{"id":3887,"date":"2019-06-10T19:42:06","date_gmt":"2019-06-10T19:42:06","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&#038;p=3887"},"modified":"2024-12-18T01:11:05","modified_gmt":"2024-12-18T01:11:05","slug":"emma-pedreira","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=emma-pedreira","title":{"rendered":"Emma Pedreira"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=\u00bb0&#8243; override_padding=\u00bbyes\u00bb h_padding=\u00bb2&#8243; top_padding=\u00bb0&#8243; bottom_padding=\u00bb3&#8243; overlay_alpha=\u00bb50&#8243; gutter_size=\u00bb3&#8243; column_width_percent=\u00bb100&#8243; shift_y=\u00bb0&#8243; z_index=\u00bb0&#8243; uncode_shortcode_id=\u00bb852705&#8243;][vc_column column_width_percent=\u00bb100&#8243; gutter_size=\u00bb3&#8243; override_padding=\u00bbyes\u00bb column_padding=\u00bb0&#8243; overlay_alpha=\u00bb50&#8243; shift_x=\u00bb0&#8243; shift_y=\u00bb0&#8243; shift_y_down=\u00bb0&#8243; z_index=\u00bb0&#8243; medium_width=\u00bb4&#8243; mobile_width=\u00bb0&#8243; zoom_width=\u00bb0&#8243; zoom_height=\u00bb0&#8243; width=\u00bb1\/2&#8243; mobile_height=\u00bb380&#8243; uncode_shortcode_id=\u00bb196114&#8243;][vc_single_image media=\u00bb11248&#8243; media_width_percent=\u00bb100&#8243; uncode_shortcode_id=\u00bb657510&#8243;][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3&#8243; override_padding=\u00bbyes\u00bb column_padding=\u00bb0&#8243; overlay_alpha=\u00bb50&#8243; shift_x=\u00bb0&#8243; shift_y=\u00bb0&#8243; shift_y_down=\u00bb0&#8243; z_index=\u00bb0&#8243; medium_width=\u00bb4&#8243; align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0&#8243; zoom_width=\u00bb0&#8243; zoom_height=\u00bb0&#8243; width=\u00bb1\/2&#8243; uncode_shortcode_id=\u00bb234881&#8243;][vc_single_image media=\u00bb4662&#8243; media_width_percent=\u00bb100&#8243; shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb203136&#8243;][vc_custom_heading heading_semantic=\u00bbh6&#8243; text_font=\u00bbfont-555555&#8243; text_size=\u00bbh6&#8243; uncode_shortcode_id=\u00bb143518&#8243;]<strong>Colecci\u00f3n Nefelibata<\/strong><\/p>\n<p>Formato \u2014 12 x 17 cm<\/p>\n<p>Tipo \u2014 Arte<\/p>\n<p>N\u00ba de p\u00e1ginas \u2014 122<\/p>\n<p>ISBN \u2014 978-84-946897-7-2<\/p>\n<p>Precio \u2014 12\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb156275&#8243; link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dcorazon-y-demas-tripas|title:Coraz%C3%B3n%20y%20dem%C3%A1s%20tripas\u00bb icon=\u00bbfa fa-arrow-right2&#8243;]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0&#8243; override_padding=\u00bbyes\u00bb h_padding=\u00bb2&#8243; top_padding=\u00bb0&#8243; bottom_padding=\u00bb3&#8243; overlay_alpha=\u00bb50&#8243; equal_height=\u00bbyes\u00bb gutter_size=\u00bb0&#8243; column_width_percent=\u00bb100&#8243; shift_y=\u00bb0&#8243; z_index=\u00bb0&#8243; uncode_shortcode_id=\u00bb132839&#8243;][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3&#8243; override_padding=\u00bbyes\u00bb column_padding=\u00bb0&#8243; overlay_alpha=\u00bb50&#8243; shift_x=\u00bb0&#8243; shift_y=\u00bb0&#8243; shift_y_down=\u00bb0&#8243; z_index=\u00bb0&#8243; medium_width=\u00bb4&#8243; align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0&#8243; zoom_width=\u00bb0&#8243; zoom_height=\u00bb0&#8243; width=\u00bb1\/1&#8243; uncode_shortcode_id=\u00bb208039&#8243; column_width_pixel=\u00bb700&#8243;][vc_custom_heading heading_semantic=\u00bbh4&#8243; text_font=\u00bbfont-202779&#8243; text_size=\u00bbh4&#8243; text_weight=\u00bb700&#8243; uncode_shortcode_id=\u00bb206289&#8243;]Emma Pedreira[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5&#8243; text_size=\u00bbh5&#8243; uncode_shortcode_id=\u00bb840732&#8243;]Licenciada en Filolog\u00eda Hisp\u00e1nica es una escritora y activista cultural en lengua gallega. Forma parte de la Plataforma de cr\u00edtica feminista A Sega. Como poeta, Pedreira (A Coru\u00f1a, 1978) est\u00e1 enmarcada en la <i>Xeraci\u00f3n dos 90<\/i> y su obra abarca m\u00e1s de diez t\u00edtulos po\u00e9ticos entre los que se encuentran <em>s\/t, O libro das mentiras<\/em> (de pr\u00f3xima aparici\u00f3n en traducci\u00f3n al castellano) o el reciente<em> Ant\u00eddoto,<\/em> publicado en edici\u00f3n biling\u00fce gallego-castellano por Alvarellos Editora. En 2017, un poema que se incluye en este poemario fue considerado el Mejor Poema del Mundo y galardonado con el Premio de Poes\u00eda Jovellanos.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5&#8243; text_size=\u00bbh5&#8243; uncode_shortcode_id=\u00bb113207&#8243;]Como narradora cultiva las formas cortas, como en los libros de microrrelatos <em>Coraz\u00f3n e demais tripas<\/em> y <em>Bibli\u00f3patas e fob\u00f3logos<\/em> o la novela fragmentaria <em>Besta do seu sangue. <\/em>En el a\u00f1o 2018 gana el Premio de la Cr\u00edtica Espa\u00f1ola en el apartado de narrativa en lengua gallega por <em>Bibli\u00f3patas e fob\u00f3logos,<\/em> el Premio Xerais de Novela por <em>Besta do seu sangue<\/em> y el Premio de Poes\u00eda Fiz Vergara Vilari\u00f1o por<em> As voces \u00e1grafas,<\/em> tres de los grandes galardones del sistema literario gallego.[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb983185&#8243;]\u2014 \u00a0<a href=\"https:\/\/gl.wikipedia.org\/wiki\/Emma_Pedreira\">Wikipedia<\/a>. \u00a0\u2014 \u00a0<a href=\"https:\/\/twitter.com\/emma_pedreira?lang=es\">Twitter<\/a>.\u00a0\u2014 \u00a0<a href=\"http:\/\/www.asega-critica.net\">A Sega.<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75&#8243; override_padding=\u00bbyes\u00bb h_padding=\u00bb0&#8243; top_padding=\u00bb0&#8243; bottom_padding=\u00bb0&#8243; overlay_alpha=\u00bb50&#8243; equal_height=\u00bbyes\u00bb gutter_size=\u00bb0&#8243; shift_y=\u00bb0&#8243;][vc_column column_width_percent=\u00bb100&#8243; gutter_size=\u00bb3&#8243; override_padding=\u00bbyes\u00bb column_padding=\u00bb0&#8243; back_image=\u00bb11295&#8243; overlay_alpha=\u00bb50&#8243; shift_x=\u00bb0&#8243; shift_y=\u00bb0&#8243; shift_y_down=\u00bb0&#8243; z_index=\u00bb0&#8243; medium_width=\u00bb4&#8243; mobile_width=\u00bb0&#8243; zoom_width=\u00bb0&#8243; zoom_height=\u00bb0&#8243; width=\u00bb1\/2&#8243; mobile_height=\u00bb380&#8243; uncode_shortcode_id=\u00bb766975&#8243;][vc_single_image media=\u00bb6425&#8243; media_width_percent=\u00bb100&#8243; uncode_shortcode_id=\u00bb874361&#8243;][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3&#8243; override_padding=\u00bbyes\u00bb column_padding=\u00bb3&#8243; back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50&#8243; shift_x=\u00bb0&#8243; shift_y=\u00bb0&#8243; shift_y_down=\u00bb0&#8243; z_index=\u00bb0&#8243; medium_width=\u00bb4&#8243; align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0&#8243; zoom_width=\u00bb0&#8243; zoom_height=\u00bb0&#8243; width=\u00bb1\/2&#8243; uncode_shortcode_id=\u00bb483979&#8243; back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400&#8243;][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4&#8243; text_font=\u00bbfont-909954&#8243; text_size=\u00bbh4&#8243; uncode_shortcode_id=\u00bb282058&#8243; text_color_type=\u00bbuncode-palette\u00bb]\u00abDigo que en los cuentos breves y brev\u00edsimos de esta obra hay mucho m\u00e1s que erotismo y humorismo; y tambi\u00e9n que el erotismo es la piedra angular que sustenta y resignifica estos relatos, sin limitarse a una odiosa clasificaci\u00f3n\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4&#8243; text_font=\u00bbfont-909954&#8243; text_size=\u00bbh4&#8243; uncode_shortcode_id=\u00bb536905&#8243; text_color_type=\u00bbuncode-palette\u00bb]\u00abEmma Pedreira dibuja una profusi\u00f3n de gentes y de escenas que no se detiene en g\u00e9neros ni en imaginarios, omite barreras etarias, destruye preconceptos; la \u00fanica l\u00f3gica posible es la l\u00f3gica del deseo\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4&#8243; text_font=\u00bbfont-909954&#8243; text_size=\u00bbh4&#8243; uncode_shortcode_id=\u00bb145176&#8243; text_color_type=\u00bbuncode-palette\u00bb]\u2014Patricia Odriozola[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6&#8243; text_font=\u00bbfont-555555&#8243; text_size=\u00bbh6&#8243; uncode_shortcode_id=\u00bb122138&#8243;]Coraz\u00f3n y dem\u00e1s tripas<\/p>\n<p>Patricia Odriozola<\/p>\n<p><span class=\"s1\"><strong><a href=\"https:\/\/lacopadelarbol.com\/2020\/09\/01\/corazon-y-demas-tripas-patricia-odriozola\/\">La Copa del \u00c1rbol<\/a><\/strong><\/span><\/p>\n<p>1 de septiembre de 2020[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=\u00bb0&#8243; 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