{"id":1714,"date":"2016-02-02T14:54:08","date_gmt":"2016-02-02T14:54:08","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=1714"},"modified":"2024-12-13T20:49:29","modified_gmt":"2024-12-13T20:49:29","slug":"alejandro-j-niklison","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=alejandro-j-niklison","title":{"rendered":"Alejandro J. Niklison"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb157688″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb101734″][vc_single_image media=\u00bb11433″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb189617″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb207278″][vc_single_image media=\u00bb11731″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb545888″ media_link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Del-hombre-artificial|title:El%20hombre%20artificial\u00bb][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb142423″]Colecci\u00f3n Moderna<\/strong><\/p>\n

Formato \u2014 10,5 x 20 cm<\/p>\n

Tipo \u2014 R\u00fastica<\/p>\n

N\u00ba de p\u00e1ginas \u2014 106<\/p>\n

ISBN \u2014 978-84-123318-1-3<\/p>\n

Precio \u2014 10\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb142358″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Del-hombre-artificial|title:El%20hombre%20artificial\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb878267″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb181379″ column_width_pixel=\u00bb700″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb155799″]Alejandro J. Niklison[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb136799″]<\/p>\n

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Autor de El peso de una pluma de\u00a0avestruz<\/a>,\u00a0y de El hombre artificial<\/a>, Alejandro J. Niklison naci\u00f3 en Buenos Aires en 1981. Cuando lleg\u00f3 al mundo, el primer pensamiento que cruz\u00f3 por su cabeza fue: \u00a1Qu\u00e9 confuso es todo esto! Pens\u00f3 que con el tiempo todo se aclarar\u00eda. Se equivoc\u00f3. Con los a\u00f1os se le cay\u00f3 su primer diente, lo echaron de clase de Biolog\u00eda, crey\u00f3 estar enamorado (pero no), se cay\u00f3 de la bici, crey\u00f3 estar enamorado (pero s\u00ed), se volvi\u00f3 a subir a la bici.<\/p>\n<\/div>\n

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Otras cosas, adem\u00e1s de las ac\u00e1 mencionadas, pudieron o no haberle sucedido. Entre todo esto encontr\u00f3 el tiempo para escribir y publicar varios cuentos en diarios, revistas y alguna que otra antolog\u00eda. Sus escritos, poblados de situaciones fant\u00e1sticas, propuestas inveros\u00edmiles y realidades paralelas, se acercan al realismo m\u00e1gico, balance\u00e1ndose en aquella delgada l\u00ednea entre lo real y lo fant\u00e1stico. Desde hace 5 a\u00f1os vive en Berl\u00edn. Todav\u00eda piensa que todo\u00a0es\u00a0muy confuso.\u00a0S\u00f3lo\u00a0que ahora intenta entenderlo\u2026<\/p>\n

\u2014 \u00a0Web<\/a>. \u00a0\u2014 \u00a0Lnkd<\/a>.<\/p>\n<\/div>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb2″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb162312″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb134442″][vc_single_image media=\u00bb118705″ media_width_percent=\u00bb100″ media_ratio=\u00bbfive-four\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb339246″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb503550″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1600″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb260730″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ shift_y=\u00bb0″ z_index=\u00bb0″ limit_content=\u00bb\u00bb uncode_shortcode_id=\u00bb435552″][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb448464″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb174993″ text_color_type=\u00bbuncode-palette\u00bb]Alejandro J. Niklison ley\u00f3 uno de los cuentos de El peso de una pluma de avestruz<\/em> durante su presentaci\u00f3n en la librer\u00eda de Margarita Rubi, La Rayuela, en Berl\u00edn, el 26 de marzo de 2016.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ shift_y=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb218547″][vc_single_image media=\u00bb10609″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb700816″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb138921″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb151934″ text_color_type=\u00bbuncode-palette\u00bb]\u00abConoc\u00ed a Alejandro la primera vez que asist\u00ed al taller de Samantha Schweblin en 2016. Ley\u00f3 el borrador de \u201cReiteraciones\u201d, uno de los doce cuentos que se compendian en El hombre artificial<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb716972″ text_color_type=\u00bbuncode-palette\u00bb]\u00abAlejandro tiene dos cualidades que admiro: disciplina y talento\u00bb<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb218393″ text_color_type=\u00bbuncode-palette\u00bb]\u00abInstant\u00e1neas narrativas con temas tratados lo suficientemente bien como para entretener, hacer disfrutar a los lectores con su prosa limpia y, d\u00edas despu\u00e9s, te viene el golpe, el gancho al h\u00edgado\u2026 porque las instant\u00e1neas comienzan a cobrar sentido y universalidad\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb485494″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Grizel Delgado[\/vc_custom_heading][vc_empty_space empty_h=\u00bb5″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb903022″]El hombre artificial<\/p>\n

Grizel Delgado<\/p>\n

Revista Desbandada<\/a><\/strong><\/span><\/p>\n

4 de mayo de 2022[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ shift_y=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb935847″][vc_single_image media=\u00bb11618″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb164870″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb162831″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb700″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb118915″]Alejandro\u00a0particip\u00f3 en una Noche de Literatura Hispanoirlandesa en el Instituto Cervantes de Dubl\u00edn<\/a>\u00a0el d\u00eda 23 de septiembre de 2022, un encuentro entre tres autores hispanos afincados en Irlanda \u2014Sylvia Garc\u00eda, Celia Montes y Alejandro\u2014, y dos escritoras irlandesas que han escrito sobre Espa\u00f1a \u2014Anamar\u00eda Crowe Serrano y Liz McSkeane. Fue en la Biblioteca del Instituto, sita en Lincoln House, 6-16 Lincoln Pl, Dublin 2.[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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