{"id":8346,"date":"2021-05-07T16:27:15","date_gmt":"2021-05-07T16:27:15","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=8346"},"modified":"2024-12-18T17:47:18","modified_gmt":"2024-12-18T17:47:18","slug":"nicolas-melini","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=nicolas-melini","title":{"rendered":"Nicol\u00e1s Melini"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb130898″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb198401″][vc_single_image media=\u00bb11236″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb uncode_shortcode_id=\u00bb961718″][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb147890″][vc_single_image media=\u00bb11735″ media_width_percent=\u00bb100″ shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb987651″][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb983172″]Colecci\u00f3n Moderna<\/strong><\/p>\n

Formato \u2014 10,5 x 20 cm<\/p>\n

Tipo \u2014 R\u00fastica<\/p>\n

N\u00ba de p\u00e1ginas \u2014 128<\/p>\n

ISBN \u2014 978-84-123318-2-0<\/p>\n

Precio \u2014 12\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb111227″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dtalon|title:Tal%C3%B3n\u00bb icon=\u00bbfa fa-arrow-right2″]Comprar [\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb0″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb873098″][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb156294″ column_width_pixel=\u00bb700″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-202779″ text_size=\u00bbh4″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb166759″]Nicol\u00e1s Melini[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb769011″]Ha escrito novelas y libros de cuentos, principalmente. Sus novelas publicadas son El futbolista asesino<\/em>, La sangre, la luz el violoncelo<\/em> y El estupor de los atlantes<\/em> (traducida la franc\u00e9s y al georgiano). Sus libros de cuentos son Pulsi\u00f3n del amigo<\/em>, Ci\u00e9naga<\/em>, Cuaderno de mis mayores<\/em> e Historia sin cari\u00f1o de Remedios Quiero Besarte<\/em>. Cuentos y poemas suyos han aparecido en varios idiomas: \u00e1rabe, rumano, ingl\u00e9s, georgiano, franc\u00e9s… En la actualidad suele colaborar en la revista Zenda<\/em> y en Cuadernos Hispanoamericoans<\/em>.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb820648″]De Nicol\u00e1s Melini (1969) se ha dicho: \u00abTiene todos los sonidos de nuestro tiempo\u00bb (Antonio Bord\u00f3n, La Provincia<\/em>); \u00abla rareza de lo precioso\u00bb (J. A. Jurista, ABC<\/em>); \u00abla maestr\u00eda con al que consigue articular fondo y estructura\u00bb (Jacques Soubeyroux, \u2018Manipular, mentir\u2019, Universit\u00e9 Lumi\u00e8re Lyon 2); \u00abdosis homeop\u00e1ticas de Melville, de Kafka y del Gracq de El mar de las Sirtes\u00bb<\/em> (Javier Moreno, Quimera<\/em>).[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb50″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb659009″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb107854″ column_width_pixel=\u00bb500″][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh3″ text_font=\u00bbfont-909954″ text_size=\u00bbh3″ uncode_shortcode_id=\u00bb169683″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs uno de los cuentistas m\u00e1s importantes<\/p>\n

del panorama hispanoamericano\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-gyho\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb141063″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Pedro Crenes[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ shift_y=\u00bb0″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb878418″][vc_single_image media=\u00bb8481″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb132943″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ back_color=\u00bbcolor-gyho\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb669463″ back_color_type=\u00bbuncode-palette\u00bb column_width_pixel=\u00bb400″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb197875″ text_color_type=\u00bbuncode-palette\u00bb]\u00abSus cuentos narran todas las otras cosas oscuras que suceden alrededor de un acontecimiento\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb232532″ text_color_type=\u00bbuncode-palette\u00bb]\u00abEs la esencia de la literatura: iluminar las zonas del lenguaje, del ser humano, que quedan oscurecidas, en las que no nos hab\u00edamos fijado hasta que alguien las nombra, las ilumina. Hacer la realidad m\u00e1s compleja, en definitiva\u00bb[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb204900″ text_color_type=\u00bbuncode-palette\u00bb]\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb142064″]Todas las otras cosas oscuras: una lectura de Tal\u00f3n, de Nicol\u00e1s Melini<\/p>\n

Diego S\u00e1nchez Aguilar<\/p>\n

eldiario.es<\/a><\/strong><\/span><\/p>\n

28 de junio de 2021[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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