{"id":8374,"date":"2021-05-06T23:20:53","date_gmt":"2021-05-06T23:20:53","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=8374"},"modified":"2025-12-26T22:25:28","modified_gmt":"2025-12-26T22:25:28","slug":"talon","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=talon","title":{"rendered":"Tal\u00f3n"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112987″][vc_single_image media=\u00bb11735″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb179315″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb200973″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb546268″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb300″ uncode_shortcode_id=\u00bb886416″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abY aun as\u00ed continu\u00f3 descendiendo, con pasos que parec\u00edan de p\u00e9rtiga. Casi volaba, saltaba y se suspend\u00eda en el aire y ca\u00eda unos buenos metros m\u00e1s abajo, sin conseguir recortar la menor distancia\u00bb[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb2″ mobile_width=\u00bb4″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb101139″][vc_single_image media=\u00bb11236″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb136725″][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb6″ mobile_width=\u00bb4″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb199834″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ text_weight=\u00bb400″ mobile_visibility=\u00bbyes\u00bb uncode_shortcode_id=\u00bb185723″]Colecci\u00f3n Moderna<\/p>\n

Formato: 10,5 x 20 cm<\/p>\n

ISBN: 978-84-123318-2-0<\/p>\n

N\u00aa de p\u00e1ginas: 128<\/p>\n

Precio: 12 \u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb116406″ icon=\u00bbfa fa-arrow-right2″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fpage_id%3D88829|title:Tal%C3%B3n\u00bb]Consultar[\/vc_button][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb164707″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb108977″][vc_column width=\u00bb1\/6″][\/vc_column][vc_column width=\u00bb2\/3″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-202779″ text_size=\u00bbh5″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb806104″ text_color_type=\u00bbuncode-palette\u00bb]La fragilidad del ser contempor\u00e1neo[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb898815″]<\/p>\n

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Un conjunto de relatos cortos, la mayor\u00eda especialmente breves: 17 piezas en total. Los personajes son obsesos y tambi\u00e9n la prosa que los describe se encierra sobre los detalles de un modo que resulta pertinaz. Los motivos que se tratan en estos cuentos conforman un corpus de retales de realidad o ficci\u00f3n y, tambi\u00e9n, un corpus de s\u00edntomas de las fragilidades del ser humano de nuestro tiempo. Son diversos los temas sobre la contemporaneidad que toca Nicol\u00e1s Melini<\/a> en este libro: el no-lugar, la vejez desamparada del occidental, el cuerpo como identidad atacada\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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En Tal\u00f3n, el escritor parece querer contarse, hablar de s\u00ed mismo desde la ficci\u00f3n. Fragmento a fragmento van cayendo nuevas y espec\u00edficas ideas: las pulsaciones incapacitares (o suicidas) de la persona moderna, la negatividad ante el vac\u00edo existencial, la indolencia masoquista, los espejismos del narciso que somos\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb146674″]<\/p>\n

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Se podr\u00eda decir que estos cuentos buscan, en cierto modo, el punto d\u00e9bil de las personas que somos en este tiempo. \u00abEn nuestro imaginario, el t\u00edtulo Tal\u00f3n remite inmediatamente a Aquiles y por tanto a una falla, a un punto flaco\u00bb, explica Melini. El libro enfrenta al lector, no le permite momentos de escapatoria, no es un placebo. Se trata de un dispositivo que nos sit\u00faa y empuja contra la pared. Tras su lectura no podemos sino haber conjurado algunos de nuestros m\u00e1s \u00edntimos temores.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb2″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb210030″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb510423″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb12322″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb617707″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb138831″]\u00abUna dicci\u00f3n exacta y exigente\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb527608″]\u00abFiliaci\u00f3n beckettiana en los aterradores \u201cPared\u201d y \u201cElasticidad comprobada\u201d; \u00abgui\u00f1os a Palahniuk en Salir; ecos de David Foster Wallace en\u00a0\u201cTal\u00f3n\u201d; e \u201cIndolente\u201d exigir\u00eda de un Cronenberg para su traducci\u00f3n cinematogr\u00e1fica\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb207707″]\u00abEn este potente libro sobre el estado del malestar, Melini explora el sentido de la esquiva y problem\u00e1tica identidad del\u00a0sujeto contempor\u00e1neo\u00bb.[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb111712″]\u2014Ricardo Men\u00e9ndez Salm\u00f3n[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb199289″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb504299″]\u00abPor lo que se refiere al cuento, destacari\u0301a entre los mejores libros de 2021 los de Gonzalo Calcedo (Como a\u0301nades<\/em>) y Cristina Cerrada (660 mujeres<\/em>), ambos en Menoscuarto; el de Domingo Villar (Algunos cuentos reunidos,<\/em> Siruela); Sonia Herna\u0301ndez (Maneras de irse,<\/em> Acantilado); los de Ernesto Calabuig (Fra\u0301giles humanos<\/em>) y Pepe Cervera (Azufre<\/em>), en Tres Hermanas; Nicola\u0301s Melini (Talo\u0301n,<\/em> Franz) y Miguel Serrano Larraz (Si no eres, lo menos que podri\u0301as hacer es decirlo,<\/em> Prensas de la Universidad de Zaragoza)\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb140840″]\u2014Fernando Valls[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb559338″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb12266″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb767619″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb199289″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb726445″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb10629″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb208968″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb152208″]\u00abEs uno de los cuentistas m\u00e1s importantes del panorama hispanoamericano y vuelve a demostrarlo\u00a0con este hermoso, inquietante y profundo libro de cuentos\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb653747″]\u00abUn libro que, por su hondura de mirada sobre el vac\u00edo de este tiempo y sobre el ensimismamiento de todos, seguro va a producir, como poco, un ajuste de enfoque en nuestra circunstancia\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb214632″]\u2014Pedro Crenes[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb199289″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb163814″]\u00abSus cuentos narran todas las otras cosas oscuras que suceden alrededor de un acontecimiento. Es la esencia de la literatura: iluminar las zonas del lenguaje, del ser humano, que quedan oscurecidas, en las que no nos hab\u00edamos fijado hasta que alguien las nombra, las ilumina. Hacer la realidad m\u00e1s compleja, en definitiva\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb359141″]\u00abMelini arma un estupendo libro de relatos en el que se muestran esos descampados de la vida de las personas […] y a un ser humano atrapado en sus rutinas, en un cuerpo que es y no es, en una identidad que le pertenece y no, y que est\u00e1 tremendamente solo, que es dolorosamente fr\u00e1gil e insignificante\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb831424″]\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb347474″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb8481″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb603470″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb199289″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb347474″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9409″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb647600″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb172549″]\u00abUn buen cuento tiene que secuestrar al lector desde la primera frase y sorprenderlo al final. Esa es la intensidad del relato breve\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb822317″]\u00abNo s\u00e9 si la literatura da respuestas, pero estas narraciones de Melini nos conmocionan\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb188631″]\u2014Felipe Garc\u00eda Land\u00edn[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb199289″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb182468″]\u00abTodos los cuentos tienen que ver con alg\u00fan tipo de falla. Y el tal\u00f3n, culturalmente, nos remite al tal\u00f3n de Aquiles\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb897935″]\u00abEl libro nos habla de c\u00f3mo somos hoy pero desde los m\u00e1rgenes\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb108160″]\u2014Nicol\u00e1s Melini[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb347474″ back_color_type=\u00bbuncode-palette\u00bb][vc_single_image media=\u00bb9405″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb158945″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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