{"id":4758,"date":"2019-11-28T20:18:16","date_gmt":"2019-11-28T20:18:16","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=4758"},"modified":"2026-02-08T23:54:38","modified_gmt":"2026-02-08T23:54:38","slug":"juan-angel-asensio","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=juan-angel-asensio","title":{"rendered":"Juan \u00c1ngel Asensio"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb993191″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb176206″][vc_single_image media=\u00bb131899″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb189841″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb961600″ back_color_type=\u00bbuncode-solid\u00bb][vc_single_image media=\u00bb131887″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb749582″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb227931″]Colecci\u00f3n Poes\u00eda<\/strong><\/p>\n

Formato \u2014 17 x 24 cm<\/p>\n

Tipo \u2014 R\u00fastica<\/p>\n

N\u00ba de p\u00e1ginas \u2014 96<\/p>\n

ISBN \u2014 978-84-125815-8-4<\/p>\n

Precio \u2014 15\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb212443″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dlos-restos-del-rayo|title:Los%20restos%20del%20rayo\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb106902″][vc_single_image media=\u00bb11764″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb229920″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb191051″]Colecci\u00f3n Cr\u00e1neo<\/strong><\/p>\n

Formato \u2014 17 x 24 cm<\/p>\n

Tipo \u2014 R\u00fastica solapas<\/p>\n

N\u00ba de p\u00e1ginas \u2014 168<\/p>\n

ISBN \u2014 978-84-946897-8-9<\/p>\n

Precio \u2014 15\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb213849″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dantologia-poetica-de-la-especie-humana|title:Antolog%C3%ADa%20po%C3%A9tica%20de%20la%20especie%20humana\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb272020″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb195427″ column_width_pixel=\u00bb900″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb193899″]Juan \u00c1ngel Asensio[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb525526″]Juan \u00c1ngel Asensio \u00bfnaci\u00f3? en Madrid en 1994. Es graduado en Literatura General y Comparada por la Universidad Complutense de Madrid as\u00ed como en el M\u00e1ster de Cr\u00edtica y Comunicaci\u00f3n Cultural por la Universidad de Alcal\u00e1. Ha publicado los poemarios locos\/santos\/salvajes<\/em> (Ed. Chiado, 2017),\u00a0Huesos de ballena<\/em> (Acc\u00e9sits II Premio de Poes\u00eda Esdr\u00fajula, Ed. Esdr\u00fajula, 2019), Antolog\u00eda po\u00e9tica de la especie humana<\/em> (Franz, 2019) y Los restos del rayo<\/em><\/a> (Franz, 2024). Su obra ha sido incluida en la antolog\u00eda de poes\u00eda joven espa\u00f1ola Piel fina<\/em> (Ediciones Marem\u00e1gnum, 2019) y en La noche es un p\u00e1jaro azul. Antolog\u00eda de la \u00faltima poes\u00eda espa\u00f1ola<\/em> (Libros del aire, 2023).[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb971646″]Su libro publicado en esta casa, Antolog\u00eda po\u00e9tica de la especie humana,<\/a> fue escrito desde una min\u00fascula caba\u00f1a en los bosques asturianos, en el tiempo rel\u00e1mpago de lo que dur\u00f3 un trance, regal\u00e1ndonos literatura universal, en el sentido de que cualquiera puede reconocerlo y reconocerse, pero tambi\u00e9n en el sentido de universo c\u00f3smico.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb7″ bottom_padding=\u00bb7″ back_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb157202″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb469463″ column_width_pixel=\u00bb400″][vc_single_image media=\u00bb132134″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb711013″][\/vc_column][vc_column column_width_percent=\u00bb53″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb187328″][vc_custom_heading text_color=\u00bbcolor-wvjs\u00bb heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb971577″ text_color_type=\u00bbuncode-palette\u00bb]Presentaci\u00f3n de Los restos del rayo<\/em> en Librer\u00eda La Fabulosa de Madrid, el d\u00eda 4 de julio de 2024. Una conversaci\u00f3n del poeta \u00d3scar D\u00edaz con el autor.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-lxmt\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb203514″ css=\u00bb.vc_custom_1734121506341{border-bottom-width: 1px !important;}\u00bb border_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb114657″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb132127″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb193327″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ style=\u00bbdark\u00bb back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb212508″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb550″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb887949″]\u00abTras cinco a\u00f1os de silencio y exploraci\u00f3n, amanece un nuevo poemario de Juan \u00c1ngel Asensio: Los restos del rayo<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb804739″]\u00abVersos cortos que, por su tono arm\u00f3nico y sereno, predisponen al lector a una actitud contemplativa\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb191450″]\u00abLa voz po\u00e9tica nos va guiando, como ya hiciera Virgilio, por los diferentes c\u00edrculos del hogar. En ellos palpamos el verdadero sentido del rayo que no cesa:<\/em> el amor\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb512676″]\u00abY en todas las habitaciones encontramos restos felices de los moradores \u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb147154″]\u00abA la vez, surge una voz que nos incumbe: podr\u00edas ser t\u00fa el morador de este hogar; podr\u00edas ser t\u00fa el que no se percate de la maravilla de los hechos y objetos habituales; podr\u00edas ser t\u00fa el que se est\u00e1 perdiendo en el nudo infernal de la sintaxis…\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb144085″]\u00abDe juventudes inflamadas a Los restos del rayo<\/em> sosegados:<\/p>\n

un recorrido por la poes\u00eda de Juan \u00c1ngel Asensio\u00bb<\/p>\n

Diego Godi\u00e1n y Charles Puzols<\/p>\n

Pliego Suelto Revista de Literatura<\/a><\/p>\n

8 de julio de 2024[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb661846″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb224450″][vc_single_image media=\u00bb5448″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb175308″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb138921″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb153361″ text_color_type=\u00bbuncode-palette\u00bb]\u00abUn recorrido por el nacimiento y la muerte de nuestra existencia que muestra la dependencia de Dios, la necesidad de la naturaleza y la idealizaci\u00f3n del amor para llegar a la conclusi\u00f3n de que todos han sobrevivido y muerto varias veces en nuestras manifestaciones art\u00edsticas\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb204891″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa poes\u00eda es<\/em> Dios\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb193433″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Adri Fauro[\/vc_custom_heading][vc_empty_space empty_h=\u00bb5″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb213423″]La poes\u00eda es Dios<\/p>\n

Adri Fauro<\/p>\n

poscultura.com<\/a><\/strong><\/span><\/p>\n

19 de mayo de 2020[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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