{"id":1825,"date":"2016-10-17T09:48:14","date_gmt":"2016-10-17T09:48:14","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=1825"},"modified":"2024-12-13T20:43:57","modified_gmt":"2024-12-13T20:43:57","slug":"yoko-tawada","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=yoko-tawada","title":{"rendered":"Yoko Tawada"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb177894″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb205142″][vc_single_image media=\u00bb11379″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb169707″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb103485″][vc_single_image media=\u00bb11793″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb912060″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb140912″ text_color_type=\u00bbuncode-palette\u00bb]Colecci\u00f3n Atelier<\/strong><\/p>\n

Formato \u2014 10 x 20 cm<\/p>\n

Tipo \u2014Artesanal<\/p>\n

N\u00ba de p\u00e1ginas \u2014 64<\/p>\n

ISBN \u2014 978-84-940612-9-5<\/p>\n

Precio \u2014 Consultar[\/vc_custom_heading][vc_button size=\u00bbbtn-sm\u00bb radius=\u00bbbtn-circle\u00bb border_width=\u00bb0″ uncode_shortcode_id=\u00bb163118″]M\u00e1s informaci\u00f3n[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb121407″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb159579″ column_width_pixel=\u00bb900″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb526021″]Yoko Tawada[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb557261″]Es una escritora japonesa que vive en Alemania desde muy joven y es all\u00ed donde ha desarrollado toda su carrera literaria, tanto en idioma alem\u00e1n como en japon\u00e9s. De hecho, el lenguaje es una de los temas cruciales en su obra: la traducci\u00f3n de la existencia humana a lenguaje pero tambi\u00e9n la utop\u00eda de la traducci\u00f3n entre distintas culturas y lenguas. Su obra puede parecer surrealista o fant\u00e1stica y, sin embargo, trata de las esencias del ser, esas que emergen cuando se permean los intersticios y los l\u00edmites, convirtiendo en un arte la alteridad, como ocurre en este bello libro publicado en Espa\u00f1a por Ediciones Franz: Escam\u00edgera.<\/a><\/p>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb212906″]Yoko Tawada ha recibido numerosos premios internacionales por su personal\u00edsima\u00a0obra literaria, entre ellos los premios japoneses\u00a0Gunzo para Escritores Noveles, en 1991, el Akutagawa, en 1993, el Ito-Sei y el Tanizaki Junichiro, en 2003, y el Yomiuri, en 2013; tambi\u00e9n\u00a0los premios alemanes Lessing, en 1994, el Adelbert von Chamisso, en 1996, un premio que premia a autores no nativos en alem\u00e1n por su contribuci\u00f3n a la cultura y, por si no fuera poco, tambi\u00e9n le ha sido otorgada la Medalla Goethe, en 2005. A finales de 2016, Yoko Tawada fue galardonada con el Premio Kleist.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb300575″]Algunas de sus\u00a0obras narrativas son:\u00a0Nur da wo du bist da ist nichts<\/em> (1987), Das Bad<\/em> (1989), Wo Europa anf\u00e4ngt<\/em> (1991),\u00a0Tintenfisch auf Reisen<\/em> (1994),\u00a0Das nackte Auge<\/em> (2004), The bridegroom was a dog<\/em> (2005), Facing the bridge<\/em> (2007).\u00a0Tambi\u00e9n ha publicado teatro:\u00a0Wie der Wind in Ei<\/em> (1997),\u00a0Orpheus oder Izanagi. Till.<\/em>\u00a0(1998),\u00a0Mein kleiner Zeh war ein Wort<\/em> (2013).[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb3″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb333487″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb134108″ column_width_pixel=\u00bb900″][vc_single_image media=\u00bb118292″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb412858″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb50″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb3″ bottom_padding=\u00bb3″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb412614″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb212545″ column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb628635″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa obra de Tawada es<\/p>\n

de una magn\u00edfica rareza\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-uydo\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb217249″ text_color_type=\u00bbuncode-palette\u00bb]\u2014The New Yorker[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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