{"id":8685,"date":"2021-09-08T20:04:53","date_gmt":"2021-09-08T20:04:53","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?post_type=portfolio&p=8685"},"modified":"2024-12-10T20:33:15","modified_gmt":"2024-12-10T20:33:15","slug":"signos-hermeticos-de-una-nueva-melancolia","status":"publish","type":"portfolio","link":"https:\/\/www.edicionesfranz.com\/?portfolio=signos-hermeticos-de-una-nueva-melancolia","title":{"rendered":"Signos herm\u00e9ticos de una nueva melancol\u00eda"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb3″ overlay_alpha=\u00bb50″ gutter_size=\u00bb4″ column_width_use_pixel=\u00bbyes\u00bb shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb125160″ column_width_pixel=\u00bb1500″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_right\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb112987″][vc_single_image media=\u00bb11725″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb942439″][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb200973″][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb546268″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbcustom\u00bb text_weight=\u00bb300″ uncode_shortcode_id=\u00bb104407″ heading_custom_size=\u00bbclamp(18px,4vw,20px)\u00bb]\u00abUna bala de diamante\u00bb[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb2″ mobile_width=\u00bb4″ width=\u00bb4\/12″ uncode_shortcode_id=\u00bb101139″][vc_single_image media=\u00bb11564″ media_width_percent=\u00bb100″ media_ratio=\u00bbone-one\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbxl\u00bb uncode_shortcode_id=\u00bb564283″][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbjustify\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb6″ mobile_width=\u00bb4″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb199834″][vc_custom_heading heading_semantic=\u00bbh6″ text_size=\u00bbh6″ text_weight=\u00bb400″ mobile_visibility=\u00bbyes\u00bb uncode_shortcode_id=\u00bb737431″]Colecci\u00f3n Kuiper<\/p>\n

Formato: 17x24cm<\/p>\n

ISBN: 978-84-123318-3-7<\/p>\n

N\u00ba de p\u00e1gs: 270<\/p>\n

Precio: 17\u20ac[\/vc_custom_heading][vc_button size=\u00bblink\u00bb btn_link_underline=\u00bbbtn-underline-out\u00bb icon_position=\u00bbright\u00bb uncode_shortcode_id=\u00bb279086″ icon=\u00bbfa fa-arrow-right2″ link=\u00bburl:https%3A%2F%2Fwww.edicionesfranz.com%2F%3Fproduct%3Dsignos-hermeticos-de-una-nueva-melancolia|title:Signos%20herm%C3%A9ticos%20de%20una%20nueva%20melancol%C3%ADa\u00bb]Comprar[\/vc_button][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_visibility=\u00bbyes\u00bb medium_width=\u00bb0″ mobile_visibility=\u00bbyes\u00bb mobile_width=\u00bb0″ width=\u00bb3\/12″ uncode_shortcode_id=\u00bb164707″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb108977″][vc_column width=\u00bb1\/6″][\/vc_column][vc_column width=\u00bb2\/3″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh5″ text_font=\u00bbfont-202779″ text_size=\u00bbh5″ text_weight=\u00bb700″ uncode_shortcode_id=\u00bb500908″ text_color_type=\u00bbuncode-palette\u00bb]Azul que fosforece[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh5″ text_size=\u00bbh5″ text_weight=\u00bb400″ sub_lead=\u00bbsmall\u00bb uncode_shortcode_id=\u00bb843345″]<\/p>\n

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Enigm\u00e1tica segunda novela de Alfonso Garc\u00eda-Villalba<\/a>, en s\u00ed misma una esfera psicod\u00e9lica que da acceso a un estado mental confuso, en el que la memoria se ha fragmentado. No es que se haya renunciado a lo real ni a la sensaci\u00f3n ni al placer ni a la reverberaci\u00f3n de la mente, pero todo sucede en un estado hipnag\u00f3gico que altera la percepci\u00f3n del tiempo y el espacio. El mundo tecnol\u00f3gico queda entrelazado con el on\u00edrico en este relato circular e ins\u00f3lito. Es un tipo de ciencia-ficci\u00f3n estil\u00edstica que inaugura la Colecci\u00f3n Kuiper, soplando esferas po\u00e9ticas en la imaginaci\u00f3n lectora, \u00abde un azul tan intenso\u00bb, como dec\u00eda Pere Gimferrer, \u00abque por las noches fosforece\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Bienvenidos a una inmersi\u00f3n en la memoria y el olvido, a los jirones de un yo que se diluye en percepciones y fluctuaciones sin saber si son propias o no. De hecho, en la Lectura Oracular que inaugura la narraci\u00f3n se revela: \u00abUn d\u00eda escribir\u00e1s sobre otro. Otro que no eres t\u00fa. Otro que, pese a todo, s\u00f3lo puedes ser t\u00fa\u00bb.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_custom_heading][\/vc_column][vc_column width=\u00bb1\/6″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb3″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ content_parallax=\u00bb0″ uncode_shortcode_id=\u00bb180218″][vc_column width=\u00bb1\/1″][vc_single_image media=\u00bb117993″ media_width_percent=\u00bb100″ media_ratio=\u00bbthree-two\u00bb alignment=\u00bbcenter\u00bb shape=\u00bbimg-round\u00bb radius=\u00bbstd\u00bb uncode_shortcode_id=\u00bb203946″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9377″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb166752″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb200763″]\u00abUna de las obras de ciencia ficci\u00f3n\u00a0m\u00e1s arriesgadas y conmovedoras\u00a0<\/span>que he le\u00eddo en mucho tiempo\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb125401″]\u00abAlfonso Garc\u00eda-Villalba es un escritor de s\u00edmbolos. Toda la novela en s\u00ed se mueve en el campo de lo simb\u00f3lico\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb176678″]\u00abHay fragmentos realmente bellos [\u2026] la acci\u00f3n subsumida por un lirismo violento. Los protagonistas parecen humanos aunque hay en ellos una energ\u00eda mutante\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb206321″]\u2014Pedro Pujante[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb359655″]\u00abEntre mis influencias literarias est\u00e1n Ballard, Burroughs y Philip K. Dick. Tambi\u00e9n tienen algo que ver en lo que escribo ensayistas como Baudrillard, Mark Fisher o Peter Sloterdijk (muy influyente para Signos<\/em>). Peter Kingsley y su ensayo En los oscuros lugares del saber, en torno a Parm\u00e9nides,<\/em> es una lectura fundamental para m\u00ed. Y, c\u00f3mo no, el pensador italiano Franco \u201cBifo\u201d Berardi cuyo concepto de \u201clenta cancelaci\u00f3n del futuro\u201d es crucial para Signos<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb103564″]\u00abTambi\u00e9n David Lynch o Cronenberg. O pintores como Magritte y El Bosco. O la m\u00fasica contempor\u00e1nea de William Basinski y de Loscil, sobre todo el ritmo, los bucles sonoros\u2026\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb113702″]\u00abLa dislocaci\u00f3n de memoria que me dej\u00f3 fascinado es la del protagonista de la novela Nog<\/em>, de Rudoph Wurlitzer. Sin embargo, la memoria no es exclusivamente personal, tiene un componente pol\u00edtico: La funci\u00f3n del estado como aparato de vigilancia es la de inventar y construir una memoria incierta y una experiencia impersonal. Lo dice Ricardo Piglia\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb212756″]\u2014Alfonso Garc\u00eda-Villalba[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9379″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb111318″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9538″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb128866″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb115725″]\u00abEl narrador murciano lanza una novela inclasificable pero tan on\u00edrica y adictiva como los escarabajos psicoactivos que pueblan sus p\u00e1ginas. A caballo entre m\u00faltiples planos de la realidad…\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb976225″]\u00abLa distop\u00eda en la que viven tus personajes me recuerda a Ballard o a Pynchon\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb168093″]\u00abEl adjetivo que m\u00e1s se repite, al hablar de tu texto, es \u201chipn\u00f3tico\u201d, pero no es f\u00e1cil explicar por qu\u00e9: lo enigm\u00e1tico del mundo que habitan tus personajes, lo r\u00edtmico o po\u00e9tico de tu fraseo, lo fascinante de esa mirada \u2018borrosa\u2019 sobre la realidad\u2026\u00a0<\/span>\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb255196″]\u2014Jos\u00e9 Daniel Espejo[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb200749″]\u00abUna obra muy potente\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb218744″]\u00abTiene tintes de road movie […]\u00a0Los \u00e1mbitos comarcales [la novela est\u00e1 ubicada en la regi\u00f3n de Murcia] que aparecen en la novela han sido dotados de p\u00e1tina, de literatura. Ya no volver\u00e9 a mirar de la misma manera ese hotel de carretera, el bosque cercano a la playa, las gasolineras\u2026\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb104435″]\u00abMe encanta el personaje de Magritte porque sue\u00f1a tanto que le duele so\u00f1ar\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb173787″]\u2014Domingo Llor[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb12542″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb913881″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9726″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb108434″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb252396″]\u00abUno de los autores m\u00e1s interesantes\u00a0de la narrativa espa\u00f1ola actual\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb160506″]\u00abLe ofrece al lector una nueva experiencia literaria por una concepci\u00f3n del hecho narrativo que supone una refutaci\u00f3n absoluta de la idea de linealidad\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb396629″]\u00abUn ritmo c\u00edclico de ondas que van repiti\u00e9ndose y ampli\u00e1ndose como una composici\u00f3n musical minimalista\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb960837″]\u2014Diego S\u00e1nchez Aguilar[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb130108″]\u00abLeer esta novela supone dejarse arrastrar por ese torbellino de im\u00e1genes que suponen los numerosos c\u00edrculos exc\u00e9ntricos con los que parece construirse. [\u2026] He dicho c\u00edrculos exc\u00e9ntricos. Y un c\u00edrculo exc\u00e9ntrico no es m\u00e1s que una elipse. Y una elipse puede llegar a confundirse con una \u00f3rbita. La \u00f3rbita de una esfera azul, por ejemplo. Y con elipses y \u00f3rbitas parece construirse la geometr\u00eda de esta novela que desconf\u00eda, por sistema, de lo lineal: ese horizonte que desaparece\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb179581″]\u2014Lujo Berner[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9729″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb147575″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb9797″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb861082″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb116821″]\u00abLa experiencia de leer esta novela es \u00fanica, nueva, maravillosa y me ha hecho un adicto a la forma de escribir de Alfonso Garc\u00eda-Villalba\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb486908″]\u2014Paco Pa\u00f1os[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb152820″]\u00abRecomiendo leer Signos herm\u00e9ticos de una nueva melancol\u00eda<\/em> escuchando un tema de Boards of Canada: Music is math<\/em>\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb159508″]\u00abDefinir\u00eda esta obra como una instalaci\u00f3n art\u00edstica [\u2026] tambi\u00e9n como una canci\u00f3n minimalista\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb112926″]\u00abAlfonso Garc\u00eda-Villaba ejerce de cham\u00e1n o de DJ [\u2026] atrae s\u00edmbolos culturales [\u2026] como los de David Lynch, Gilles Deleuze, Mark Fisher, David Foster Wallace, David Cronenberg, Mario Bellatin, Charles Burns, Peter Sloterdijk o Robert Smith\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb105178″]\u2014Alejandro Hermosilla[\/vc_custom_heading][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb10347″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb613757″][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb109271″][vc_single_image media=\u00bb10471″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb193803″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb163807″]\u00abUna novela at\u00edpica, on\u00edrica e irracional [\u2026] Un artefacto arriesgado que desencadena una lectura muy distinta\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb777591″]\u00abHabitaciones de hotel, \u00e1rboles oscilantes, grabaciones antiguas, espejos en los que meterse, mujeres con cabeza de lechuza, una vaca amarilla\u2026 Im\u00e1genes que asaltan al lector como piezas de un puzzle\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb379838″]\u2014Ana Belen Mart\u00ednez[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb75″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb158165″][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb5″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb182117″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#232323″ column_width_pixel=\u00bb400″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb331866″]\u00abUn texto dif\u00edcil, atractivo, nebuloso, persuasivo, de pretensiones intrigantes\u00bb[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb204713″]\u00abEs un texto que se aleja deliberadamente de lo narrable, que estira la cuerda de su humanidad. 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