa-arrow-right2″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dlos-restos-del-rayo\u00bb]Comprar[\/vc_button][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb164707″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb7″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb189316″][vc_column width=\u00bb1\/6″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb982382″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb187185″ text_color_type=\u00bbuncode-palette\u00bb]Amor cohabitado[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb929742″]<\/p>\n

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Nos invita Juan \u00c1ngel Asensio<\/a> (Madrid, 1994) al espacio dom\u00e9stico de \u00abesta casa-libro\u00bb, donde habita un amor que palpita en \u00ablentas mitolog\u00edas cotidianas\u00bb. Escrito desde la ontolog\u00eda \u2014\u00ablo que realmente importa es qui\u00e9nes somos aqu\u00ed\u00bb\u2014, y la pasi\u00f3n \u2014\u00abconvertirte en lenguaje mol\u00e9cula de voz y pensamiento tragarte como agua viva\u00bb\u2014, Los restos del rayo<\/em> es un recorrido guiado por un \u00abaqu\u00ed dentro\u00bb, por el lenguaje que construye un edificio po\u00e9tico \u2014\u00abestos son los planos \/ de un verbo solo nuestro\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb175471″]<\/p>\n

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Despu\u00e9s de la obra total, c\u00f3smica, Antolog\u00eda po\u00e9tica de la especie humana<\/em><\/a> (Franz, 2019), Asensio nos muestra\u00a0la ternura de la intimidad, pero tambi\u00e9n los desencuentros de la convivencia, el amor salv\u00edfico, pero tambi\u00e9n la rutina, las confluencias existenciales del \u00abt\u00fa\u00bb y el \u00abnosotros\u00bb, que rezuman los muros inexpugnables del \u00abyo\u00bb. Con ecos de una genealog\u00eda literaria ampl\u00edsima, el poeta nos descubre las estancias del amor cohabitado, ese que es \u00abigual que un fuego \/ a pesar de todo\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_empty_space empty_h=\u00bb3″][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-lxmt\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb124502″ css=\u00bb.vc_custom_1737741812247{border-top-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb467682″][vc_single_image media=\u00bb132878″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb260716″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb428499″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb561724″ text_color_type=\u00bbuncode-palette\u00bb]\u00abJuan \u00c1ngel Asensio nos abre las puertas de una casa que es un espacio mental \u2014\u201cuna casa\u00b4libro\u201d, \u201cuna habitaci\u00f3n-poema\u201d\u2014 y, por tanto, un lugar para \u201cconvertir(te) en lenguaje\u201d\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb130685″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAnte la inutilidad de las palabras (\u201cpero no tengo el don ni la fuerza […] ni para construir un verbo que nos guarde\u201d), las distintas estancias y los muros que las definen ser\u00e1n el escenario de las confidencias, imbricadas en el \u00e1mbito familiar y dom\u00e9stico, en un af\u00e1n por llegar al hueso de la relaci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb185958″ text_color_type=\u00bbuncode-palette\u00bb]\u00ab…su patr\u00f3n expresivo rompe los moldes m\u00e1s habituales y sus referentes culturales \u2014no s\u00f3lo literarios\u2014 provienen de la sociolog\u00eda, de la ling\u00fc\u00edstica, de la antropolog\u00eda o de la m\u00edstica\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb152820″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Carlos Alcorta[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb184280″ text_color_type=\u00bbuncode-palette\u00bb]\u00abJuan \u00c1ngel Asensio, en los l\u00edmites del lenguaje\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Carlos Alcorta<\/p>\n

elcuadernodigital<\/a>
\n<\/strong><\/span><\/p>\n

Diciembre 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-xsdn\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb231978″ css=\u00bb.vc_custom_1737741825567{border-top-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb55″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb861070″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb133098″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb308087″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb101224″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb175812″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn poemario sosegadamente vitalista\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb164980″ text_color_type=\u00bbuncode-palette\u00bb]\u00abConstruye en torno al amor un edificio po\u00e9tico\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb120782″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDestaca el car\u00e1cter ontol\u00f3gico, existencialmente heideggeriano, mediado por el lugar; un di\u00e1logo permanente entre el ser<\/em> y el estar<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb423292″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Marc Arrebola Sans[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb145925″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLos restos del rayo\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Carlos Alcorta<\/p>\n

Revista Nayagua n\u00ba38<\/a>
\n<\/strong><\/span><\/p>\n

Diciembre 2024<\/span>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb159015″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb428499″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb196661″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl poeta madrile\u00f1o ha ideado la casa en la que poder habitar con la persona amada [pero] ese lecho florido<\/em> deseado no ignora los detalles jodidos de la rutina\u00bb.[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb195738″ text_color_type=\u00bbuncode-palette\u00bb]\u00abFiel a sus referentes, el tono m\u00edstico se da en cada uno de los versos. A \u00e9l le escuch\u00e9 decir que, en lengua castellana, los mejores poemas de amor que se han escrito han sido los dirigidos hacia Dios\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb961473″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEntre la carga er\u00f3tica, el surrealismo embotado y la palabra que se aleja del ruido, Asensio marca los l\u00edmites de su sintaxis, abogando por un amor que sea consciente de la fuerza con la que se ha constituido su nudo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb714609″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Luis Bravo[\/vc_custom_heading][vc_empty_space empty_h=\u00bb4″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb173335″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl rayo ha perfumado ferozmente nuestra casa\u00bb
\n<\/em><\/strong><\/span><\/p>\n

Luis Bravo<\/p>\n

El Imparcial
\n<\/strong><\/span><\/p>\n

4 de agosto de 2024<\/span>[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb467682″][vc_single_image media=\u00bb132247″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb136340″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-nhtu\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb702927″ css=\u00bb.vc_custom_1734116506465{border-top-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb331135″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb132127″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb154689″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb100096″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb550″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb887949″]\u00abTras cinco a\u00f1os de silencio y exploraci\u00f3n, amanece un nuevo poemario de Juan \u00c1ngel Asensio: Los restos del rayo<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb804739″]\u00abVersos cortos que, por su tono arm\u00f3nico y sereno, predisponen al lector a una actitud contemplativa\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb191450″]\u00abLa voz po\u00e9tica nos va guiando, como ya hiciera Virgilio, por los diferentes c\u00edrculos del hogar. En ellos palpamos el verdadero sentido del rayo que no cesa:<\/em> el amor\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb512676″]\u00abY en todas las habitaciones encontramos restos felices de los moradores \u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb147154″]\u00abA la vez, surge una voz que nos incumbe: podr\u00edas ser t\u00fa el morador de este hogar; podr\u00edas ser t\u00fa el que no se percate de la maravilla de los hechos y objetos habituales; podr\u00edas ser t\u00fa el que se est\u00e1 perdiendo en el nudo infernal de la sintaxis…\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb144085″]\u00abDe juventudes inflamadas a Los restos del rayo<\/em> sosegados:<\/p>\n

un recorrido por la poes\u00eda de Juan \u00c1ngel Asensio\u00bb<\/p>\n

Diego Godi\u00e1n y Charles Puzols<\/p>\n

Pliego Suelto Revista de Literatura<\/a><\/p>\n

8 de julio de 2024[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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