{"id":5834,"date":"2020-08-25T20:09:25","date_gmt":"2020-08-25T20:09:25","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=5834"},"modified":"2024-12-13T20:19:07","modified_gmt":"2024-12-13T20:19:07","slug":"melchor-lopez","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=melchor-lopez","title":{"rendered":"Melchor L\u00f3pez"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb1″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb105235″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb118746″][vc_single_image media=\u00bb11291″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb746939″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb901365″][vc_single_image media=\u00bb11711″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bblg\u00bb uncode_shortcode_id=\u00bb293823″ media_link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fportfolio%3Dnino|title:Ni%C3%B1o\u00bb][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb100450″]Colecci\u00f3n Poes\u00eda<\/strong><\/p>\n

Formato \u2014 10,5 x 20 cm<\/p>\n

Tipo \u2014 R\u00fastica<\/p>\n

N\u00ba de p\u00e1ginas \u2014 78<\/p>\n

ISBN \u2014 978-84-122407-0-2<\/p>\n

Precio \u2014 7\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb114060″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dnino|title:Ni%C3%B1o\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb1″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb272138″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb389119″ column_width_pixel=\u00bb800″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb752982″]Melchor L\u00f3pez[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb187452″]El autor del apreciado poemario Ni\u00f1o<\/a>, public\u00f3 sus primeros poemas en la revista Syntaxis<\/em> (n\u00ba22, 1990). En 1994 fue seleccionado en la antolog\u00eda Paradiso: siete poetas<\/em>, editada por Andr\u00e9s S\u00e1nchez Robayna. Su primer libro, Altos del sol<\/em>\u00a0\u2014un conjunto de poemas en prosa, de jaik\u00fas y de tankas\u2014 fue publicado en la colecci\u00f3n Paradiso en el a\u00f1o 1995. En 1997 publica El estilita<\/em>, un largo poema unitario. En el a\u00f1o 1998, Melchor L\u00f3pez (Tenerife, Islas Canarias, 1965) se traslada a la isla de Fuerteventura y, seis a\u00f1os despu\u00e9s, a la isla de Lanzarote, donde reside en la actualidad. Son los a\u00f1os de escritura\u00a0\u2014entre 1998 y 2005\u2014 de dos libros: Oriental<\/em> (2003) y Fama del d\u00eda<\/em> seguido de Escrito en Arrieta<\/em> (2006). Poemas suyos fueron recogidos, por estos a\u00f1os orientales, en tres antolog\u00edas: La otra joven poes\u00eda espa\u00f1ola<\/em> (2003), Antolog\u00eda del poema en prosa en Espa\u00f1a<\/em> (2005) y Poes\u00eda canaria actual<\/em>, 1990-2005.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb525295″]En 2013, en colaboraci\u00f3n con el artista bosnio Stipo Pranyko, publica De la tiniebla<\/em> en la editorial Asphodel, y al a\u00f1o siguiente el cuaderno Dos danzas<\/em>, compuesto tambi\u00e9n\u00a0\u2014como el libro anterior\u2014 por 22 poemas en prosa. Las dos \u00faltimas publicaciones del autor \u2014ambas correspondientes al a\u00f1o 2018\u2014 han sido los t\u00edtulos Seg\u00fan la luz<\/em>, una recopilaci\u00f3n de cuadernos de viaje, publicado por la editorial Trea y De vuelo<\/em>, publicado por la editorial Mercurio.[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb5″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ gutter_size=\u00bb5″ column_width_percent=\u00bb100″ border_color=\u00bbcolor-gyho\u00bb border_style=\u00bbsolid\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb146506″ border_color_type=\u00bbuncode-palette\u00bb css=\u00bb.vc_custom_1733772952650{border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00bb][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ radius=\u00bbxl\u00bb shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1000″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb119581″][vc_single_image media=\u00bb9375″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb149226″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ css_animation=\u00bbalpha-anim\u00bb animation_speed=\u00bb1000″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb119565″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb9\/12″ uncode_shortcode_id=\u00bb815020″][vc_custom_heading heading_semantic=\u00bbh3″ text_size=\u00bbh3″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb210977″]\u00abEn los humanos est\u00e1 contenida la posibilidad de volar. Y en el poema podemos alcanzar de alguna forma esa experiencia iluminadora del vuelo<\/span>\u00bb[\/vc_custom_heading][vc_empty_space][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb914993″][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb196976″][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb153486″]La poes\u00eda de Melchor L\u00f3pez<\/a> ha sido \u00abforjada en herrer\u00edas de creatividad radical\u00bb, bajo el yunque de la modernidad y la vanguardia. Su obra es \u00abun oasis excepcional, […] su mirada penetra, por los poderes de la imaginaci\u00f3n, hasta los bordes donde comienza lo invisible\u00bb, ha escrito Francisco Le\u00f3n. \u00abRepresenta con fidelidad eso que se ha dado en llamar poeta de culto<\/em>\u00bb, ha escrito Carlos Alcorta.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ shift_y=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb193578″][vc_single_image media=\u00bb7146″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb139051″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb138921″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb173059″ text_color_type=\u00bbuncode-palette\u00bb]\u00abLa trayectoria po\u00e9tica de Melchor L\u00f3pez ha estado guiada por el rigor est\u00e9tico. Sus poemarios son el resultado de un preciso modo de entender el fen\u00f3meno po\u00e9tico: la poes\u00eda como forja de un mundo intelectual y espiritual y como peculiar m\u00e9todo de conocimiento\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb214212″ text_color_type=\u00bbuncode-palette\u00bb]\u00abNi\u00f1o<\/em> es una rara manifestaci\u00f3n de l\u00edmpida, personal, alumbradora poes\u00eda;\u00a0una de las muestras m\u00e1s hermosas del nacimiento de una vocaci\u00f3n que puede hallarse en la literatura espa\u00f1ola actual\u00bb<\/em>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb658116″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Sergio Barreto[\/vc_custom_heading][vc_empty_space empty_h=\u00bb5″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb591517″]Ni\u00f1o de Melchor L\u00f3pez: poes\u00eda e iniciaci\u00f3n<\/p>\n

Sergio Barreto<\/p>\n

El Cuaderno<\/p>\n

13 de enero de 2021[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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