{"id":132467,"date":"2024-12-09T01:15:13","date_gmt":"2024-12-09T01:15:13","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=132467"},"modified":"2026-04-10T20:15:50","modified_gmt":"2026-04-10T20:15:50","slug":"la-nueva-subjetividad","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=la-nueva-subjetividad","title":{"rendered":"La nueva subjetividad"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112987″][vc_single_image media=\u00bb132468″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb169007″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb200973″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb546268″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb300″ uncode_shortcode_id=\u00bb212112″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abUna obra de gran envergadura, de una belleza<\/p>\n

c\u00f3smica\u00bb \u2014Pedro Pujante[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb300″ uncode_shortcode_id=\u00bb592558″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abLa cantidad y calidad de elementos puestos en juego<\/p>\n

en este libro llevar\u00eda al territorio de la tesis doctoral\u00bb<\/p>\n

\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb2″ mobile_width=\u00bb4″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb101139″][vc_single_image media=\u00bb11564″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb559162″ media_link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dalfonso-garcia-villalba|title:Alfonso%20Garc%C3%ADa-Villalba\u00bb][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb6″ mobile_width=\u00bb4″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb199834″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ text_weight=\u00bb400″ mobile_visibility=\u00bbyes\u00bb uncode_shortcode_id=\u00bb122288″]Colecci\u00f3n Kuiper<\/p>\n

Formato: 10,5 x 20 cm<\/p>\n

ISBN: 978-84-129791-0-7<\/p>\n

N\u00aa de p\u00e1ginas: 460<\/p>\n

Precio: 17\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb824039″ icon=\u00bbfa fa-arrow-right2″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dla-nueva-subjetividad|title:La%20nueva%20subjetividad\u00bb]Comprar[\/vc_button][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb164707″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb204164″][vc_column width=\u00bb1\/6″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb982382″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-202779″ text_size=\u00bbh5″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb436161″ text_color_type=\u00bbuncode-palette\u00bb]Una experiencia de lectura[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb277723″]<\/p>\n

\n
\n
\n
\n

En La nueva subjetividad<\/em> la imaginaci\u00f3n es arena y en ella fluyen, o se diluyen, el ser y la literatura. Alfonso Garc\u00eda-Villalba<\/a> convierte su cuerpo, \u00abuna deseante e in\u00fatil m\u00e1quina de carbono\u00bb, en palabras, texto, discurso: \u00abTodas las palabras que aqu\u00ed ves son mi cuerpo\u00bb. La nueva subjetividad<\/em> no es una narraci\u00f3n, sino una ondulaci\u00f3n ling\u00fc\u00edstica que se expande hacia la novela, el ensayo, la cr\u00f3nica o la poes\u00eda, alej\u00e1ndose del llamado Super Flaubert Fiction System y provocando una experiencia literaria.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb103235″]<\/p>\n

\n
\n
\n
\n

Los personajes que habitan estas p\u00e1ginas huyen y se esconden en las habitaciones de un hotel de carretera, experimentando el vac\u00edo del lugar, contemplando las dunas que avanzan y convierten el paisaje en un territorio cada vez m\u00e1s \u00e1rido. Son cuerpos que aparecen o se ausentan: quiz\u00e1s no sean m\u00e1s que fantasmas que escapan a la vez que aman dentro de una f\u00e1bula sobre el anhelo de soledad.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb104794″]<\/p>\n

\n
\n
\n
\n

Ambientado, como su anterior libro, Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em><\/a> (Franz, 2021) en un sureste espa\u00f1ol de ciencia-ficci\u00f3n, esta vez la escritura del autor se amalgama con las ideas de otros: Marguerite Duras, Julia Kristeva y Mark Fisher, Bruce B\u00e9gout o William S. Burroughs, Margo Glanz,Guy Debord, Jean Baudrillard y Giordano Bruno, Susan Sontag, Ligotti, Eugene Thacker… Esta vez la m\u00e1quina-carne anhela crear un lenguaje tangible, que interfiera en el sistema nervioso del lector como un electrodo manifiesto y t\u00e1ctil.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_empty_space empty_h=\u00bb3″][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb2″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb417920″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#0013c4″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/4″ uncode_shortcode_id=\u00bb190331″ column_width_pixel=\u00bb960″][vc_single_image media=\u00bb133589″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb129089″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb2″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb922699″][vc_single_image media=\u00bb133761″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb757693″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/4″ uncode_shortcode_id=\u00bb161644″][vc_single_image media=\u00bb133329″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb594010″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb3″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb131726″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#0013c4″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb650969″ column_width_pixel=\u00bb960″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb153004″ empty_h=\u00bb2″]Son muchos los amigos que han sido inspirados por La nueva subjetividad<\/em>. A la izquierda, el artista Lujo Berner durante la presentaci\u00f3n del libro en Murcia, en Rancho Rosa; y a a la derecha, un lector que tambi\u00e9n asisti\u00f3 a la lectura. En el centro, la foto que nos ha enviado el guionista y videoartista Jes\u00fas Olmo. Entre libros y un coraz\u00f3n palpitante descubrimos que sus lecturas son tan afines, que parecer\u00eda que un hilo invisible conecta las mentes autor-lector. Eugene Thacker, Bego\u00f1a M\u00e9ndez y Thomas Ligotti forman parte del c\u00f3digo fuente de La nueva subjetividad;<\/em> y el bucle de Hofstadter, Ballard y Lem, \u00bfno est\u00e1 impl\u00edcito en este experimento de ondulaci\u00f3n ling\u00fc\u00edstica que ha creado Alfonso Garc\u00eda-Villalba? \u00bfNo es un poco un unlanguage<\/em> en el sentido de literarycorp<\/em>? \u2e3bConoce LNS<\/a>[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb100″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb138236″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb208131″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb133370″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb105379″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-wayh\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb167853″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb550″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb392494″]\u00abSu lectura despierta infinitas sugerencias y la fascinaci\u00f3n de su prosa te envuelve\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb145689″]\u00abFluye en ondas, como el mar o las dunas del desierto, entre el ensayo, la narraci\u00f3n y la poes\u00eda\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb109521″]\u00abImpugnaci\u00f3n del realismo, que va m\u00e1s all\u00e1 de una cuesti\u00f3n gen\u00e9rica o literaria, porque alcanza aquello que entendemos por \u201crealidad\u201d y, por tanto, por \u201cidentidad\u201d o \u201csubjetividad\u201d\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb294391″]\u00abPara este autor es una ingenuidad considerar que se puede utilizar el lenguaje como instrumento o veh\u00edculo con el que contar una historia o explicar una idea, sin cuestionarse, en un nivel ontol\u00f3gico, qu\u00e9 es un personaje, que es una voz narrativa y, sobre todo, en que medida es ese lenguaje el que nos construye y no al rev\u00e9s\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb348077″]\u00abEl narrador, el personaje de N y el autor fluct\u00faan \u2014la ficci\u00f3n y la biograf\u00eda se superponen y confunden\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb945149″]\u00abLas citas se componen mediane la t\u00e9cnica cut up<\/em> de Burroughs, pero no hay una tesis, porque \u201cpensar es algo fugaz que se deshace y muta\u201d\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb292814″]\u00abComo en la mejor poes\u00eda, La nueva subjetividad<\/em> simplemente es, se mueve, respira, crea su propio contexto, sus propias leyes y, sobre todo, su propio ritmo\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb163340″]\u00abD\u00e9jense engullir por la arena de esta magn\u00edfica duna, que avanza y se transforma en cada p\u00e1gina\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb140925″]\u00abEl libro-duna: sobre La nueva subjetividad,<\/em> de Alfonso Garc\u00eda-Villalba\u00bb<\/p>\n

Diego S\u00e1nchez Aguilar<\/p>\n

Pliego Suelto<\/a><\/p>\n

14 de marzo de 2025[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb51″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb683180″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb151897″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb][vc_single_image media=\u00bb133284″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb704726″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb752940″ back_color_type=\u00bbuncode-solid\u00bb column_width_pixel=\u00bb400″ back_color_solid=\u00bb#f8f8fa\u00bb][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb172191″ text_color_type=\u00bbuncode-palette\u00bb]\u00abHibrida g\u00e9neros para construir una suerte de epopeya, que muta desde la belleza convulsa de la prosa po\u00e9tica a la teor\u00eda ficci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb366872″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLlega a revelar este narrador que no sabe si es \u00e9l mismo quien narra o un personaje que ha sido evocado\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb683346″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEl lenguaje es de urdimbre burroughsiana, un virus que contamina el relato para subvertir los estatutos de la ficci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb143997″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna ficci\u00f3n en contra de todo: de la novela de personajes y argumento, de los g\u00e9neros y de la propia noci\u00f3n de ficci\u00f3n versus<\/em> realidad\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb903888″ text_color_type=\u00bbuncode-palette\u00bb]\u00abDe est\u00e9tica seductora, el texto ondea como las dunas del desierto que amenazan con anegar una Murcia dist\u00f3pica\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb270378″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUna obra de gran envergadura, de una belleza c\u00f3smica […] espl\u00e9ndidamente pensada y con vocaci\u00f3n de cl\u00e1sico\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb438523″]\u00abUna \u00abnovela\u00bb c\u00f3smica, dist\u00f3cica y po\u00e9tica\u00bb<\/p>\n

La Opini\u00f3n de Murcia<\/p>\n

7 de marzo de 2025[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb111330″]\u00abAlfonso Garc\u00eda-Villalba: La nueva subjetividad\u00bb<\/p>\n

Pedro Pujante<\/p>\n

Culturamas<\/a><\/p>\n

18 de marzo de 2025[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb220013″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb134442″][vc_single_image media=\u00bb133554″ media_width_percent=\u00bb100″ media_ratio=\u00bbthree-four\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb border=\u00bbyes\u00bb lbox_skin=\u00bbwhite\u00bb uncode_shortcode_id=\u00bb128264″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb503550″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb260730″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ shift_y=\u00bb0″ z_index=\u00bb0″ limit_content=\u00bb\u00bb uncode_shortcode_id=\u00bb435552″][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb448464″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb728636″ text_color_type=\u00bbuncode-palette\u00bb]Alfonso Garc\u00eda-Villaba recit\u00f3 La nueva subjetividad<\/em> en los lunes literarios del bar El Sur, sito en la calle Montijo, 7 de Murcia. Ocurri\u00f3 el lunes 19 de mayo de 2025.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ […]<\/p>\n","protected":false},"author":1,"featured_media":132428,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"portfolio_category":[68,223],"class_list":["post-132467","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-libros","portfolio_category-kuiper"],"_links":{"self":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/132467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132467"}],"version-history":[{"count":36,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/132467\/revisions"}],"predecessor-version":[{"id":134519,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/portfolio\/132467\/revisions\/134519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=\/wp\/v2\/media\/132428"}],"wp:attachment":[{"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132467"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.edicionesfranz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=132467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}