{"id":5781,"date":"2020-08-25T20:01:29","date_gmt":"2020-08-25T20:01:29","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=5781"},"modified":"2024-12-18T00:39:28","modified_gmt":"2024-12-18T00:39:28","slug":"javier-santiso","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=javier-santiso","title":{"rendered":"Javier Santiso"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb847586″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb168111″][vc_single_image media=\u00bb11177″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb823611″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb188112″][vc_single_image media=\u00bb5769″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb841425″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb765895″]Colecci\u00f3n Cr\u00e1neo<\/strong><\/p>\n

Formato \u2014 17 x 24 cm<\/p>\n

Tipo \u2014 Arte<\/p>\n

N\u00ba de p\u00e1ginas \u2014 106<\/p>\n

ISBN \u2014 978-84-121697-7-5<\/p>\n

Precio \u2014 20\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb154860″ icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb675462″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb553012″ column_width_pixel=\u00bb700″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb337974″]Javier Santiso[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb742330″]<\/p>\n

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Es un economista formado en Par\u00eds y en Oxford, que ha publicado en las editoriales acad\u00e9micas de MIT, Cambridge y Oxford. En 2017, inspirado por el m\u00edtico sello franc\u00e9s Fata Morgana, fund\u00f3 su propia editorial, La Cama Sol<\/a>, dedicada al arte y la poes\u00eda, donde ha presentado a poetas como Joan Margarit, Eugenio de Andrade, Christian Bobin y Pere Gimferrer junto a artistas como Paula Rego, Jos\u00e9 Mar\u00eda Sicilia, Anselm Kiefer y Antoni T\u00e0pies. Ha traducido del franc\u00e9s al espa\u00f1ol a Christian Bobin y Lucien Becker, y tambi\u00e9n al malayo Latiff Mohidin y a la siria Maram al Masri. Como editor, trabaja para traer a Espa\u00f1a a voces in\u00e9ditas como la del poeta franc\u00e9s Henri Pichette, la luxemburguesa Anise Koltz o la americano-libanesa Etel Adnan.<\/p>\n<\/div>\n

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Como autor ha publicado tres poemarios: El octavo d\u00eda<\/em> (2017); Antes de que venga la noche<\/em> (2018), en colaboraci\u00f3n con la pintora Lita Cabellut; y Donde ella estaba, estaba el para\u00edso<\/em> (2019). En la obra de Santiso (Saint Germain en Laye, Francia, 1969), aunque sean cuentos o novelas, al poes\u00eda siempre est\u00e1 presente. Como en Un sol de pulpa oscura<\/em><\/a>, cuyo t\u00edtulo es un gui\u00f1o a un verso del poeta Eugenio de Andrade. El cuento se ambienta en un convento, est\u00e1 escrito de un tir\u00f3n para dar esa sensaci\u00f3n de falta de aire, de estar dentro del cr\u00e1neo de una monja, enjaulada en su propia vida, atrapada en el claustro; aqu\u00ed, s\u00f3lo sus pensamientos corren, libres, como un r\u00edo…<\/p>\n<\/div>\n

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El cuento de Santiso, a la vez sofocante y fluido (incluso torrencial), c\u00e1ndido pero atroz, se intercala entre las reproducciones (y detalles) de los seis exquisitos grabados sobre papel de Shirin Salehi<\/a>, sublimando juntos el esplendor del arte y la literatura. La filigrana sobria y minuciosa y, sin embargo, \u00e1cida e incisa del t\u00f3rculo de la artista nos recuerda que s\u00f3lo la hermosura nos salva del espanto, mientras la sirve de luto a la joven ultrajada que pena su mon\u00f3logo interior entre vitrales… Salehi ha escogido un verso de Juan Ram\u00f3n Jim\u00e9nez para describir su obra ind\u00f3mita y, curiosamente, resume tambi\u00e9n el l\u00edrico lamento en prosa del relato: \u00ab\u00a1O\u00edd mi aullido largo contra el sol inmortal!\u00bb<\/p>\n<\/div>\n

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