{"id":119238,"date":"2020-11-02T01:04:40","date_gmt":"2020-11-02T01:04:40","guid":{"rendered":"https:\/\/www.edicionesfranz.com\/?p=119238"},"modified":"2023-04-02T18:28:40","modified_gmt":"2023-04-02T18:28:40","slug":"entrevista-con-avelino-fierro-la-incertidumbre-enriquece-la-mirada","status":"publish","type":"post","link":"https:\/\/www.edicionesfranz.com\/?p=119238","title":{"rendered":"Entrevista con Avelino Fierro: \u00abLa incertidumbre enriquece la mirada\u00bb"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb5″ bottom_padding=\u00bb5″ back_color=\u00bbcolor-184509″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb181869″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_horizontal=\u00bbleft\u00bb position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb562912″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ text_weight=\u00bb500″ uncode_shortcode_id=\u00bb176405″]Entrevista con Avelino Fierro: \u00abLa incertidumbre enriquece la mirada\u00bb[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb0″ top_padding=\u00bb0″ bottom_padding=\u00bb0″ overlay_alpha=\u00bb50″ equal_height=\u00bbyes\u00bb gutter_size=\u00bb0″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb856786″][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb0″ override_padding=\u00bbyes\u00bb column_padding=\u00bb0″ back_image=\u00bb11295″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ mobile_height=\u00bb380″ uncode_shortcode_id=\u00bb197594″][vc_single_image media=\u00bb6661″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb190318″][\/vc_column][vc_column column_width_use_pixel=\u00bbyes\u00bb position_horizontal=\u00bbleft\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb4″ align_mobile=\u00bbalign_center_mobile\u00bb mobile_width=\u00bb0″ zoom_width=\u00bb0″ zoom_height=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb184384″ back_color_type=\u00bbuncode-solid\u00bb back_color_solid=\u00bb#f8f8fa\u00bb column_width_pixel=\u00bb700″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh6″ text_font=\u00bbfont-555555″ text_size=\u00bbh6″ uncode_shortcode_id=\u00bb585370″ text_color_type=\u00bbuncode-palette\u00bb]Quiero pensar que la incertidumbre, enriquece la mirada<\/span><\/p>\n

Cristina Fanjul<\/strong><\/span><\/p>\n

Diario de Le\u00f3n<\/a><\/strong><\/span><\/p>\n

1 de noviembre de 2020<\/span>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh4″ text_font=\u00bbfont-909954″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb112867″ text_color_type=\u00bbuncode-palette\u00bb]<\/p>\n

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\u00ab\u00bfNi cartas ni diarios? Puede. \u00bfMejor que la poes\u00eda? Ni hablar; no hay nada por encima de la escritura po\u00e9tica. Y ya me gustar\u00eda a m\u00ed llegar a ese estadio. Pero es cierto que algo de eso es lo que uno pretende, lo que uno va buscando. En esos d\u00edas en que escrib\u00ed estas cartas le\u00eda las de otro poeta, Gil de Biedma. Y las de Keats\u00bb<\/p>\n<\/div>\n<\/div>\n

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\u00abY algunos otros libros m\u00e1s, a Flaubert y a Cioran. Pienso siempre que, con suerte, algo de ellos se me pegar\u00e1 y se ver\u00e1 reflejado en mi escritura. Lo de Pla. Sin ser poeta tiene una mirada sobre las cosas, una adjetivaci\u00f3n, unas descripciones de la niebla sobre el Canig\u00f3 o de la luz de la luna sobre las verduras del huerto que pueden ponerse perfectamente en los renglones del verso. Su escritura era precisa y sensual\u00bb<\/p>\n<\/div>\n

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\u00abPod\u00eda hacer \u2014dijo Umbral\u2014 con la descripci\u00f3n de un guiso una obra maestra tan acabada como un bodeg\u00f3n de C\u00e8zanne. Tienen un par de libros que titula Cartas de lejos y Cartas de Italia; si lees en estas el arranque de su entrada en Pisa, te maravillar\u00e1. Yo le\u00ed el Cuaderno gris en el 89; y desde entonces quiero parecerme a \u00e9l, pero sin boina\u00bb<\/p>\n<\/div>\n<\/div>\n

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